2006 Les Paul Studio Premium Plus. It looks great, but I’m not sure that I need a Studio on top of a Standard. This may hit the block after the holidays.

Origami Around
TVSTRANGERTHINGS
official daine visual archive

blake kathryn

pixel skylines
taylor price
untitled

ellievsbear

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★

Love Begins
One Nice Bug Per Day
sheepfilms
🩵 avery cochrane 🩵
I'd rather be in outer space 🛸

shark vs the universe
YOU ARE THE REASON

Kaledo Art

⁂
let's talk about Bridgerton tea, my ask is open
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@sometimetoreturn
2006 Les Paul Studio Premium Plus. It looks great, but I’m not sure that I need a Studio on top of a Standard. This may hit the block after the holidays.
Current living room rig, Dr. Z Maserati GT, 2X10 and a McInturff Taurus. Super excessive? Absolutely. Might need to bring the Princeton down since this just blocks the front door. That little fuzzy patch on the right is part of the cat’s scratching post.
I’ve been meaning to put this one up for a while, this is from the top secret RRS facility in the Philly ‘burbs, tape machine off the big truck that still has the console tape on it from the Stone Beacon Theater show. Yep. How cool.
One more from the House of Blues - Live Throwing Copper show
King's X last night at the Sellersville Theatre. Ty was using the Axe-FX Ultra and the Bogner as a power amp.
Live 20th Anniversary Throwing Copper show AC/TC
Saturday night was billed as a one time performance of Live's Throwing Copper at the House of Blues in Atlantic City, NJ.
Got there in time to see about 15 minutes of the Shackelton's (Thinkloud Entertainment) horror show of an opening. The were literally boo'd off the stage, and it was well deserved. Granted this was a NJ show, but I'm betting it was a lot of a Philly audience and anyone who's played Philly should know, you don't show up and suck or people let you know.
Live went on a little after 10 and opened with, of course, The Dam at Otter Creek and what instantly struck me, was that it sounded like Live. I've seen two Ed Kowalczyk gigs this year, one solo acoustic and one with his full band. The full band show was good, but to me the Live songs he performed didn't sound like Live, they sounded like Ed with a different band. I guess that's not exactly a surprise, being that was the case. The show Saturday night with Chris Shinn *sounded* to me like Live. Chad's guitar tone was right, Patrick's bass was right, Chad's drums were right. It was astounding how accurate it all was.
You could tell that Chris Shinn had some problems with the lyrics and during the meet and greet after the show he even signed and noted on my copy of Throwing Copper the lyrics he fouled up. For me, that took nothing away from the show - I thought his performance and stage presence were absolutely outstanding. Were there a couple vocal clams, yep. Was it a huge train wreck? Not for me it wasn't.
The band went through Selling the Drama and then into I Alone which tore the place up. You could feel the whole balcony section moving under your feet...the crowd loved it. The middle section of the record including Lightning Crashes, All Over you and Shit Towne were fantastic as was Waitress. The highlight of the show for me was Pillar and White Discussion. Pillar has always been my favorite Live song and the band played it like it was going to be the last time they ever did the tune. Shinn was fantastic - he came off the stage and out into the crowd singing the chorus and the house all but came down, and when you didn't think it could get any more ramped up, you'd be wrong because White Discussion peeled the paint. The performance was electric, the crowd was unhinged, they fucking tore it up. It was AMAZING how well the band played the song and how good it sounded. Hats off to whoever was mixing FOH that night - you killed it.
The encore consisted of Pain Lies on the Riverside, Dolphins Cry and Lakini's Juice which again was played to perfection - and not really one of my favorite recorded Live songs, it was phenomenal live and again the crowd could not get enough.
The final song was Horse, the hidden track on TC which honestly I felt was pretty anti-climactic after the powerful version of Lakini's Juice...it really fell flat and the slide guitar that was brought out for that song was wayyyyy too loud in the mix making the whole thing just feel and sound like an afterthought.
Overall, this was one of the most memorable shows I've ever seen. The band was tight aside from the aforementioned vocal clams, which as I said before, really didn't bother me. The great thing was this band sounds like LIVE. It sounded right. It didn't sound like Live with a different singer, to me it sounded like LIVE. Cheers guys!!
Chad Taylor's rig from the 20th anniversary of Throwing Copper show at the House of Blues in Atlantic City.
The Marshall on the left I believe was the spare, center is a 2 holer with the lighted rocker switch (MKII 50W possibly?) and the amp on the far right was a Diaz. I'm note sure if that cab under the Diaz was a 4X10 or an offset 2X12.
The tone all night was pure Live - Chad sounded phenomenal.
Live - House of Blues Atlantic City 10/5/13
Throwing Copper 20th Anniversary Show
Tracking bass - Scarred Heart session - Hantula
Oh I miss this MIJ Strat....should have never let this one off the reservation.
Tracking guitars...Fargen Mighty Plex, Dr. Z Mazerati GT with a pine 2X10, Weber 50W 10F150T speakers in that box, Peters Wolverine.
JCM900 and 1936 is a client rig.
Fargen Mighty Plex (MKI)running 2 EL34's at the moment sitting on top of a late 70's/early 80's Ampeg 2X12 with a Vintage 30 and a Scumback M55. My go-to rig when I'm doing the Les Paul thing.
So says Henry.
What's left of a barn...skeletons and brush...(my photo)
Dinosaur Jr. @ the TLA...loudest show ever. Yes that's 3 Marshall stacks around J and what looks to me like a Twin on the road case he's using as a monitor. Earplugs were not enough that night. Bob Mould opened.