The Great | season 3 episode 6
“when we did our last scene together, Elle and I, it was kind of a crazy feeling because I was like ‘I'm gonna miss this.’”
Mike Driver

roma★

Love Begins
YOU ARE THE REASON

shark vs the universe
trying on a metaphor

ellievsbear

Andulka
No title available
taylor price
TVSTRANGERTHINGS
Noah Kahan
Game of Thrones Daily

titsay
Xuebing Du
No title available
almost home
🩵 avery cochrane 🩵

PR's Tumblrdome

JVL

seen from United States
seen from Türkiye
seen from United States
seen from Venezuela
seen from United States
seen from Venezuela
seen from United States

seen from Singapore

seen from Argentina

seen from Canada

seen from United States
seen from United States
seen from Canada
seen from Canada
seen from Colombia

seen from Malaysia
seen from Malaysia
seen from United States
seen from United States
seen from United Kingdom
@serendipitiess
The Great | season 3 episode 6
“when we did our last scene together, Elle and I, it was kind of a crazy feeling because I was like ‘I'm gonna miss this.’”
The Great 3x02 // 3x04
and you mine and you me 🫶
My favorite scene from "The Great" (2020)
Catherine and Peter dancing.
The Great + Costumes
Catherine the Great's green, brown, creme, red, yellow & silver dress in Season 03, Episode 04.
// requested by anonymous
i have never thought about edward ferrars being a virgin, but yeah that man has not seen a coochie to save his life (I am sorry I have even deigned to speak so vulgarly Jesus)
Me, wide awake and staring at my ceiling: guess it’s time to think about which men in Jane Austen’s novels have definitely fucked before the book began
All the rogues, obviously—your Wickhams, your Willoughbys, your Frederick Tilneys—but where heroes are concerned, I feel like it’s possible we’re batting a thousand with virgin heroes. Edward and Edmund definitely have never seen a naked woman in their lives, I feel like Henry Tilney has the temperament to fuck before marriage but he drinks too much respect women juice in light of his brother being a dick, and Darcy and Wentworth are too socially anxious or devoted, respectively. I can’t speak for the older heroes though—Brandon’s traveled, I imagine he could have had some adventures. Obviously send me your thoughts, and stay tuned for my musings on how horny all of these men are (because they all are. They might not have fucked but they definitely want to).
RESPECTWOMENJUICHFFHDHDHD op is more right about anything than anyone I have seen ever. I trust op with my life.
hmmmmm
Emma (2020) dir. Autumn de Wilde
With whom will you dance?
With you, if you will ask me.
EMMA. (2020), dir. Autumn de Wilde
Okay I have so many thoughts about the new Emma movie, I have to get them out! I was very apprehensive about another adaptation of Emma, because I so love the BBC version with Romola Garai. But I have to say this one nails it. The costumes were phenomenal, so vibrant and detailed. The colors were so bright it really accented the whimsical feel of the theme I think they were trying to portray: that Emma is lighthearted and carefree and really, childlike until she matures a bit, but she still stays Emma-fun and bringing joy and light to those around her.
The sets were luxurious and everything from the food to the furniture really showed the decadence in which Emma and her friends live. The shots they did were so unique, it really captured a different look to things that made it more intimate and made you see things from a different, more pertinent perspective than you usually do.
The music was different than what you would normally expect for a period film, but most excellently done and helped accent and convey different points and emotions of the story. There were also these really crisp transitions that punctuated the storyline and again, kept that lighthearted feel and theme throughout.
