Prince Valiant by Hal Foster.
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Prince Valiant by Hal Foster.
Art by Petar MeseldĆŸija
Jean-Leon Huens' cover for Lloyd Alexander's fantasy novel The Book of Three.
This was the first novel in the 5-part The Chronicles of Prydain, Alexander's adaptation of Welsh mythology and folklore.
The charming gentleman on the horse is The Horned King, the chief henchman and enforcer of the main villain, Arawn.
Despite Disney's misfire with its adaptation of the second book in the series, The Black Cauldron, I think The Chronicles of Prydain would make for a great film or television series.
Jeff Easley
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Robin Hood and a woman knight from the Magazine Enterprises take on the character, soon to be taken to Charlton comics, then DC comics, but then who hasnât done a version?Â
The comic book industry does love a well known public domain hero.
âKing Arthur and His Knightsâ by Henry Frith. Garden City, 1932. Illustrated by Frank E. Schoonover.
âKing Arthur and His Knightsâ by Henry Frith. Garden City, 1932. Illustrated by Frank E. Schoonover.
According to medieval British legend, King Arthur conquered Greece. Does this legend have a historical basis?
Barry Windsor-Smith âAxus the Greatâ Pathways to Fantasy #1 (1984) Source (21MP)
Gorgeous work and source is large, enjoy!
Prince Valiant by Hal Foster from June 19, 1938.
Gees, Robin, get out of the way!
The Slaying of Sir Lamorak by N.C. Wyeth
We must picture Arthur to ourselves as a being of light. He and his knights are guardians of what is noble and justâŠ. There was a time when the guardianship of human rights was held only in the pure hands of the priest-kings. Wherever Arthur and his knights appeared, wherever the Round Table was set up, there the sinister forms who hate the light were compelled to withdraw from their presence. Arthur and his sun-radiant knights brought law and order to every place as a reflection of the heavenly ordering of the stars. These traditions remained alive in England up to the time of Queen Elizabeth. From those Knights of the Sword whose strokes had smitten the countries of Europe with the glancing light of sunlike law and order, there came all that still lives on as the life of social rights in Britain. Then the sword was put aside and only the red sash from which the sword had once hung remained as representative of the rights of man.
One must not imagine King Arthur as merely a single and definite historical personality. In a certain sense âArthurâ signifies the name of an order or rank; there have been many âArthursâ in the progress of time, just as there have also been many âParzifals.â For the name Perceval (or Parzifal) was borne by the seekers on a particular quest. âW.J. Stein, The Death of Merlin (p.119-20)
Endpapers in âLegends of Charlemagneâ by Thomas Bulfinch. NY: Cosmopolitan Book Corporation, 1924. Art by N.C. Wyeth.
Left side of drawing.
right side of drawing.