taylor price
Show & Tell

PR's Tumblrdome

Origami Around

Product Placement
No title available

blake kathryn
YOU ARE THE REASON

No title available

★

No title available
Keni
Claire Keane
RMH

祝日 / Permanent Vacation
Sade Olutola

#extradirty
will byers stan first human second
No title available
Three Goblin Art

seen from Singapore
seen from United States

seen from United States
seen from France
seen from United States

seen from Malaysia
seen from United States

seen from Germany

seen from Switzerland
seen from United Kingdom

seen from T1

seen from United States

seen from United States

seen from United States
seen from Honduras

seen from United States

seen from Türkiye

seen from Türkiye

seen from United States
seen from Singapore
@seith-communiti
Olivetti formes et recherche, Musée des Arts Décoratifs, Paris, November 20, 1969 – January 1, 1970
808 states björk
St Hollywood Bbys - Mx Silkman
From Twitter DMs to actually coming to Bucharest from fuckin Cleveland, Ohio, Aerin Ercolea aka Mx Silkman is one of our most cherished friends and supporters.
Her musical journey to techno took the roundabout way of noise and power electronics, a raw nihilism you can still hear in her rugged, industrial-heavy sets. But the kind of techno she plays is fast, angry and cathartic. Aerin is also one of the few people we know who’s playing only vinyl and not being a snob about it. She’s been amassing records for over fifteen years and her collection was heavily influenced by growing up in the post-industrial Midwestern landscape.
Her love for all things gay, anarchist and techno also lead to the creation of In Training, an autonomous queer party striving to offer a space for marginalized communities, together with Father of Two and Kiernan Laveaux. For over four years, In Training has been responsible for curating nearly 50 monthly parties “that present a diverse range of performances that captures the essence of electronic music as an expression of hope and strength in the face of a dehumanizing and alienating society”, as she likes to put it.
She also makes music under the alias Auton, combining hypnotic, acid-infused techno with anarchist references from her Italian heritage. The mesmerizing La Lotta Continua was released last year via Doc Sleeps’ excellent label Jacktone. She sent us three tracks that inspire her before her coming to play Saint Hollywood and we’re thrilled to finally be able to share them with yall!
Dollar bin find from a collection I found in Cleveland belonging to a rave DJ who died. His graffiti tag is all over the jacket I found this in written in silver marker. RIP DJ Gank.
Ripping deep off-kilter “hard minimalism” from 90s Germany. These two are like if Basic Channel and all their aliases used sonar radio recordings instead of dub reggae as their main influence. Definitely a dancefloor-clearer
Very sparse fast techno (Proto-trance?) That builds slowly over nearly 15 minutes. Absolute k-hole music. Too fast to play it all the time, which adds to how great of a track it is. The A-side is similarly great if you like rave whistle noises. Another find from the collection of the deceased DJ Gank. A shame we never met, as he had impeccable taste and has been a shadow-influence on myself and my friends since rescuing his collection from moldering at a resale shop.
Welcome to the Haus Ov Hollywood!
Dear cuties, queens, dance sisters and comrades,
We are thrilled to welcome to the Haus Ov Hollywood, the blog dedicated to all things Saint Hollywood!
At the gates of the ancient Ottoman Empire, in the wild Eastern European city of Bucharest, for a brief Tuesday night, a special party is bringing together local queers and international friends on the dancefloor.
Created less than two years ago by local diva Amber Amber, Saint Hollywood is intended is a home for the sounds and bodies that may not have found a place elsewhere.
With the generosity of Control Club and a dedicated network of friends and allies, this modest locals’ Tuesday has grown into an exciting breeding ground for up-and-coming talent.
Andra Nikolayi, the driving force behind the party, has been serving up everything from hi-nrg disco to old school house during the parties she hosted as Amber and all things garage, techno, jungle, post-clubbing and bass as her Opal alias.
Every last Tuesday of the month, she invites a guest DJ who shares her passion for club sounds that fall just outside the norm take us on an all-night, genre-bending journey.
Forget about white fuccbois, perfect mixing and genre purity - Saint Hollywood is queer, camp and tempo-hopping. The weirder, the better. We’re loud, fast and glam.
We’re striving to empower female, non-binary, trans and queer DJs, as well as nurture a loose network of dedicated voguers, dancers and visual artists.
On this blog we’ll be sharing features, mixes and other goodies about the many talented people we’ve been so grateful to have behind the Saint Hollywood booth.
And, as always, we hope to see you on the dancefloor!
Love,
Saint Hollywood
Porter Ricks - Polytoxic 2 (Force Inc., 1999)
Richard Hambleton collaboration with Jean-Michel Basquiat