shark vs the universe
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🩵 avery cochrane 🩵
occasionally subtle
tumblr dot com
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Cookie Run:Kingdom Official!
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Interview Vampire Daily
Doug Jones
Color Me Curious
oozey mess
@theartofmadeline
RMH
"I'm Dorothy Gale from Kansas"
ojovivo
Product Placement
let's talk about Bridgerton tea, my ask is open
if i look back, i am lost
untitled
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@shungalove
Parodies of “Rashômon” and “Ogurayama”
Mitate Rashômon, Mitate Ogurayama oshiebari byôbu
見立羅生門、見立小倉山図押絵貼屏風
Okumura Masanobu
(1716–36)
MEDIUM/TECHNIQUETwo-panel folding screen; ink and color on paper
DIMENSIONSImage: 132.4 x 57.9 cm (52 1/8 x 22 13/16 in.)
Image: 132.4 x 57.9 cm (52 1/8 x 22 13/16 in.)
Overall: 168.9 x 157.5 cm (66 ½ x 62 in.)
CREDIT LINEWilliam Sturgis Bigelow Collection
by Ishikawa Toyomasa, Metropolitan Museum of Art: Asian Art
Gift of Estate of Samuel Isham, 1914 Metropolitan Museum of Art, New York, NY Medium: Polychrome woodblock print; ink and color on paper
http://www.metmuseum.org/art/collection/search/54526
Two Courtesans with a Puppet
Ni bijin zu
二美人図
Okumura Masanobu
(1716)
MEDIUM/TECHNIQUEHanging scroll; ink, color, gold, and silver on silk
DIMENSIONSImage: 36.7 x 54.1 cm (14 7/16 x 21 5/16 in.)
Overall: 130 x 76.5 cm (51 3/16 x 30 1/8 in.)
Overall (including braid): 139 x 76.5 cm
CREDIT LINEWilliam Sturgis Bigelow Collection
「風流六く歌仙紀友則 十」|“Two Young Women on a Verandah Watching Plovers,” from the series Stylish Six Poetic Immortals (Fūryū rokkasen: Ki no Tomonori, jū) by Katsukawa Shunshō, Metropolitan Museum of Art: Asian Art
The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 Metropolitan Museum of Art, New York, NY Medium: Polychrome woodblock print; ink and color on paper
http://www.metmuseum.org/art/collection/search/37152
Woman Writing a Letter
Fumi wo kaku bijin
文を書く美人
Koikawa Harumachi II
1789–1804 (about Kansei to Kyôwa era)
MEDIUM/TECHNIQUEHanging scroll; ink and color on paper
DIMENSIONSImage: 43.2 x 43 cm (17 x 16 15/16 in.)
CREDIT LINEWilliam Sturgis Bigelow Collection
Woman with a Hand Mirror (from the series The Six Tama Rivers of the Floating World), Utagawa Kunisada, c. early 1830s, Cleveland Museum of Art: Japanese Art
Size: Sheet: 37.5 x 25.3 cm (14 ¾ x 9 15/16 in.) Medium: color woodblock print
https://clevelandart.org/art/1916.1131
Woman with a Hand Mirror (from the series The Six Tama Rivers of the Floating World), Utagawa Kunisada, c. early 1830s, Cleveland Museum of Art: Japanese Art
Size: Sheet: 37.5 x 25.3 cm (14 ¾ x 9 15/16 in.) Medium: color woodblock print
https://clevelandart.org/art/1916.1131
Young Woman Wearing a Kimono with Long, Hanging Sleeves [detail]
Furisode bijin zu
振袖美人図
Kitao Shigemasa
(1772–81) to first half Tenmei (1781–89) era
MEDIUM/TECHNIQUEHanging scroll; ink, color, and gold on silk
DIMENSIONSImage: 87 x 31.2 cm (34 ¼ x 12 5/16 in.)
Overall: 184 x 48.7 cm (72 7/16 x 19 3/16 in.)
CREDIT LINEWilliam Sturgis Bigelow Collection
The Actor Onoe Matsusuke, Katsukawa Shunsho, Cleveland Museum of Art: Japanese Art
Shunsho was a well-known painter and printmaker in Edo (present-day Tokyo) who dominated the actor print field. He was very important as a teacher to some of the most talented artists of the next generation, including Shunko, Shunzan, and Shunei. Size: Image: 31.5 x 15.4 cm (12 3/8 x 6 1/16 in.) Medium: color woodblock print
https://clevelandart.org/art/1985.353
Chushingura: Act I of The Storehouse of Loyalty, Kitagawa Utamaro, late 1790s, Cleveland Museum of Art: Japanese Art
Size: Sheet: 36.2 x 25.4 cm (14 ¼ x 10 in.) Medium: color woodblock print
https://clevelandart.org/art/1921.353
The Hour of the Snake (from the series A Clock for Young Women), Kitagawa Utamaro, c. 1796, Cleveland Museum of Art: Japanese Art
Size: Sheet: 36.2 x 23.2 cm (14 ¼ x 9 1/8 in.) Medium: color woodblock print
https://clevelandart.org/art/1921.345
Kitagawa Utamaro, Yoyogiku and Yoyotsuru of Matsubaya, from the series Complete Illustrations of Yoshiwara Parodies of Kabuki (1798). Woodblock color print, 38,6 x 25,1 cm - Honolulu Museum of Art.
by Torii Kiyonaga, Metropolitan Museum of Art: Asian Art
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 Metropolitan Museum of Art, New York, NY Medium: Polychrome woodblock print; ink and color on paper
by Kubo Shunman, Metropolitan Museum of Art: Asian Art
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Metropolitan Museum of Art, New York, NY Medium: Polychrome woodblock print (surimono); ink and color on paper
Geisha Standing Beside a Shamisen Case, Utamaro II, c. 1810, Cleveland Museum of Art: Japanese Art
Size: Sheet: 75 x 24.2 cm (29 ½ x 9 ½ in.) Medium: color woodblock print
https://clevelandart.org/art/1940.1042
Ichimura Takenojo and Sanjo Kantaro as a Pair of Lovers in the Yoshiwara, Torii Kiyonobu I, early 1720s, Cleveland Museum of Art: Japanese Art
Kiyonobu’s prints are usually hand-colored and outlined in black. They often depict actors and scenes from plays. Kiyonobu’s was largely responsible for introducing theater prints as commercial products. He is regarded as the founder of the Torii school, which with its close relationship to the theater, dominated printmaking for 75 years until the appearance of Shunsho in the late 1700s. Size: Image: 31.1 x 15.2 cm (12 ¼ x 6 in.) Medium: hand-colored woodblock print
https://clevelandart.org/art/1974.80
by Kubo Shunman, Metropolitan Museum of Art: Asian Art
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Metropolitan Museum of Art, New York, NY Medium: Polychrome woodblock print (surimono); ink and color on paper
