BONJOUR TRISTESSE

[cinecat]

Sofia Coppola on the set of Lost in Translation (2003)

[classicalcanvas]

Landscape on the Ile Saint-Martin (1881) by Claude Monet

[whenthegoldrays]

Georges Rochegrosse, Le Chevalier aux Fleurs (The Knight of the Flowers) (detail) (1894), oil on canvas

[classicalcanvas]

Lane in the Poppy Fields, Ile Saint-Martin (1880) by Claude Monet

[ohmovie]

Kate Winslet as Rose DeWitt Bukater Titanic (1997) dir. James Cameron

[gatabella]

Brigitte Bardot, c.1958

[greengableslover]

MARIE ANTOINETTE (2006) dir. Sofia Coppola

[laurapetrie]

Catherine Deneuve ups her glitter game on the set of LES DEMOISELLES DE ROCHEFORT (1967)

[girlcherrys]

Audrey Hepburn screen tests for Roman Holiday (1953)

[thecinamonroe]

Marilyn Monroe photographed by Ben Ross in a hotel room in November 1953.

[audreyhepburninblackandwhite]

Audrey Hepburn on location at the Opéra Garnier in Paris for the filming of "Funny Face," 1956. Photography by Luc Fournol

[classicalcanvas]

The Yerres, Rain (1875) by Gustave Caillebotte

[sofiazerkalo]

Pier Angeli

[sofiazerkalo]

Natalie Portman 

Photo by Annie Leibovitz

[cemeterywanderings]

Cimetière de Montmartre, Paris, France. Photographed by Christophe Maîtrejean.

[thesweetiepienovels]

Actually, you are enough. Even if you don’t work. Or study. Or go out. Or have friends. Or have family. You’re enough because you exist and your existence is enough to be enough because you are not a product. You are not a sum of output. You are not a task to complete. But because you are something the universe wanted and put here even if you’ll never understand why. Somewhere in the cosmos your existence makes a difference, even if it’s not the way others existences do.

[gatabella]

Audrey Hepburn, 1953