he's the King of Antiva it's canon 🥰🥰💜
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if i look back, i am lost
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@sleepyecho
he's the King of Antiva it's canon 🥰🥰💜
Who are you? Who sent you?
Lucanis when we meet him - re-imagined
I really love encountering stories about what great poets were like in college, like
Byron racked up huge debts during his time at Trinity college, and was wildly and passionately bisexual with a string of same-sex lovers. He was angry Trinity didn't allow for dogs, so he brought a tame bear instead. The college administration legally couldn't do anything about it so he went about walking his bear on a leash
Keats spent years pursuing a medical degree, to much success, but got depressed as his workload cut into his writing time. He quit his medical studies, and his brother said he would rather die than not be a poet. Keats lent too much money to his friends and brothers, despite already struggling financially, which put him in debt
Shelley despised Eton college, and spent his time studying the Occult and conducting rituals trying to raise the dead. When he attended Oxford he skipped most classes and instead spent time in the science lab he had set up in his dorm. He was eventually expelled after writing a treatise on atheism and sending it to every bishop in the school
Coleridge straight up dropped out of Cambridge and enlisted in the army under a fake name to avoid his debts
Feel free to add more
Body positivity and mental health for men, by Lena Dirscherl (BoPoLena on IG). More under the cut!
Keep reading
"how have u been”
bro i want to disappear forever without a single explanation
ROBERT PATTINSON as BRUCE WAYNE in
THE BATMAN (2022) dir. Matt Reeves
my skater girl Diana agenda
Frank Herbert, Dune (Dune Chronicles, #1)
Without fear, I die but once.
Friends, brothers and sisters, who can regale me and my queen with some myth or tale?
The Green Knight (2021) dir. David Lowery
MARIE ANTOINETTE (2006)
dir. Sophia Coppola
Powerful article on Stephen Johns from Sean Shapiro and The Athletic on his path to the NHL, the injury, and his road to to recovery.
https://theathletic.com/?p=1882496&source=twittered
He suffered nearly 18 months in silence. Now, the Stars defenseman is back on the ice and wants people to know it's OK to ask for help.
Villain: “You and I are very much alike, you know.”
Hero: “I realize that.”
Villain: “Doesn’t that trouble you?”
Hero: “Why would it? I share most of my genome with sewer rats.”
Villain: “But our similarities mean that, deep down, you’re a bad person. There’s nothing stopping you from being just as evil as I am!”
Hero: “Sure there is. I’m stopping me.”
Villain: “But in your heart you crave—”
Hero: “Sometimes when I’m in a crowded building I get the sudden urge to just boop a stranger right on the nose. But I don’t do it, because that would be super rude and weird. Does having that compulsion in the first place make me just as much of a weirdo as if I had acted on it? Maybe it does in your eyes, but to the would-be boopee, it makes all the difference in the world.”
Villain: “We’re not talking about booping noses, we’re talking about killing peop—”
Hero: “Look, dude, I’m sure murder can be really satisfying. But I’ve decided that I don’t want to murder people, and I think that’s very sexy of me. Look at me. With a little self-restraint, you might have had what I have.”
Villain: “But surely it disturbs you, doesn’t it? To know how close you are to snapping. Don’t deny it. There’s so much darkness in your heart. Do you really think they’d still love you if they knew? They’d be disgusted by you. They’d hate you, for thinking so much like me.”
Hero: “That’s the difference, isn’t it? Between you and I. One tiny difference. That’s all it takes. That’s the line between good and evil.”
Villain: “What?”
Hero: “You saw your own darkness and let it destroy you. You surrendered to it the moment you realized it was there. You threw open the door for it and welcomed it inside and let it rob you of your humanity without even a word of protest because you just couldn’t imagine it was something you could fight.”
Villain: “And you, oh-so-sanctimonious one?”
Hero: “I said ‘no thanks’. That’s it. That’s the difference.”
Villain: “Did you just—did you just—”
Hero: “Boop your nose? You’re right. It did feel good.”
Villain: “Well, you’ve had your fun. I suppose you expect me to come back to the angels, right? To find the light that was within me all along? To realize that, deep down, I’m really a good man at heart?”
Hero: “No. I don’t believe in that crap.”
Villain: “What?”
Hero: “I don’t give a shit who you are ‘deep down’. That doesn’t matter. Good guys, bad guys—there’s no such thing. Just people. Just people who get up each morning and decide whether they’re gonna try to save the world or burn it down.”
Villain: “If there’s no such thing as a ‘good person’, according to you, then what on Earth would be the appeal of redemption?”
Hero: “I’m just saying. Maybe you should try a new morning routine.”
The female gaze can be completely inscrutable for men but here’s a quick and not-entirely-sensible diagram I drew while pooping to try and make my preferences clear:
Sorry, let me make it more accurate:
You understand COMPLETELY
the holy trinity
#jason mendoza#tgp#idk who the others are
BRUH
2nd guy is from the lady reboot of ghost busters. and he is amazing, don’t get me wrong, but the 1st one?! Oh friend. Oh friend.
