Grantaire in the showing at Queen’s Theatre
After obsessing over the way Grantaire was played by Hugo Chiarella, which was far different than any other portrayal according to my mom who has seen the show many times before, I’ve come to the conclusion that, whether intentionally or not, every scene that Grantaire was in stripped away another mask he had put up to protect himself.
In “Red and Black,” Grantaire is in full messing around mode. He throws a map at Comferre during the song, makes a lude gesture, and is overall acting like his only purpose is to be a nuisance.
Then, when Enjolras starts his talk about rallying cries, all of the other Amis gather around him except for Grantaire, who sits at a table with his bottle. But, he no longer has his immature grin; that has been wiped of and replaced with a blank and slightly doubtful expression.
During “Do You Hear the People Sing,” his grin returns slightly as Enjolras catches sight of him at their rally and he spreads his arms in a gesture that says ‘well, I’m here, weren’t expecting that were you?’ His grin once again fades, though, as Enjolras turns away after a pause.
We next see how angry Grantaire is after Eponine dies. His attempts at pretending not to care are momentarily halted as he intercepts Enjolras from reaching a crying Marius with a rough shove to the shoulder. Grantaire then wraps an arm around Marius, who he seemed to view as a little brother. He’s clearly angry and tense, not even bothering to hide the fact that he’s mad that they’re putting themselves through this. He’s also mad that the only people he cares about are going off to die for something he believes won’t work.
At the beginning of “Drink With Me,” Grantiare makes a weak attempt at fooling around, though his words about fearing death let on how heartbroken he was over watching his friends go to their deaths. When Enjolras stands in front of him to diffuse the tension Grantaire’s words had created, however, Grantaire’s facade completely crumbles as his voice cracks on the last line of his solo. He then falls into the arms of a rather shocked Enjolras who eventually returns the hug, places a hand against Grantaire’s head, and presses his cheek against Grantaire’s hair. Grantaire’s strained smile never makes a reappearance.
Throughout the rest of the play, Grantaire’s face finally shows just how hopeless he feels, unable to help his friends, to stop them. His despair only continues to grow, no longer hidden by humor, and his attempt at apathy no longer protecting him from feeling the immense loss of watching those he cares about fall. It gets to the point where Marius embraces him after the death of Gavroche, pressing his cheek against that of the man mourning the death of a boy he saw as a little brother. No matter how hard Grantaire tried to protect him, shielding him during part of the first attack and forcing him to leave with the women and fathers, only for the boy to comeback and be killed.
The final blow that breaks Grantaire, of course, is watching Enjolras fall over the side of the barricade. He calls out his name and desperately tries to climb to him, only to be killed.
Grantaire, who started off as a disruptive, immature nuisance, suffered blow after blow, shattering the walls of humor and anger and bitterness that would protect him from heartbreak until he becomes a man who is bitter because of his friends choices to go get killed, but loves them even more, so he watches them die one by one, and deals with heartbreak after heartbreak until he is broken emotionally and then physically as he too gets killed.