The Bowery Presents
occasionally subtle
"I'm Dorothy Gale from Kansas"
roma★
Cosimo Galluzzi
The Bright Sessions
No title available
bliss lane
Phantogram Three
Claire Keane
I'd rather be in outer space 🛸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH
❣ Chile in a Photography ❣
No title available
Product Placement
NASA
tumblr dot com
Fieri Frames
Origami Around
seen from United States
seen from Mexico
seen from Indonesia
seen from United States
seen from United States
seen from India
seen from Brazil
seen from Indonesia
seen from United States
seen from Germany
seen from United States
seen from Iraq
seen from Venezuela
seen from United States
seen from United States
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@socialpracticesartnetwork
Call for Papers
See on Scoop.it - Call for Papers: Art, Community, Society, Research, Creativity
We would like to encourage the submission of research papers and artist/practitioner presentations on the following topics within Experiential Storytelling.
Jobs & vacancies
Many Jobs Listed here: "Jobs, interships and volunteering in cultural sector.
GRANTS FOR VISUAL ARTISTS
GRANTS FOR VISUAL ARTISTS The Harpo Foundation seeks to stimulate creative inquiry and to encourage new modes of thinking about art...
CASA TALLER / HOME WORKSHOP
See on Scoop.it - Social Art Practices
Jules Rochielle's insight:
Artists that assemble the online community for SPAN.
Useful Art for Communities – Beatriz Gonzalez
See on Scoop.it - Social Art Practices
Association of artists, communities and institutions, with the purpose of cultivating, promoting and protecting common interests in an artistic, cultural and sociopolitical context. Aarhus. DK [2018] An avant-garde ART PLATFORM where artists, expert citizens/communities and institutions develop artistic projects that discuss and analyze sociopolitical behavior and context of an specific place/people, understanding and using art as a tool for social transformation, through the activation of expert citizens on its environment, empowering art as an element of healing, connect people, strengthen family ties and build communities. The artistic projects are developed understanding the needs in the present time of the communities, with the aim of evolving as humans being and tackling sociopolitical issues. Working with public gathering and studying the relationship between the public spaces, performative arts, politics and its implementation in Society. CHECK!!! our official NEW website is available in: https://uac.hewadesign.com/ Us On Pinterest
About Okui Lala - okui lala
See on Scoop.it - Social Art Practices
Chew Win Chen aka Okui Lala (b. 1991) is an artist based in Penang/ Kuala Lumpur, Malaysia. Her practice spans from photography, video, performance to community engagement. Okui looks into the migratory background and translation process to explore the notion of home and identities of herself in extension with the larger social, cultural and political milieu. Her most recent work “My language proficiency” (2017) which was exhibited at the National Art Gallery Malaysia
Open Call | Villa Eläintarha Residencies, Helsinki, Finland
See on Scoop.it - Artist Opportunities
Villa Eläintarha will focus on short-term production residencies, with a thematic focus on performing arts and in projects that take place public space. Minimum residency duration is 1 week, maximum 2 months. Professionals from all fields of culture can apply for the residency. You may submit an application at any time. Applications concerning the following year can be submitted from 1st of April. Villa Eläintarha is an artist residency in a 19th century wooden villa in centre of Helsinki, next to Töölönlahti bay. City of Helsinki established an artist residency at the villa in the year 2000. HIAP will arrange introduction events at the villa in early 2019 for artists and organisations who are interested in the residency. Villa Eläintarha is now taking in applications for residencies for the year 2019. From the beginning of year 2019, HIAP – Helsinki International Artist Programme will be responsible for coordinating the activities of Villa Eläintarha residency. The minimum period at
A horizon of (im)possibilities: Reflecting on the social implications of recent political upheaval in Brazil
See on Scoop.it - Conferences on the Arts
Call for Papers: The 8th Annual International Igbo Conference, SOAS, London (Deadline for abstracts: 31 December)
See on Scoop.it - Conferences on the Arts
The 8th Annual International Igbo Conference SOAS, University of London April 12-13, 2019 Theme: The Igbo Arts and Its Intersections: Politics, Spirituality and Justice The Annual Igbo Conference has carved out a unique space, serving as a bridge between the community and academia. It is currently held annually at SOAS, University of London in association…
14th International Conference on the Social Context of Death, Dying and Disposal
See on Scoop.it - Conferences on the Arts
Covering all aspects of death, dying and disposal this conference is a multi-disciplinary conference open to all, including academics and practitioners.
