Share This. Art in social networks.

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“Tapebook” is an exercise in media archaelogy involving the conversion of data extracted from social networks into audio documents which are then recorded onto cassettes. “Tapebook” takes the information directly from the GUI, alters the rhizomatic (root-likes) structure of the hypertext and converts it into linear sequence of sounds.

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Accessing exhibition through the browser window offers the possibility to intervene in digital spaces. Among others, Joe Hamilton, Jeremy Bailey, Michael Manning, Rick Silva, Kareem Lotfy have shown their work in these thematic exhibitions since 2012.

www.cerma.de

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Intimidad Romero by Intimidad Romero

Faceless celebrity well-known for using her intimate photos as the main source for social interaction in the web 2.0. By cyberperformances, Intimidad understands the media not as a mere container but as an essential part of identity’s self-design within contemporary societies.

 “Somehow, Intimidad is a metaphor and a metonymy of the limits of intervention and identity self-management in social networks… of our lives on the screen. Where we can abandon ourselves (or, on the contrary, take sides) in the ideation and collective construction of our imaginaries and subjectivities. Because what Intimidad does is to take sides in this construction, making visible the absence and what is at stake, the intimacy that -at the very last moment- resists to be shared; in disabled, faceless, blurred, “emotionless” except for the context photos, as an aura without object, “without” main-character.”

Remedios Zafra en: Intimidad R y un Cuarto Propio Conectado, 2012.

http://www.facebook.com/intimidadromero

http://www.intimidad.tumblr.com

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nside the www.WHIT3CU.be

When Inside the White Cube first appeared in Artforum in 1976, its impact was immediate. Without a doubt, O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. 

Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system.



  But, what happens nowadays when this relationship takes place between the post-modern commercial and museum gallery and Digital Art? 





Despite the fact that both Digital Art and Net.art have the ability to dissolve this dependence, does it seem that it still survives as a decisive factor in their future development, and social reception?



Furthermore, what can Digital & Net.art do Inside the White Cube?



  _______________________________________________ Inside the www.WHIT3CU.be | An Exhibition Online Gallery

http://www.whit3cu.be

_______________________________________________

a new project of M0us310n.net

*concept & curatorship: Bernardo Villar Vernissage 22nd July @6PM Local Time  LINK Center for the Arts of the Information Age

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Unimaginable Wealth

https://www.youtube.com/watch?v=tPY0hI_x7nA&list=PL8285B3623AA9BF8C

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_MON3Y AS AN 3RRROR | MON3Y.US @ M0US310n.net happening and curation by Vasily Zaitsev

Open_Call MON3Y.us

"M0N3Y AS AN 3RRROR | MON3Y.US" proposes to establish connections, dialogues, and new insights into the contemporary art scene around the general topic of MONEY. Around 70 international artists, including Rafaël Rozzendal and Anthony Antonellis) with various aesthetic and conceptual approaches who work in fields such as Digital Art, Net.Art , New Media, Interactive Art ,Multimedia, JavaScript, Glitch, Video, Online Performance, Animated GIF, and Digital Image have been selected to contribute.

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Western Typologies is a collection of pictures taken by soldiers on active duty in Afghanistan and Iraq. Artist Thomas Artur Spallek found these pictures on their Facebook pages and sorted them according to their common content. His compilation of the private pictures offers a new perspective on the experience of war.

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Creating a necessary Imaginary Mass Grave

By Whitney Smith

Making the poisoned earth of memory fertile again is an act of creative faith and rejuvenation for Dutch art duo NOK&T.

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Hyper Geography is a Tumblr created by Joe Hamilton. There are 100 looping posts that link together horizontally and vertically. Joe Hamilton is using Tumblr and the possibilities of the template as a medium to create his art. This project is a good example of how the browser becomes the canvas and the social platform the tool.

http://hypergeography.tumblr.com/

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The You Museum is a project by artist Jeremy Bailey and uses the advertisement space of the web as a personalized exhibition space for art. Join the You Museum and all these annoying advertisements on the web will be replaced by art!

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Camera in the mirror

Camera in the mirror is a collection of images found on the Google Art project. Its is a selection of those photographs captures by the Google camera where it's reflection is exposed in one of the mirrors of the museum. A project by Mario Santamaría.

http://the-camera-in-the-mirror.tumblr.com/

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Before Sixteen

In this Tumblr artist Cecilia Azcarate highlights an invisible conversation between hip hop and art before the 16th century.

http://b4-16.tumblr.com/

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By using posting landscape images of drone strike locations to Instagram as they occur, James Bridle is able to put the viewer into the position of the drones themselves.

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Petra Cortright’s odd videos question assumptions about watching and being watched in the webcam age.

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Ze Frank’s website helps two people on different sides of the earth work together to make an “earth sandwich” by each placing a piece of bread at opposite locations.

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“Recent political changes have forced us to reconsider our position within the online environment. And through creating new performative spaces, Dullaart finds ways through which the audience, private and public, can perform outside of and question the new and existing boundaries of the World Wide Web.”

Constant Dullaart, Terms of Service (performance, 2012)