Don’t we all
we're not kids anymore.

if i look back, i am lost
Today's Document

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

Andulka
Jules of Nature

pixel skylines
Lint Roller? I Barely Know Her

oozey mess
Cosmic Funnies
NASA

izzy's playlists!
I'd rather be in outer space 🛸
h
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
almost home

roma★
sheepfilms

seen from Argentina

seen from Malaysia
seen from Bulgaria

seen from United States

seen from United States

seen from Germany
seen from United States

seen from Singapore

seen from United Kingdom
seen from United States
seen from Ukraine
seen from United States
seen from China
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@sittinginthenowhere
Don’t we all
And then I met a man called the Doctor. A man who could change his face. And he took me away from home in his magical machine. He showed me the whole of time and space. I thought it would never end.
Now that I can cry about this show as well
a lot of red irish made love
Se a Dublino ci tornassi
Se a Dublino ci tornassi camminerei di più; ci metterei più tempo a fare colazione la mattina, imparerei a fare il caffè buono. Se a Dublino ci tornassi uscirei di più, in ogni posto che mi fa stare bene e ci rimarrei più a lungo, senza orari, senza chiusure, senza l’ultima luas. Se a Dublino ci tornassi passerei più tempo a scrivere e a leggere, a bere caffè dove te lo fanno col sorriso, lascerei più mance a chi mi sveglia il cuore. Se a Dublino ci tornassi non risparmierei saluti, baci, pinte e promesse. Se a Dublino ci tornassi, e ci fossi pure tu ti chiederei di uscire, perché coi tuoi occhi ogni tanto ci dormo ancora. Se a Dublino ci tornassi camminerei più piano e arriverei più in ritardo, per guardare Grafton Street con le luci di Natale e sotto il primo sole della primavera, con il cappotto pesante o le prime mezze maniche. Se a Dublino ci tornassi vorrei conoscere gli homeless degli ATM, quelli di Molly Malone e anche quelli del GPO. Se a Dublino ci tornassi penserei un po’ anche a loro, che sotto le stelle hanno fame e anche freddo. Se a Dublino ci tornassi darei un bacio al Jeff Buckley sul muro del Whelans, appena entrati sulla sinistra, il Jeff Buckley del Whelans. Se a Dublino ci tornassi farei in modo di restare, per un po’ e forse per sempre, perché pure Joyce lo diceva: when I die Dublin will be written in my heart
How I feel most of the time
Hope
A book collection of my comics is out now! It’s available online here:
Amazon | IndieBound | Abrams | B&N | Powell’s | Indigo
~my dream is to own a book shop~
Old rowboats on Lough Leane, County Kerry, Ireland
submitted by: thescepteredisle, thanks!
CANNOT REBLOG FAST ENOUGH
Because its safer to be nobody than a woman
Quando me l’hai chiesto ho detto che no, il mio preferito invece è Carrie & Lowell, e l’ho detto perché il tuo preferito ancora non l’avevo ascoltato. Non so perché mi stupisco ancora - mi ci sono voluti due mesi per fidarmi - conosci i miei gusti musicali meglio di me perché sono anche i tuoi e tu ci sei arrivato prima. Non siamo bravi a parole, ma viviamo con la stessa musica nella testa. Illinoise for the win.
kiss more often by Sophie Schultz
The Red Wheelbarrow
so much depends
upon
a red wheel
barrow
glazed in rain
water
beside the white
chickens
William Carlos Williams
-
There are only sixteen words in this poem. Yet, the image that they create behind our eyes and in our mind is striking for its clarity and tangibility. In my head, it’s in technicolor. Clean and essential, these few lines give way to a whole lot of different emotions and sensations that almost inexplicably invade us. The poem is as simple as the object it describes in the last three stanzas: as if the words were objects themselves and could have, in our minds, the same purpose that the wheelbarrow has in the mind of the speaker, and each element of the poem is indispensable. Even what is not said has its value, in that it creates breathing space and allows our imagination to wander among the lines, in the blank spaces between the stanzas, around the solitary words that embody the second line of each stanza. It is in those words - “barrow”, “water” and “chickens” - that the poem acquires that sense of realism and tangibility; it is because of those words that we believe in the honesty of the poet. There is no desperate attempt to write poetry: instead, the words flow effortlessly one after the other, and in spite of what our minds would expect after the end of each line, we are reminded that the wheel we are looking at is nothing but a part of a common tool, that rain is nothing but water, and that white, usually associated with pure beauty, is also the color of chicken feathers. Beauty can be found in the unpoetic, common, simple prose of everyday life. After reading the last line, we realise that no element is out of place, and that everything is perfectly fitting in the scene and in the poem.
The wheelbarrow is empty, as far as we are allowed to know, but the first stanza somehow fills it with a heavy load. It is the weight of our emotions, of our hopes, of the importance we can give to that inanimate object. So much of the meaning of the poem depends on the first two lines, as so much of our understanding of it depends on the wheelbarrow. While most of Williams’ poems include a sense of movement, this one stands incredibly still, as if to suggest that it does not matter how hard the times we are leaving are, how chaotic our world is, or how difficult it is to stay afloat in the storm of everyday life: there is always going to be a red wheelbarrow for us to lean on, a simple object, a simple gesture that is going to soothe us with peace and relief, an anchor that will help us in our struggles.
When asked about the meaning of the poem Williams answered with the first line of Keats’ Endymion - “A thing of beauty is a joy forever”. That beauty is ours to bestow, ours to remember, ours to cherish. Sometimes we need nothing more than a red wheelbarrow surrounded by white chickens, glazed in rain.
for the first time in my life I don't feel the urge to be somewhere else