Ponytail

Things I enjoy in my daily life : ]

[shuuuyi]

致逝去的輝煌青春 - The World's End

第一次進電影院看Simon Pegg的片, 原本已經做好心理準備要迎接從頭至尾一片血淋淋的螢幕, 卻沒想到「血與冰淇淋三部曲」是由藍色墨水作結, 被Pegg 和 Wright 兩位大叔作弄了呢。

心有戚戚焉, 這是在這部向過往青春致敬的科幻片散場後的感想。

曾經的冒險精神不再, 即使想停住巔峰的年華, 時間卻不斷往前走去。

有時候會覺得人是不是就得活得像隻鯊魚, 必須不斷地前進, 因為靜止便迎來死亡。

但若無所成, 一次接著一次失敗, 逃避的心理也就漸漸生長茁壯。 不停回想起過往的青春燦爛, 到底該如何是好?

在這個時間點, 我很羨慕Gary King, 因為徹底崩壞的世界卻讓他重新成為國王。

雖然我是沒有過輝煌的青春啦, 但總得不到自己想要的, 「做夢這樣不切實際的行為還是放棄吧」這種想法浮現的頻率開始增高, 真的挺令人挫敗。

[sortra]

Dreamlike Surreal Photography by Nicole Burton

[shuuuyi]

和月亮共眠🌙 #newhouse #newbed #newmoonlamp

[bright-buzz]

Take note

[sosuperawesome]

Introverts

Sarah J, on Tumblr Luchie, on Tumblr Sarah Andersen, on Tumblr Gemma Correll, on Tumblr The Awkward Yeti, on Tumblr Anne Emond, on Tumblr Aram J. French, on Tumblr Kyle Smith, on Tumblr Kelly Bastow, on Tumblr Grant Snider, on Tumblr

[bluejewofzsouchmuhn]

I have found my tribe.

[shuuuyi]

牛頭先生有時也只是在作戲。 #鬼魂的迴返

[shuuuyi]

今天當一日誠品人。 還有BigBang陪開工真是不錯~ #boomshakalaka #心的餘裕

[shuuuyi]

接下來是幸福的電影月，今天的Ben Whishaw還是那麼迷人呀。 #心的餘裕 #金馬五一

[shuuuyi]

五位藝術家，三展覽，兩位老師和一個藝術市場，再加半杯不得我心但貴鬆鬆的威士忌。 充實的一天！ #心的餘裕

[missolivialouise]

Reading Nook : Children’s Hospital of Michigan, installation by Tork. (Also check out their trees; they’re beautiful!)

[designmeetstyle]

The look of custom windows, but easier to change. Decorative window film adds personality and privacy to a space, letting natural light in.

A tip: avoid colored window film in a small bathroom. A bathroom needs lots of light in natural tones to make applying makeup, shaving and everything else easier. 

[shuuuyi]

一邊上課一邊玩玩具。 #心的餘裕

[shuuuyi]

才想，久違了Aqua Timez，聽見虹的瞬間有種眼淚要湧出的感覺，啊，懷念的青春吶。 #心的餘裕

[artchipel]

Lorraine Loot | on Tumblr - 365 Postcards for Ants

[artchipel]

Artist on Tumblr

Lorraine Loot | on Tumblr (South Africa) - 365 Postcards for Ants

365 Postcards for Ants is the project leaded by Cape Town-based artist Lorraine Loot, for which she challenged herself to created a miniature painting every day for the entire year started on 1 January 2013. The project evolved and people started booking sentimental dates making suggestions for the painting to be done on that day. Every day, Loot posted the completed picture online, and unsold pieces could be reserved by commenting on the picture. In January 2014, all 365 pieces are exhibited in Cape Town and Johannesburg, South Africa, after which they are distributed to the owners. © All images courtesy of the artist

[more Lorraine Loot | via lustik]

[darksilenceinsuburbia]

John Bulmer

This photograph, of townsfolk savouring the past in a Dudley pub at a time when cinema and television had taken over popular culture, appeared with the article ‘England’s Hard Centre’ in Town magazine, March 1961

As the mills closed, many of Nelson’s young people moved away, leaving large numbers of middle-aged unemployed people. A woman, still wearing her traditional wooden mill clogs while cleaning a gate post, captures the pride that many older residents still had in the town, 1960

This photograph shows unemployed labourer and father of seven William Lowery surrounded by his family. Their weekly household income in that year was less than 30 shillings each (£1.50), 1961

Men return home after collecting coal washed up on the local coastline. After the closure of its steel works in 1961, Hartlepool had the nation’s highest number of unemployed people

Women, such as these in Leeds, attempt to add character and colour to the dreary exteriors of their houses by sandstoning the doorsteps and wax-polishing the window sills. ‘“She keeps a lovely front” is the accolade for a houseproud woman’ – the Sunday Times magazine, March 1965

Keeping up appearances: northern factory girls, like these mill girls in Elland, are rarely self-conscious about wearing rollers; it helps to keep their hair firmly beneath their scarves and out of reach of the mill machines

For Bulmer’s last assignment in the north of England, Geo magazine wanted images that showed a new, vibrant Manchester. This series of photographs was not well received at the time, but is regarded today an important social documentary, 1977

This photograph was taken a year after Harold Wilson’s resignation. After serving two terms as prime minister at a time of economic crisis, he had come to be regarded as a champion of the working classes. But his handling of an official strike by the Seamen’s Union, together with his economic measures, changed the opinion of many, 1977

[fer1972]

Paintings and Illustrations by Marianna Gartner