“Hello, Stranger. You do keep some promises”

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if i look back, i am lost
Peter Solarz
cherry valley forever

❣ Chile in a Photography ❣
RMH
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Alisa U Zemlji Chuda

pixel skylines
Cosimo Galluzzi
hello vonnie

Discoholic 🪩
Lint Roller? I Barely Know Her
styofa doing anything

#extradirty
Monterey Bay Aquarium
noise dept.
ojovivo

Love Begins

blake kathryn
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@shotofgin
“Hello, Stranger. You do keep some promises”
[...] I hate it I hate the way you're always right I hate it when you lie I hate it when you make me laugh Even worse when you make me cry I hate it when you're not around And the fact that you didn't call But mostly I hate the way I don't hate you Not even close Not even a little bit Not even at all
Hands and hearts that ain't got scars, they ain't worth holding Songs sound better on rusty strings Worn-in leather feels good to me
Relying on the kindness of strangers that you will be forgiven How many times, how many times will you shit on what you're given? How many times, how many times 'til you shut up and listen?
_ Brit Marling nel film “The Keeping Room” diretto da Daniel Barber (2014)
“Follow my tracks, see all the times I should've turned back”
click on the source link to find 137 HQ ( might add more as i make them ), medium, textless gifs of the actor gabriel sater in the brazilian soap opera pantanal (2022). please do not use my gifs in rps that make use of the 5+/- age rule, and keep in mind the fcs resources when casting them. do not edit or redistribute without permission. gif icons are fine for personal use only. be sure to reblog/like if this helps you in any way!
Nick Robinson in The Abandons 1x05.
❝WE MANAGE MOST WHEN WE MANAGE SMALL Managing as thin light on water. Managing only greetings and farewells. We love a little, as the mice huddle, as the goat leans against my hand. As the lovers quickening, riding time. Making safety in the moment.
Linda Gregg, 2008
❝KIN for Bailey, Shielding meaning from the big ears Of overcurious adults. (...) I hear again the laughter Of children and see fireflies Bursting tiny explosions in An Arkansas twilight.
Maya Angelou, 1994
❝WIDOW That is the fear she has —the fear his soul may beat and be beating at her dull sense Like blue Mary's angel, dovelike against a pane Blinded to all but the grey, spiritless room It looks in on, and must go on looking in on
Sylvia Plath, 1962
❝THE FINAL GIRL (...) call him my killer, our killer. To distinguish him from the killers other (...) have faced, ostensibly. But there's a peculiar sort of ownership there—my killer. The killer who sought to kill me and failed. The killer who killed me, and no one seems to realize I'm dead. My killer.
Shira Lipkin
❝THE DAUGHTER (...) I unfurl the ribbon of her life, and it's a smooth long hallway, doors flung open. Her surface is a deflection is why. Harm on her, harm on us all. Inside her, my grit and timbre, my reckless.
Carmen Giménez, 2013
❝WINTER FEAR Is it just winter or is this worse. Is this the year when outer damp obscures a deeper curse that spring can't fix, when gears that turn the earth won't shift the view, when cloud won't lift though all the skies go blue.
Kay Ryan, 1999
Act I - Chapter 2
"The Dead man calling"
Act I - Prologue
"Each a glimpse and gone forever"