happy to be here

my creative space, feel free to reblog; love yourself

[snooowbasic]

[snooowbasic]

[snooowbasic]

[playtymeisover]

RIP

[snooowbasic]

I don’t think I want to be

[snooowbasic]

My favorite Met Gala looks from Camp.

[vinidraws]

•Here’s a redraw I’ve made inspired by a piece originaly made by @dokirosi

•On Twitter: https://twitter.com/ArtOfVini/status/1116206384515833857?s=19

[abigailkart]

September 5-9, 2018 - anxiety lines

society6.com/abiwhales

[abigailkart]

March 23, 2019

society6.com/abiwhales

[anna-cattish]

Grab 20 pages sketchbook of Hands Drawings on my Gumroad!

https://gumroad.com/l/hands_drawings

[anna-cattish]

[sciammas]

Cheryl Dunye in The Watermelon Woman (1996)

[theejocelyn-deactivated20230212]

Natural hair loves

Tumblr/ Instagram: @mayaajani

[su-aesthetic]

[achasma]

Garden of Earthly Delights (details) by Hieronymus Bosch, 1490-1510.

[remakesihavetoremake-deactivate]

US (2019) / GANJA & HESS (1973)

[accras]

Jordan Peele breaks down the frightening first Us trailer

Talk about your ideas for the Wilson Family?

“I can’t think of a horror movie of this nature with a family in the center of it that uses a black family. So I knew just by putting an African-American family in the lead role, already we would be exploring cinematic uncharted territory – and I apologize if I’m missing something, which I probably am. I love films like Poltergeist, I love The Shining, The Amityville Horror and I love Amblin films, those Spielberg films that brought extraordinary situations to a family unit, and even though this movie is not about race, I felt like it was an important piece of the project to have a black family in the center. Get Out was one missing piece of the racial conversation and this is another one and we’re seeing a lot of great strides being taken by great artists like Ava (Duvernay) and Ryan (Coogler).” [x]