This version pegs the comedy aspect of Emma better than any other one before. Mr. Elton was so over the top in the best way possible, showing how highly he thought of himself and the expectations he had for his life, and Mrs. Elton was his perfect counterpart in all the lavish expectations they had for themselves and those around them. Miss Bates almost stole the show with her performance. Her comedic timing and good natured attitude flowed seamlessly, making her one of the favorite characters, in my opinion. Harriet Smith’s portrayal is the best yet: she shows the innocence, the adoration she has for Emma and their friendship, but really grows, as does Emma, throughout the film and becomes a strong character, able to speak her mind and make decisions for herself. Also the friendship between Harriet and Emma is showcased more than in other versions and that’s what makes this version even stronger. I wasn’t sure about casting for Knightley at first when I saw the trailer but he. Was. Breathtaking. His and Emma’s relationship, their friendship, their differences, is shown in more detail and helps show the pull they have towards each other all through the film. I also love the shock they both feel at the attraction and love they’ve clearly had for each other for a while, but neither realizing it until later. Emma’s father played the comedic part of him being over dramatic about sickness and worry well but balanced it with the love you know he has for his daughters and friends and just made him a charming character. The other characters were also well acted and again, flowed together to make all the inhabitants, friends, and relations in Highbury ones you didn’t want to leave when the film was over and want to visit again and again. The last relationship I thought was an interesting, new take was Emma and Jane Fairfax. The film talks about this, but something I have never seen so detailed out in other versions, was really how Emma envies Jane, for how accomplished and mature she is. That was an interesting dynamic that played out, but also showed how in the end, Emma learns from Jane as Jane learns from Emma, and although not overtly stated, they do become acquaintances who see each other’s perspective and admire the other for it. And lastly, Emma’s portrayal captures the innocence she has, luxury and ease in life she’s been accustomed to, wide eyed naïveté she possesses, but keeps her true wish and heart at the forefront: how she only wants what is best for those around her and to see they have every happiness in life. Her maturity in the end does not snuff out this love and light and whimsy for life, but rather grows it in a way that keeps her the loving, likeable character she is. I loved the different take they did on some scenes, how they altered it a bit but it gave you a new, deeper perspective on the story that was just brilliant.
One last thing the dancing. Oh the dancing! It’s Pride & Prejudice but on a whole other level. It is the perfect picture of what dance was back then, sensual, but discreet, full of beauty, grace, and emotion.
Seriously, go see it because it is amazing!
Emma. (Autumn de Wilde, 2020)
A very pleasant, bucolic take on the classic Jane Austen story, Autumn de Wilde’s Emma. is one of those films that seem to usher in a season. Springtime oozes out of most frames, with florals (for spring? Groundbreaking.) and windswept meadows and white muslin and mossy stones on display, and I left the theater wanting to immediately go on a picnic. I’m not sure why we needed a new adaptation of Emma, and I’m not sure the film provides a ready reason for its existence, but it was a very welcome reprise from the hell world we’re all living in.
I do think this did a good job — perhaps a better job than the Gwyneth Paltrow adaptation of the 90s — of depicting Emma as a popular, almost famous figurehead in the town and showing her as a bit shallow and flighty at first. Only Clueless has really done such a good job of humanizing Emma (or Cher), as the 1996 version in my remembrance tends to depict her as well-intended and a bit magnanimous from the start. This current entry doesn’t shy away from showing Emma as vain in her own way, and allowing her to grow.
I also found this adaptation to better lend itself to a queer reading. Emma’s relationship with Harriet is romantic in some ways; there are the requisite scenes of them dancing in the guise of Harriet’s societal education, and Emma almost romances Harriet in the stead of several suitors. This film seemed a bit more open to the possibility and the core relationship in the film is the one shared by Emma and Harriet. Also... the hands of it all. There are many close-ups of everyone’s hands, lots of soft leather gloves, sexual tension in the mere touching of hands. All of which are staples of Austen adaptations, as well as of queer art, which is probably why a lot of us are drawn to period romances. The taboo forbidden nature of these relationships, the secret rendezvous behind the backs of others, is such a strong queer narrative that it easily eclipses the fact that these are seemingly heterosexual relationships.
