RETURNING TO TUMBLR BECAUSE I FEAR I JUST COOKED
Malevolent x Gravity Falls crossover, The King In Yellow is replaced with Bill Cipher
I'll come back if I get anywhere with this
nevermind I've changed my mind
kayne is Bill
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Kaledo Art
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$LAYYYTER

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Cosmic Funnies
RMH
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祝日 / Permanent Vacation
art blog(derogatory)

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@spacen000b
RETURNING TO TUMBLR BECAUSE I FEAR I JUST COOKED
Malevolent x Gravity Falls crossover, The King In Yellow is replaced with Bill Cipher
I'll come back if I get anywhere with this
nevermind I've changed my mind
kayne is Bill
RETURNING TO TUMBLR BECAUSE I FEAR I JUST COOKED
Malevolent x Gravity Falls crossover, The King In Yellow is replaced with Bill Cipher
I'll come back if I get anywhere with this
low quality Dungeon Meshi art my beloved
They should add a option that you can kill wheatley with hammers
dungeon yuri
because of episode 18 i just remembered that eventually they're going to have to animate this thing when the shapeshifter shows back up and i have to say, i cannot wait to see it.
side note, but i love the concept of kabru's party running into, and being wiped by, a shapeshifter because of just how close he is with everyone in his party.
Kabumisu were told to play ‘seven minutes in heaven’ and misheard it as ‘ten days in the dungeon’
to the fairest
Athena
Hera
Aphrodite
Reblog for larger sample size whatever
no no let em cook, what do i get if i choose one of them
Athena gives you a really cool sword and armor.
Hera offers you a life long and happy
Aphrodite offers you the most beautiful woman in the world. She does not specify if this woman is married or not
oh fuck yeah i love women i vote aphrodite
Uh oh, she's married to the King of Sparta and now all of her former suitors are after you and they all brought a minimum of 600 soldiers.
thank the gods for these really sturdy walls i think everything will go so well for the neighborhood
Big horse.
Ooooooo~! gimme gimme gimme
holy fuck lois
horrors beyond my comprehension
Weird Creatures
This is my first animation
their name is Wibbly None-the-Wiser
I can’t fucking stop being utterly transfixed by this gif I think this is how cocomelon babies feel when they see dancing strawberries
We need to talk about Oliver and the grave scene. (spoilers)
Barry Keoghan's improvisation in that scene completely changed Oliver's character and the film as a whole. It encapsulates a critical moment of emotional catharsis for Oliver, marking the first and only time in the film where he completely lets down his guard.
Throughout the film, Oliver maintains a distance from Felix, constantly holding back parts of himself, standing in front of the bathroom door but not allowing himself to enter. At first glance, it appears almost masochistic, but it's critical to understand that Oliver's feelings for Felix go beyond love. He's obsessed. It's as if he fears that getting too close to Felix could expose his true, empty self. And deeper than that, Oliver perceives Felix as something ethereal, akin to a living god. How could you even begin to approach such a being?
His confession in one of the last scenes with Felix where he admits that everything he did was to meet Felix's desires, underscores this guarded nature. Even in this moment of apparent honesty, Oliver is totally incapable of being fully vulnerable with Felix, as evidenced by his backup plan involving the drink.
In stark contrast, the grave scene is where Oliver's walls finally come crashing down. His open weeping, undressing, and act of penetration with the grave soil are profoundly powerful symbols of his extreme vulnerability and his unfiltered emotional state, now finally free of all societal pressures. As disturbing as this act may be, it symbolizes his intense longing for a deep, unfulfilled connection with Felix. In death, where Felix can no longer see or judge him, Oliver finally finds the freedom to express his true self and desires.
The act of penetration can be seen as a desperate, symbolic attempt to maintain a bond with Felix, a way to bridge the unbridgeable gap between life and death. It's a poignant and tragic manifestation of his grief, the complex emotions of longing and obsession he silently harbors throughout the film.
The grave scene is a turning point in Oliver's character arc, perfectly complimented by the finality of the grave beneath him.
Oliver loved Felix in the only way Oliver knew how to love Felix.
oh so when Ollie says he's a vampire, he really means it, huh
- has to be invited in to Saltburn bc otherwise he wouldn't be able to ever enter that world
-the place is called Saltburn-salt is often used as warding against evil forces (but once invited into the protective space it is too late)
-he's there to consume these people, take their lives so he may live on (as the version of himself he sees as his due)
-consuming bodily fluids that are regarded as carrying someone's 'essence'/life (blood, seminal fluid)
-he's visiting people at night to prey on them, using their weak points, in this position behaves more dominantly than his daylight self
- a lot of this 'vampiric' behaviour is also mixed with sexuality, which is very much part of the vampire image
-destroying the mirror that doesn't show him (how he wants to appear...in the ending scene he no longer has a problem with it, relishes his new image as sy with status)
- Venetia, who he originally calls himself a vampire to, dies losing a lot of blood