Call for Papers : Art in the Anthropocene - Events - Trinity Long Room Hub Arts & Humanities Research Institute - Trinity College Dublin
See on Scoop.it - Call for Papers: Art, Community, Society, Research, Creativity
Call for Papers : Art in the Anthropocene Tuesday, 15 January 2019, 11am – 12pm Conference in the Long Room Hub, Trinity College Dublin, 7 to 9 June 2019 The School for Creative Arts and the “Identities in Transformation” Steering Group invite you to participate in the conference “Art in the Anthropocene” at Trinity College Dublin from Friday 7 June to Sunday 9 June 2019. The conference is being organised in collaboration with the Trinity Centre for Environmental Humanities, and the Science Gallery’s exhibition on PLASTIC. Keynote speakers will include Cary Wolfe, author of What is Posthumanism? ( 2010), Before the Law: Humans and Other Animals in a Biopolitical Frame (2012), and the forthcoming Art and Posthumanism (2019); Una Chaudhury, Director of New York University’s Centre for Experimental Humanities and author of The Stage Lives of Animals: Zooësis and Performance (2017); Anna Tsing (University of California at Santa Cruz and Århus University), author of The Mushroom at the End of the World (2017); and Jussi Parikka (Winchester School of Art/University of Southampton), author of A Geology of Media (2015), The Anthrobscene (2014) and Insect Media (2010). The Anthropocene has been defined as the present geological epoch in which the earth’s ecosystems and biodiversity are being slowly disrupted by human intervention. The term has become commonly used since the beginning of the twenty-first century when Paul Crutzen argued its importance in a Nature article, and since then scientists have debated its credibility and possible starting point, suggesting the end of the eighteenth century (with the birth of the industrial revolution) or 1945 (with the commencement of nuclear weapons testing). The notion of the Anthropocene raises important questions that concern the sustainability of the planet. With seas rising and becoming inexorably acidified and contaminated and the destruction of coral reefs (such as the Great Barrier Reef); with fish life and plankton dying because of climate change and pollution from plastic, oil, and other forms of human waste; with the endangerment and extinction of animal species; with huge tracts of land in Africa being leased by China to feed its own population; with African governments encouraging their citizens to go abroad in order to send back foreign income to sustain their national economies; with aggressive mining and fracking operations, fertilization, forest fires, and over-cultivation of land; with the ubiquitous burning of fossil fuels and the increase in carbon dioxide in the atmosphere; with deforestation, drought, desertification, poverty and hunger in the global south forcing increasing waves of migration; with melting icebergs, periodic oil disasters, and emissions of radiation from nuclear power plants as well as the continual threat of nuclear war; and with the rapid increase of the world population to 7 billion (estimated to increase to 10 billion by 2050), Elon Musk has offered a wake-up call by proposing that we need to colonize Mars. Posthumanism has offered an alternative to anthropocentrism and emphasised the importance of the non-human in the challenge against the destructive effects of the Anthropocene. Posthumanism privileges animals, plant life, ecological systems and the environment, as well as providing a feminist perspective on human patriarchy. It emphasizes the protection and conservation of the earth and its inhabitants, recognizing continuity between all living creatures including plants, animals and humans. New trends in philosophy offer new materialism, object-oriented ontologies, and theories of social assemblage. As art is more sensitive in reacting to the issue of the Anthropocene, we encourage papers on Visual art, theatre, performance, film, and new media related to such topics as: Artistic Activism Animals and Art Artificial intelligence and art Art and Ecology Art and the figure of the Refugee Bioart and Microbial art Non-human gaze Plastic art