Or maybe I’m just starving and desperate because the local art house has had Portrait of a Lady on Fire listed on their website as “Coming Soon” for about six weeks now and I’m about to lose my shit. So I’ll take my yearning and gentle brushing of fingers where I can.
this chart just called my daughter, MY DAUGHTER, Fanny price, an Edgy Thot, and I am NOT here for it. I will revolt; you WILL be hearing from my law—
When I first saw the trailer for the latest adaptation of Emma, I expected the worst. It looked like slapstick comedy that was more of a spoof of Austen than a genuine adaptation. But now that I’ve seen the film, I can say that the trailer is completely misleading. Yes, there’s humor just like in the original novel, but the standout to me for the adaptation was the heavy focus on delving into the characters and the atmosphere of the almost claustrophobic town of Hartfield, which are the most important aspects of the novel.
Of all of Jane Austen’s books, Emma seems to be the hardest to adapt, mostly because the title character isn’t the typical heroine. Emma’s not struggling financially or worried about getting married. She’s the wealthiest of Austen’s heroines and the one who can wield the most power in her sphere. More than that, she knows her privileged position and points it out. She can be generous, self-sacrificing, and kind as well as petty, cruel, and controlling. In short, she’s my favorite Austen heroine. She’s also one of the most difficult for Hollywood to wrap their minds around, with Fanny Price being the absolute most difficult.
This is the closest I’ve seen to Emma as a character actually being accurately adapted. Her flaws and virtues are equally highlighted. Her relationships are mostly well fleshed out and even expanded on. I really liked the changes in her subplot with Harriet where Emma took a more active role in bringing her and Mr. Martin together and showed the girls really being close. The dynamic between Emma and Mr. Knightly balanced the affection and challenging sides of their relationship pretty well. They definitely had the best chemistry of any version of the pairing I’ve ever seen.
The weakest part of the movie was in dealing with the Jane/Frank subplot. This was barely touched on and we got very little about Jane’s situation or her secret relationship with Frank. Not every part of the story can be fully included in a two hour adaptation. So I can’t fully fault it. It’s just that Jane Fairfax is essentially the heroine that could have been in this story. She has all the characteristics of a typical heroine: intelligent orphan girl with no money who is destined to become a governess until a chance encounter with a handsome heir who falls in love with her results in a secret engagement with him. It’s odd that her very interesting subplot was cut down to the barest bones. I’m not sure if they even included the fact that she would become a governess or that she was salty with Emma for spending so much time with Frank.
But overall, I really liked this adaptation of Emma. It’s the best one I’ve ever seen. The costumes were gorgeous, the comedy was well timed and didn’t detract from the characters, and the actors were amazing. I never would have thought of Bill Nighy as Mr. Woodhouse, but OMG, he owned it and was somehow a perfect fit.
I just saw it tonight, and I couldn’t agree more with what you have to say. Sense and Sensibility still takes the cake for me, but this is a beautiful interpretation of Austen’s original work. Still sad about lack of Jane Fairfax :((
✩ Sweets of the Soul ✩
hello handsome ♡
190603 Jin’s tweet
음 달콤하다 pic.twitter.com/Bla5csTw7J
Mmm, it’s sweet
Trans cr; Mary @ bts-trans © TAKE OUT WITH FULL CREDITS
am I reblogging these kinds of things just to split up my constant mysmes fic updates? maybe
190605 BTS_official’s Tweet
[#2019BTSFESTA] 📍605 이 밤 by JIN #이밤 🌙 (https://btsblog.ibighit.com/392 )
[#2019BTSFESTA] 📍605 Tonight by JIN #Tonight 🌙 (https://btsblog.ibighit.com/392 )
[Blog Post]: 안녕하세요 진입니다 제 반려동물들을 생각하며 쓴 노래입니다. 첫 자작곡인데 잘 들어주셨으면 좋겠습니다. 다음에 또 열심히 작업해서 좋은 노래 들려드릴게요. 고맙습니다 아미.
[Blog Post]: Hello, it’s Jin. This is a song that I wrote while thinking of my pets. This is my first self-composed song, but I hope you listen to it well. Next time, I will work hard again and let you listen to a nice song. Thank you, ARMY.
Trans cr: Kylie @ allforbts © Please credit when taking out