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Three Goblin Art
Jules of Nature

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almost home
DEAR READER
I'd rather be in outer space 🛸
ojovivo

if i look back, i am lost

shark vs the universe

JBB: An Artblog!
we're not kids anymore.
taylor price
trying on a metaphor
Today's Document

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sheepfilms

pixel skylines
Stranger Things

#extradirty

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@sheylara-san
there is no discourse between gen z and millenials. we are siblings. come on lil bro, ill take you to amc. yeah we can go there early and play the arcade games before the movie starts.
Can we get popcorn and a drink to share :)
we sure can buddy, we sure can
Why do the two reblogs read like a soldier dying in their friends arms and talking about when they’ll get back home to give them a bit of comfort before they die
because have you seen the economy and society lately
Sometimes I think about this post and I cry
996 days left
Bear with me for a sec but imagine Hojo—in his pride over Sephiroth’s appearance—having a million petty rules. Like no tattoos, no piercings unless they’re for Shinra publicity (and to be healed immediately after), no makeup, nothing that would mar his perfect specimen. But he’s particular about the hair.
So many specifications: the exact length (never past the jawline), the precise angle of the cut (nothing that could obscure his face in photos), and always tsking at how unruly it is when Sephiroth’s a child, how it grows too fast, how silver hair shows every imperfection. Sephiroth spends one too many sessions sitting rigid in an uncomfortable chair while Hojo barks orders at some terrified lab assistant who knows one wrong snip could end their career.
And Hojo complains, like a constant background radiation of criticism, about how absurdly fast it grows— equal parts awe at the accelerated cell regeneration, and annoyance that his specimen requires such frequent maintenance. Sephiroth learns the rules: keep it short, keep it neat. So when he’s away from HQ for extended missions, he trims it himself because Gaia forbid it reaches past a certain length. He knows if he comes back with it even an inch too long, Hojo will cut it shorter out of spite.
So when Sephiroth’s age blooms past late spring, when the world around him sours and his awareness of Hojo’s restrictions crystallizes into resentment—when he’s away on a long mission at seventeen, eighteen, somewhere in that territory of late adolescence—he just doesn’t cut it.
Refuses to, actually. He decides to keep it long and lets it grow past his collar, past his shoulders, preparing himself to raise hand and sword if that old bastard tries to cut it by force. Genesis loves it, praises the rebellion. Meanwhile Angeal is wary and already worried.
And then Sephiroth returns to HQ and goes straight to R&D (protocol demands a post mission medical and Hojo is his physician), and crosses the threshold into Hojo’s personal office. Sephiroth’s expression is already solemn and stony, fists clenched white-knuckled at his sides. His hair hangs past his shoulders, and he stands there waiting for the scolding, prepared for the fight.
Hojo looks up from his paperwork. And he simply blinks, but says nothing. The lack of dialogue stretches into uncomfortable silence, neither of them speaking. Then Hojo stands, walks to his desk drawer, retrieves something—a hair elastic, Sephiroth realizes with confusion—and gestures to the exam table.
“Getting rebellious now?” Hojo’s tone has no sneer, no venom, only a dry amusement that’s somehow worse. “Using your hair as an outlet for your anger? Or is it indignation?”
Sephiroth sits on the cold metal, every muscle tense as he feels Hojo move behind him, gathering the hair at the nape of his neck. The touch isn’t rough, Hojo’s hands are never rough when handling him, too aware of the specimen’s value—but it’s not clinical this time. It’s assessing, almost thoughtful.
“Can’t say I’m unfamiliar with the notion.” Sephiroth feels those bony fingers brush through the longer strands, and he winces, waiting for scissors, waiting for scolding, waiting for anything but what comes next. “After all—I tried to pull this very same stunt when I was your age.”