George of the Jungle staring Brendan Fraser isn’t just a character existing in the female gaze, it’s an entire movie told through the female gaze. I have yet to see another movie do it better. There’s a post floating around on tumblr somewhere that goes into it academically, but let me go ahead and sell it to you without any of that.
It’s based on an old cartoon parody of Tarzan, and god George is so stupid. God he’s so stupid. And Brendan Fraser is shirtless & sweaty/oily/wet in some way for most of it. Ursula, the main lady love interest, has a sleazy fiance who doesn’t treat her well. George drinks his respect women juice like a good boy. Also, there’s a whole scene where George is running around with horses in a billowy white shirt that’s open half way like a goddamn regency era hero.
I cannot stress how vital it is that everyone see this movie
This is correct. Everyone should see George of the Jungle.
But also, Troy should be on this list.
Trouble? No way. You’re only in trouble if you get caught.
Aladdin (1992) dir. Ron Clements and John Muske
#tbt the first season of TNG. I’m doing homework on the set, with my studio teacher, Marian. She was such a good teacher and mentor to me. She gave that scared, hurt, insecure little kid some boundaries, lots of guidance and advice, a world-class education, and the kind of unconditional approval I never got from my parents.
Regular school was awful for me. I was relentlessly bullied, and because I was famous, my shyness and anxiety was mistaken for arrogance. When I booked TNG, I was as excited to get away from my awful school as I was to be on the Enterprise. Marian was not my first teacher, but she was the one who put in the work to help me become the best version of myself. I’m so grateful she was in my life when I needed her.
If you’re a teacher, please know that I admire, respect, and am grateful for you and everything you do. https://www.instagram.com/p/B7rcz6uh0Qs/?igshid=zu9prp2aogcs
Post 4: Data-Driven Results
I don’t think I’m surprising anyone here, but the humanities aren’t sexy. All we do is sit around a table for a couple of hours each week and talk about problems. Right?
During one of the previous classes, Dr. Richardson said something to the effect of, “Engineers see things as problems to solve.” And that made maybe too much sense to me. Because, if I’m reducing the humanities to talking about problems, then isn’t it fair to reduce STEM to solving problems? Perhaps not the same problems the humanities talk about, but problems nonetheless.
And that’s my issue. In class we identify systems that reinforce stratification and the cogs within those systems and the roles each of us plays and how those systems support other systems and on and on and on and on... And we say, “It’s capitalism’s fault!” and “It’s the patriarchy’s fault!” and “Why not both?”
Truly a student of the humanities.
But as far as I can tell, we don’t actually solve anything. This was one of the frustrating things about the Lacan class (other than, y’know, Lacan). The solution to this whole interpellation of the Big Other and what not is death or play into the system. That not a solution. That’s a cop-out.
One of the reasons I left the College of Education (I type this as I sit in my office provided by my job with CoED) is that I started to sense that my program only taught fatalistic hand-wringing and was preparing me for a system that I believe failed me. It only perpetuated itself.
STEM, I think, is the opposite. They only see problems, not the underlying systems. Therefore their solutions only address symptoms. They see starving people, they give out food. Look. That kid isn’t starving anymore because he now has food. But they don’t ask why is this kid starving. Their job is to stop the starving, not “why” the starving?
An example of this dichotomy is Interstellar and The Martian.
People generally liked The Martian because it is fiction rooted in science. There are problems, people solve them. With science.
Of course, the plot of the film is to solve a problem. How to get Matt Damon back (again...)? How do I live on Mars? How do I communicate with people 1 kajillion miles away? How do I grow potatoes? These are STEM questions with STEM outcomes. The Martian isn’t interested in humanity. “But, Nicole, all those brave people risked their lives and careers on saving Matt Damon!” Yeah... but only to show off the cool science-y shit. The Martian doesn’t ask questions about isolation, perseverance, duty, ethics, community. Those things can’t be solved in 141 minutes. So, the movie asks questions it knows it can answer.
Interstellar, then, is the humanities side of this coin. It doesn’t care to explain the time travel and Matthew McConaughey entering a weird-ass tesseract and throwing books at Murph.
This movie is about a father-daughter bond. (Lol, who cares are Casey Affleck, amirite?) It’s about loss, and grief, and connection, and love. It’s about identifying systems. What I think pushes it beyond my reduction of what humanities departments do is that the characters identify these systems and try to make sense out of them to solve their problem. The major solvable problem Interstellar presents is the Earth becoming barren. The characters must find another Earth to move to so that humans can continue to exist. And the film achieves a solution. But Interstellar isn’t environmentalist propaganda. It’s doesn’t say, “Matthew McConaughey and Murph must solve global warming.”
It says the bonds between a father and daughter transcend time and space (lol, Casey afleck). This connection is so vital to these people that, together, they save the world. Science isn’t the star. (see what I did there?) The characters’ sacrifices and dreams and fears are what make Interstellar important. No these attributes don’t directly solve problems, but they’re motivation.