Xuebing Du
Fai_Ryy

pixel skylines
The Stonewall Inn
d e v o n

Game Changer & Make Some Noise

gracie abrams
cherry valley forever
NASA

shark vs the universe

ellievsbear
One Nice Bug Per Day
noise dept.
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
RMH

No title available
todays bird
★

PR's Tumblrdome

seen from United States
seen from Canada

seen from Canada
seen from United States

seen from United States

seen from United States
seen from France

seen from United States
seen from Malaysia
seen from United States
seen from France
seen from United Kingdom
seen from Australia

seen from Morocco
seen from Malaysia

seen from Germany

seen from United Kingdom

seen from Mongolia
seen from Canada

seen from United States
@sowbelly-blog
Shomei Tomatsu, Morning Light and an Organ Bach, Tokyo, 1971
The Passion of Joan of Arc | dir. Carl Theodor Dreyer (1928)
Tsunenobu Kano, Japan (1636-1713)
I cannot tell you how angry it makes me to hear people from North America tell me how much they love England, how beautiful England is, with its traditions. All they see if some frumpy, wrinkled-up person passing by in a carriage waving at a crowd. But what I see is millions of people, of whom I am just one, made orphans: no motherland, no fatherland, no gods, no mounds of earth for holy ground, no excess of love which might lead to the things that an excess of love sometimes brings, and worst and most painful of all, no tongue. (For isn’t it odd that the only language I have in which to speak of this crime is the language of the criminal who committed the crime? And what can that really mean? For the language of the criminal can contain only the goodness of the criminal’s deed. The language of the criminal can explain and express the deed only from the criminal’s point of view. It cannot contain the horror of the deed, the injustice of the deed, the agony, the humiliation inflicted on me. When I say to the criminal, ‘This is wrong, this is wrong, this is wrong,’ or, ‘This deed is bad, and this other deed is bad, and this one is also very, very bad,’ the criminal understands the word ‘wrong’ in this way: It is wrong when he doesn’t get his fair share of profits from the crime just committed; he understands the word ‘bad’ in this way: a fellow criminal betrayed a trust. That must be why, when I say, ‘I am filled with rage,’ the criminal says, ‘But why?’ And when I blow things up and make life generally unlivable for the criminal (is my life not unlivable, too?) the criminal is shocked, surprised. But nothing can erase my rage—not an apology, not a large sum of money, not the death of the criminal—for this wrong can never be made right, and only the impossible can make me still.)
Jamaica Kincaid, A Small Place (via nitlon)
Ceramic Art Scuplture by Johnson Tsang
A submerged statue of the Hindu Lord Shiva amid the flood waters of the river Ganges, June 17, 2013
'80. Sichuan province, China. The foot of an 8th century buddhist statue that stands 72 metres high. Photo by Bruno Barbey.
I wanted to give up the idea I had any control. Shake things up. To be saved by chaos. To see if I could cope, I wanted to force myself to grow again. To explode my comfort zone
(via love-less)
i'm not really that sad i just don't know how to communicate anymore, things get strangled halfway like thoughts eating themselves before they can be formed fully and i get so frustrated and lonely, trapped in here, i'm so much i love so much, can you see? i just want to get out of this fucking pit of self loathing and isolation but i'm scattered over such an area i can't get my shit together, can't keep the little routines, the sleeping and the eating and the taking of medication the going to class every day im sick of this cyclical itching-trapped-under-the-skin followed by drifting delocalized, feeling nothing, and squeezing my eyes shut praying for an answer that probably doesn't exist