ごちそうさん。

ごちそうさん。  

[nozomifuuto]

元宝塚娘役トップ・真彩希帆、退団後は「“宝塚ホームシック”みたいなものになりました」

[nozomifuuto]

望海風斗「大好きな宝塚と関われることがとても幸せです！」　WOWOW『宝塚プルミエール』 新ナレーター就任にあたりコメントが到着

[slam-islamic]

Floor Spread (sofra) with Design of Tulips and…, Ottoman period, 1281–1924, 17th century, Saint Louis Art Museum: Islamic Art

https://www.slam.org/collection/objects/547/

[nozomifuuto]

読売新聞のインタビューオフショット

[nozomifuuto]

真彩希帆 WOWOW 『宝塚プルミエール』 スペシャルゲストナレーター出演

[nozomifuuto]

望海フートー閣下とふたりのエリザベートたち、明日海りおと夢咲ねね

[yagyou]

Vanitas vanitatum et omnia vanitas.

[nanahoart]

Drawing 02 /Adobe sketch

[unsubtlelove]

[treasures-and-beauty]

19th Century Victorian Solid Silver Condiment Set, George Fox, circa 1853

[golden-inspiration]

[nozomifuuto]

エリザガラコン アニヴァーサリー スペシャルVer. のぞみフートート閣下が降臨される!

[la-fabrique-de-miss-red]

Dear fellow DaiKiho fans, what are your favourite DaiKiho’s moments :-) ? (I would love to know)

I have many, one of them being their final duet dance from “Phantom” (adaptation of “The Phantom of the opera” by Mr Yeston and Mr Kopit, based on Mr Leroux’s novel)…

First, probably because I had the chance to attend a live performance of it: the whole musical was filled with many emotions, beautiful singing especially on Nozomi-San (Erik/Phantom), Maaya-San (Christine) and Maisaki-San (Carlotta)’s parts, and very lovely chemistry for the top combi. 

And when the duet dance started, with Nozomi-San singing “Home”, and Maaya-San appearing from the depths of the stage…it was mesmerizing. It felt like they were floating and sliding on the stage rather than stepping on it…

Second because their duet dance outfits were red, which is my favourite colour, and also a reference to one of my favourite scenes in the musical (”My true love”)

Third thanks to the choreography, which is deeply connected to what happens in the musical…the loveliest moment being at the end, when Erik hugs Christine a first time and let her go with a very distraught and sad facial expression (which still refers to “My true love” scene for me), only to be huged a second time by Christine.

[zuka-zuka-zuka]

[weltenwellen]

[klassizismus]

Details: Nymph of the Woods and Nymph of the Fields. By Carlo Pittaluga, 1915

[met-european-sculpture]

Cistern (one of a pair), ca. 1550–70, Metropolitan Museum of Art: European Sculpture and Decorative Arts

The Friedsam Collection, Bequest of Michael Friedsam, 1931 Size: Overall (confirmed): 10 × 19 ½ × 19 ½ in. (25.4 × 49.5 × 49.5 cm) Medium: Maiolica (tin-glazed earthenware)

https://www.metmuseum.org/art/collection/search/197216