Object-Oriented art Rethinking indigenous cosmologies Posthumanist ethics The conference will precede a major exhibition on PLASTIC at Trinity College’s Science Gallery in June 2019. It is intended that selected papers given at the conference will be developed as chapters for a book. The conference fee of €120 will cover panels, plenary sessions, keynote speakers, coffee and lunch during breaks and a conference dinner. Please send a 250 word abstract of your proposed paper with a brief biography to Professor Steve Wilmer, [email protected] by 15 January 2019. Responses will be given by 31 January 2019. Scientific Committee: Anna Barcz Ruth Brennan Matthew Causey Poul Holm Steve Wilmer Audronė Žukauskaitė Accessibility: Yes Campus Location: Trinity Long Room Hub Research Theme: Creative Arts Practice, Digital Humanities, Identities in Transformation Event Type: Alumni, Arts and Culture, Conferences, Exhibits, Lectures and Seminars, Public Type of Event: One-time event Audience: Postgrad, Alumni, Faculty & Staff, Public Contact Email: [email protected]
CfP: Workshop "Digital Memory Practices in and after Conflict," Belgrade, Serbia [September 20-21, 2019]
We are pleased to announce a call for written contributions and an invitation to a two-day workshop at the Belgrade-based Center for Comparative Conflict Studies (CFCCS), at the Faculty of Media and Communications (FMK).
Residencies | Australia Council
RESIDENCIES Applications close: 15 January 2019, Midnight AEDT International residencies provide a unique opportunity for artists to immerse themselves in a new arts context, market, community and culture. The experience enables artists to articulate their practice within a global context and build knowledge, networks and partnerships that support future international arts activity. Outcomes for an artist on residency can include: relationships and collaborations that are vital to the development of artistic practice and market opportunities research and development of new work acceleration of artistic practice cultural exchange.
Open call for art critic/curator residencies | Transartists
Open call for art critic/curator residencies In 2015, thankyouforcoming launched ACROSS, a curatorial and art critic's residency program run from Nice. 18 international professionals have successfully taken part of the program so far. ACROSS is a research and prospecting project, collaborative and experimental, which aims to: Introduce residents to the local artistic scenes and their territories, Enable the hosts to meet the cultural operators and visit the highlights of the area as well as its alternative scenes, Invite to reflect on and offer innovative critical approaches to projects developed in Nice and suburb, as well as in the associated towns (Mouans-Sartoux, Antibes, Cannes, Vence, Monaco etc), Counter-balance the logic of centralisation and rebalance the power relations between Paris and the French provinces, centre and suburbs, local and global, national and international, Devise a new operational tool for research, prospection and transmission through the mobility of its actors, Provide a framework allowing for the mobility of curators and critics, and make it visible, Offer the possibility to frame a specific work or deepen a line of research, Create opportunities for meetings, initiate and enable an environment for exchanges and discussions to foster common experiments
Artist Residencies 2019 » News » Compass Live Art
Compass Live Art invites residency proposals from artists working in any medium whose practice is based in public engagement - artists who are interested in collaborating with the public to make work.
CALL FOR APPLICATIONS: RESIDENCIES AT THE CITÉ INTERNATIONALE DES ARTS IN (...)
See on Scoop.it - Artist Opportunities
The Embassy of France to Iran has the pleasure to announce that the call for applications for the art residency programme to be held at the Cité internationale des arts in Paris in 2019, has been extended until Sunday August 19th, at 12 o'clock, strict deadline (postmark is mandatory).
Upcoming Deadlines | ResArtis
See on Scoop.it - Artist Opportunities
ResArtis - Worldwide Network of Artist Residencies...