rêver

on ne voit bien qu'avec le cœur. L'essentiel est invisible pour les yeux

[breathesart]

Belkis Ayon, The Sentence

[thunderstruck9]

Felipe Baeza (Mexican, 1987), Después de todo, solo estamos aquí una vez III [After all, we’re only here once III], 2023. Acrylic, ink, watercolor, and cut paper on panel, 8 x 8 in.

[skulsakz]

miu miu menswear

[nobrashfestivity]

Edvard Munch, Prints of Melancholy II

Woodcut

1898

[ccccccitizon]

Gaetano Pesce

[caterpie]

On Your Mark (1995)

[raesteagarden-deactivated202309]

How I feel right now

[banksalec]

[distantvoices]

Tessa Bruinsma and Bas Draak by Walter Pierre for Carnale Room November 2022

[kitchen-light]

“the poem begins not where the knife enters but where the blade twists.”

— Hanif Abdurraqib, from his poem ‘The Prestige’, published at Poets.Org

[latibule-e-deactivated20231012]

— Franz Kafka, from “Letters to Milena.”

[latibule-e-deactivated20231012]

— Richard Jackson, from “Basic Algebra.”

[latibule-e-deactivated20231012]

— Madeline Miller, from “Circe.”

[latibule-e-deactivated20231012]

—Logan February, from “Sober II.”

[latibule-e-deactivated20231012]

— Meggie Royer, from “Psych Ward Lover.”

[distantvoices]

By Carlijn Jacobs for System Magazine Beauty Issue 1

[kylokargosh]

John Galliano

[1010ll]

https://www.instagram.com/p/BoXM3T1AMNh/?

[jinxproof]

Milla Jovovich | The Fifth Element (1997) dir. Luc Besson

[sphinxinthenight]

[iindex]

[onbemind]

Undercover x Evangelion aw21-22 Tokyo Collection.

[lispectorisms-deactivated202301]

from “James Baldwin, The Art of Fiction No. 78,” interviewed by Jordan Elgrably, Paris Review (no. 91, Spring 1984)