Sephiroth nearly jumps out of his skin. In all his years, there has never been any mention of Hojo’s childhood. Sephiroth has never even considered he had one, much less pictured the scientist as a boy. He keeps quiet, afraid to break whatever spell has loosened Hojo’s tongue.
“My father believed short hair was a sign of discipline and respectability.” Hojo’s voice is detached, as if discussing someone else’s data. “Long hair was for the loose, the wayward. Already not a good look for the son of a drunken fisherman who cared more for books than properly gutting the day’s catch.”
Sephiroth sits absolutely still as he feels Hojo gather the hair, feels the elastic snap into place. He’s tying it, acknowledging it, allowing it to exist.
“So in a fit of rebellion one summer, I let it grow. Kept it tied tight so he wouldn’t notice for months. Until one day he caught me with it down, past my shoulders...”
Silence. Hojo doesn’t continue. He simply runs his fingers through the silver strands one more time, as if daring Sephiroth to ask. And Sephiroth—caught between fear and a curiosity that overrides all sense of self preservation—has to know.
“...And then?”
“And then with the same hand he used to slap me, he forced my head to the ground, grabbed his fish-gutting knife, and chopped it off like he was beheading mackerel.”
Sephiroth has no response to that. Hojo finishes tying the hair, and Sephiroth feels those bony hands settle on his shoulders like a burial shroud. When Hojo speaks again, his voice has thickened into the cruel sneer Sephiroth knows far too well.
“So if you think,” Sephiroth can practically see the vicious smile even though Hojo is still behind him, “that in this little act, you’re somehow rebelling against me—know that you have accomplished nothing but wasting your time and granting yourself a daily maintenance task. You are not to keep this unbrushed. Understood?”
Sephiroth can hardly believe it. He twists to look back, and Hojo is peering at him with those dark, unreadable cold eyes, staring into him as if excavating his soul. Sephiroth, wide-eyed and shocked, can only nod quickly and mutter “Yes, Professor.”
“Good.” Hojo scoffs, then turns his back in clear dismissal. “You may go. I’ll examine you tomorrow.”
Sephiroth slides off the metal table and walks toward the door, but not before looking back one last time and seeing Professor Hojo—perveyor of all his torment, of every rule and restriction—and noticing for the first time, in a way that suddenly feels significant, that he too has long hair. Not neat and not particularly well maintained, but long. As if Hojo never bothered to cut it again after that summer.
Sephiroth says nothing. He leaves, one hand touching the hair tie and the pulled-back strands the professor arranged with unexpected gentleness, walking out with long hair and permission to keep it and more questions than he came in with.
Anyway, imagine that :)
this too shall pass but the fuck was that for
20/100, Prompt was "colourless".
✨ Worst hangover ever ✨
"Coca-Cola made an AI ad!"
"McDonald's releases AI Christmas commercial!!"
Don't care didn't ask plus here's a beautifully animated ad for a French supermarket that was made by actual artists
sephiroth - frieren trend
This still fucking cracks me up
Soft colours this afternoon
There’s a way I like to write Sephiroth, Genesis, and Angeal that makes me absolutely SICK and I’ll explain the headcanon using the following:
• In Crisis Core, there’s that SOLDIER who mentions to Zack how it’s rumored Angeal’s mother was a scientist at Shinra. I like to imagine that rumor reached Sephiroth’s ears, that he asked Angeal about it once (but Angeal denied it because his mother’s always been so private about her past and he’s never pried). There’s also the fact that in the only photo Sephiroth has of Lucrecia (Jenova, in his mind), she’s wearing a lab coat in what’s clearly a laboratory background. Which is why I assume he suspected his own mother was a scientist too.
• Then First SOLDIER shows us Angeal harbors some buried feelings of envy toward Genesis from childhood—since his dream of a perfect fantasy life was essentially him inventing Banora White juice, him bringing glory to the village, the villagers praising him, him having enough money to take his parents on holiday, etc.
