we're not kids anymore.
h
Not today Justin

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d e v o n
Show & Tell

if i look back, i am lost

shark vs the universe
hello vonnie
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Cosmic Funnies
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⁂
Monterey Bay Aquarium

Discoholic 🪩
Keni
Xuebing Du
One Nice Bug Per Day
Acquired Stardust
i don't do bad sauce passes
seen from Netherlands

seen from Canada
seen from United States
seen from Germany

seen from Malaysia

seen from United Kingdom

seen from Austria
seen from Germany
seen from Norway

seen from Italy

seen from Singapore

seen from Malaysia
seen from Malaysia

seen from United States
seen from Netherlands
seen from Sweden

seen from United Kingdom
seen from Türkiye
seen from United States
seen from Armenia
@set-references
http://www.kkstudio.gr/projects/the-uncomfortable
katerina kamprani
conversational user interfaces - CUI
Stelarc
http://www.dezeen.com/2016/06/23/kawaii-home-appliances-cute-hyerim-shin-design-products-royal-college-of-art-graduate-show-rca-2016/
home devices designed to be cute
daniel arsham relics and films
the spinning jenny was invented in England precisely because wages were high, and thus it was worth it to mill-owners to invest in a machine that would allow them to reduce the number of workers needed to make yarn.
Race and/as Technology; or, How to Do Things to Race
Wendy Hui Kyong Chun in Camera Obscura issue on:
This special issue poses the questions: to what degree are race and technology intertwined? Can race be considered a technology or a form of media—that is, not only a mechanism, but also a practical or industrial art? Could race be not simply an object of representation and portrayal, of knowledge or truth, but also a technique that one uses, even as one is used by it—a carefully crafted, historically inflected system of tools, mediation, or enframing that builds history and identity?
http://cameraobscura.dukejournals.org/content/24/1_70/7.full.pdf