Man of his word. It only took a couple of lifetimes. I was in love with my son's best friend. I didn't know what to do. Then you asked for that toothpaste. I was damned if I wasn't gonna find something.
KIROKAZE

if i look back, i am lost
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@spartyzgirl
Man of his word. It only took a couple of lifetimes. I was in love with my son's best friend. I didn't know what to do. Then you asked for that toothpaste. I was damned if I wasn't gonna find something.
This is a pretty bold move, but you said you believed in me. So, if you want this bench for yourself, I can take this large pizza past the big, blue building, and eat it alone at my miserable desk at my miserable job.
I do believe in you...And I do like pizza.
THE WALKING DEAD: THE ONES WHO LIVE 1.01 - "Years"
What an arc. I love apocalypse Mom and Dad.
Rick "oops I made my wife angry" Grimes
The Walking Dead: The Ones Who Live Season 1, Episode 5: Become
Rick and Michonne - TOWL // 1.4
Michonne: I just told you, you have son! I don't know who you are anymore!
TWD 9.05 // TOWL 1.02
Rick Grimes in The Ones Who Live 1x01 - Years
"…𝘵𝘩𝘦 𝘴𝘤𝘢𝘳𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘢𝘪𝘯…𝘪𝘵 𝘫𝘶𝘴𝘵 𝘳𝘦𝘮𝘪𝘯𝘥𝘦𝘥 𝘩𝘪𝘮 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘴𝘢𝘷𝘦𝘥 𝘶𝘴."
RICK + MICHONNE in The Ones Who Live s1.3 // The Walking Dead s7.5
Also, can we just really take in the true excellence and impact of Michonne’s character.
She’s a black woman whose story isn’t defined by the hardship of being a black woman.
She’s given incredible emotional range. She’s absolutely badass and strong, but not stoic and stiff. She’s allowed to be as compassionate and nurturing as she is fierce. She expresses grief, loss, anger, pettiness and annoyance; she also expresses hope, love, devotion, loyalty, and bravery. She’s tough and hardcore, but also soft and feminine.
She’s not the sassy best friend. She’s not the magical negro. She’s not the stepping stone for the male MC to decide he doesn’t want. She’s not forgettable or disposable. She can challenge white characters (including the main man) without the writing trying to humble or punish her.
She’s pivotal (the ratings and fan engagement prove that). She’s desirable. She isn’t chasing after a man who barely considers her to own detriment. Her love interest loves her unconditionally. He respects her and wants her in EVERY way. He dreams of her. He can’t truly live without her.
THIS is an immaculate character, brought to life by an incredible actress who is valued in production, and backed by the narrative. THIS is what characters such as Bonnie Bennett and Abbie Mills (amongst others) deserved. THIS is what we want to see.
It could only ever have been you.
THE ONES WHO LIVE | Become (1.05)
Am I back to reblog the shit outta TOWL posts?
Absolutely
"So the Brave Man walked all by himself to the bridge. Remember how he built the bridge for all his friends? Well, the millions of walkers followed the Brave Man onto the bridge, and on the other side, all his friends were waiting. The Brave Man couldn't let the walkers reach his friends and hurt them, so he blew up the bridge, and all the walkers fell into the water and he saved all his friends. The end."
THE WALKING DEAD 10.1/10.13 | TWD: THE ONES WHO LIVE 1.04/1.05
Yeah, I've read enough. I think my GH break is going to be an indefinite one after all, because I have enjoyed the Trina Robinson character too much to see this bullshit play out again. I hate that every single one of the important relationships in her life are being undermined under the altar of Esme.
And I hate that they seem to be taking a sledgehammer to Spencer's growth. Both of them written to extreme, unnuanced versions of themselves so they could shove Little Miss White Privilege into the middle of their relationship because they refuse to let her go.
They have the potential to do something amazing with Trina and Spencer, both individually and as a collective, but for some reason they can't stop squandering it for "white is right" bullshit. I just didn't sign up for this "All About Esme" story, I find the optics completely racist and gross. So I'm checking out.
If you follow me, I need you to listen and take this in. Because, words are overused and lose value. Listen.
A Black female character being rightfully angry is NOT the angry Black woman trope. It is not. It is a Black woman being allowed to be angry when she should be.
The angry Black woman trope is a Black woman being angry for no good reason and/or having anger as her one personality trait.
Y'all cannot get mad every time a Black woman gets angry on screen. Sometimes she SHOULD, and y'all should support her. Lest you nudge her in the direction of a Mammy trope. Thanks.
Edit: So. I see a lot of people reblog this and tag as writing notes or something adjacent to that, and listen - definitely, I don't mind anybody using these ideas, directly from a Black woman, to help shape Black female characters.
But I want to clarify that's not the initial intent of the post. Writing characters is pretty important for representation, but the initial purpose of my sharing my thoughts is to perhaps help curb the way that you engage with such characters, because that makes or breaks a lot of fandoms.
If I can sum it up: Let Black female characters have their personalities and feelings without projecting tropes that might not be there.