• And then there’s the “Genesis envies Sephiroth” hc. Where, even if you discard the subtext of Genesis’ jealousy, there’s still that line in the original Japanese about how Sephiroth’s fame should’ve been his. So the envy is canonical in some way shape or form.
Which gives us the great jealousy triangle™:
Sephiroth looks at Angeal and sees someone who got to live his dream. What do you mean Angeal had a normal, healthy childhood with two parents who loved him? A mother who was rumored to be a scientist but left to raise a family? While Sephiroth got Hojo and a mother whose work may as well have killed her? Angeal is so normal, comfortable with the world, with people, with himself. He grew up with a best friend he’s kept since childhood, everyone loves him because he’s genuine and easy. His father loved him so much he forged him a sword with his own hands, while Sephiroth had to fight tooth and nail for his. Angeal had everything Sephiroth didn’t know he was allowed to want, and it makes him feel so fundamentally, grotesquely wrong by comparison.
Angeal looks at Genesis and sees someone who never had to work for anything. Genesis grew up wealthy—full meals, nice clothes, a guaranteed future in his parents’ orchard business. He didn’t even need to join SOLDIER for the financial opportunity. But of course he’s so brilliant, so well-read, so admired by everyone in Banora. And now he’s invented apple juice, and his parents could afford the machinery to make it real. Naturally he’s joining SOLDIER now too, carrying an expensive sword no parent died paying for. Perfect Genesis. Genesis, who never had to choose between pride and poverty.
Genesis looks at Sephiroth and feels guilty for the envy, because Sephiroth—aloof and socially inept as he is, goddess above—didn’t ask for any of it. But that’s exactly what makes it worse. Sephiroth never had to fight for recognition. Never had to study obsessively, experiment endlessly, dress impeccably, perform perfectly just to be seen as heroic, as attractive, as worthy, as someone worth remembering like the heroes from Loveless. Sephiroth simply existed and the world worshipped him for it. Genesis hates that he resents someone who never even wanted what was handed to him freely.
Sephiroth craves normalcy and love. Angeal craves security and ease. Genesis craves effortless glory. And each of them stares at the others and sees exactly what they were denied, handed freely to someone else who can’t even appreciate it properly. They’re all starving, but they can only see each other’s plates. None of them can see that the others are just as empty, just as convinced they drew the shortest straw.
Saw this on Twitter. Can't believe I never caught this when I played the OG.
Shinra was likely planning ahead to destroy Sephiroth for years. This probably dates back to Pre-Nibelheim as well, especially since Sephiroth was believed to be dead for five years. No sense making weapons to fight a ghost. Not unless those weapons ALREADY EXISTED. So there were likely always plans in place to execute/euthanize Sephiroth should he ever turn on the organization. With how quickly Shinra tossed his name and image aside after his supposed death in Nibelheim, I could totally see them being this cruel as well.
They made him. Raised him. Conditioned, molded, and exploited him. And they plotted to kill him if he ever rebelled. They made weapons SPECIFICALLY DESIGNED to take him apart, to eviscerate him, to toss him aside like garbage. And when the opportunity presented itself seemingly at random, they happily discarded his presence, his memory. He'd been their pet, puppet, and pawn for years. Their weapon. Their icon. Their war machine.
And in the end, he was nothing to them. Just a potential threat to be eliminated. A broken toy. A rabid dog.
Don't fucking tell me that Sephiroth had it easy because he got to be Shinra's favored "hero". Don't tell me that he was there because he enjoyed killing, enjoyed serving them. He never enlisted. He never reveled in the "privileges" they gave him. He never sought glory, or fame. He wasn't arrogant. Or cruel. Or bloodthirsty.
He had nowhere else to go.
He wasn't there because he wanted to be.
He was there because he had no other choice.
Smoke and Memories.
Done.
Seph in Kuja’s gear from FF7EC, wielding the Genji Blade.
i love u sephiroth <3
sound on !
anyway, hi, if you wanted to know whats the sfkr song to me, its this one, ok bye now :D
Alice Cooper - Poison