DEAR READER
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let's talk about Bridgerton tea, my ask is open

Discoholic 🪩
🪼
NASA
Sade Olutola
Misplaced Lens Cap
Stranger Things
Three Goblin Art

❣ Chile in a Photography ❣

Product Placement
I'd rather be in outer space 🛸
YOU ARE THE REASON
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Claire Keane
occasionally subtle
h

Janaina Medeiros
we're not kids anymore.
seen from Netherlands

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seen from Canada

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@shuricio
Siempre termino tolerando estupideces. Qué agotamiento mental, la concha de su madre.
Conmigo seras feliz, bueno conmigo hubieras sido feliz, pero ya no
(via cielo-a-z-u-l)
Es mejor perder amores por la vida, que la vida por amores.
(via carpediemtuvidadisfrutabien)
Creo que las personas que han experimentado las mayores tristezas son las que siempre se esfuerzan más en hacer a otros felices. Porque ellos saben en carne propia lo que es sentirse desolados y abatidos, y no quieren que nadie más se sienta así.
Robin Williams.
Mas frases aquí.
(via m-e-r-c-u-r-y)
House of memories // Panic! At the Disco
dance of life 9.
I analyzed her lyrically, poetically, fantastically.
Anaïs Nin, from a diary entry featured in Henry and June: The Unexpurgated Diary of Anais Nin (1931-1932)
No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh. - Simon Schama’s Power of Art. Bernini