h
Sade Olutola
The Bowery Presents
Claire Keane
we're not kids anymore.
One Nice Bug Per Day
ojovivo
Jules of Nature

gracie abrams
let's talk about Bridgerton tea, my ask is open
art blog(derogatory)
"I'm Dorothy Gale from Kansas"
🩵 avery cochrane 🩵
I'd rather be in outer space 🛸
Noah Kahan
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document

ellievsbear

shark vs the universe

seen from United States
seen from United States
seen from Vietnam

seen from Türkiye
seen from United States

seen from Brazil
seen from Türkiye

seen from Netherlands

seen from United Kingdom

seen from Kyrgyzstan
seen from Malaysia
seen from Canada

seen from Italy

seen from Türkiye

seen from United States

seen from Canada
seen from Vietnam
seen from India

seen from United States
seen from United Kingdom
@set-references
http://www.kkstudio.gr/projects/the-uncomfortable
katerina kamprani
conversational user interfaces - CUI
Stelarc
http://www.dezeen.com/2016/06/23/kawaii-home-appliances-cute-hyerim-shin-design-products-royal-college-of-art-graduate-show-rca-2016/
home devices designed to be cute
daniel arsham relics and films
the spinning jenny was invented in England precisely because wages were high, and thus it was worth it to mill-owners to invest in a machine that would allow them to reduce the number of workers needed to make yarn.
Race and/as Technology; or, How to Do Things to Race
Wendy Hui Kyong Chun in Camera Obscura issue on:
This special issue poses the questions: to what degree are race and technology intertwined? Can race be considered a technology or a form of media—that is, not only a mechanism, but also a practical or industrial art? Could race be not simply an object of representation and portrayal, of knowledge or truth, but also a technique that one uses, even as one is used by it—a carefully crafted, historically inflected system of tools, mediation, or enframing that builds history and identity?
http://cameraobscura.dukejournals.org/content/24/1_70/7.full.pdf