Full moon above the Acropolis in Greece.

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Noah Kahan
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tannertan36
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hello vonnie
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@she-is-ephemeral
Full moon above the Acropolis in Greece.
Laocoonte by Fabio Viale, Villa Maritime, Le Havre, France
Photo by sage_et_sauv4ge
by marina
墮落天使 FALLEN ANGELS (1995) dir. Wong Kar Wai
[13 August 1924]
[TO: Berlin]
[Prague?] 1
3–VII[I]–24
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . .
Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week.
My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations.
When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love.
What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
V
"Flowers for Vases / descansos" — Hayley Williams photographed by Lindsey Byrnes.
gjon mili… jascha heifetz playing in mili’s darkened studio as light attached to his bow traces the bow movement, new york, 1952 @ life
Nancy Fouts
A root of black briony, ‘mandrake’, believed to have magical properties. Found in Headington in 1916. © The Pitt Rivers Museum, University of Oxford.
source
by Paul Hoi
(via)
jems_ru via instagram
1880 edition of The Poetical Works of Percy Bysshe Shelley (born on this day in 1792)
Hope this fits the sub: my cat snoozing on a sofa I crocheted for her
(Source)
baileys caramel cheesecake
photo from the cover of lavender vision: for the gay women’s community vol. 1 no. 1, 1970