OLIVIA RODRIGO — begged (live on snl)
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2025 on Tumblr: Trends That Defined the Year

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@spicegorls
OLIVIA RODRIGO — begged (live on snl)
Thunderstorms are nature’s most fuckable events
I have decided to try my best moving forward!
anna sui fall/winter 1993 rtw
You're asking me to give up my life.
Bro lets go out and be pillars of the community tonight
A Simple Favor (2018) - Old Acquaintance (1943) - Squid Game (TV 2021–2025) -Morocco (1930) - Now and Then (1995) - Victor/Victoria (1982) - She's the Man (2006) - Killing Eve (TV 2018–2022) - School of Rock (2003) - Sylvia Scarlett (1935) - Lullaby of Broadway (1951) - Flashdance (1983) - Annie Hall (1977) - The Hot Chick (2002) - Yentl (1983) - Notting Hill (1999)
arousal! repulsion! arousal! repulsion! arousal! repulsion! arousal! repulsion!
BERTIE CARVEL as Prince BEALOR "Breakspear" TARGARYEN, Prince of Dragonstone, Hand of the King and Protector of the Realm, heir to the Iron Throne
A KNIGHT OF THE SEVEN KINGDOMS│Season 1, 2026 –
hayley williams ph. by zachary gray
JULIA ROBERTS AS ANNA SCOTT NOTTING HILL (1999) Dir. Roger Michell
to be honest i think there’s a large number of people who conflate the very real and widespread phenomenon that women tend to be written off as just mothers or love interests in order to diminish their importance in a given story with the fact that a huge reason they’re sent to narrative purgatory in this way is BECAUSE the labels of “mother” and “girlfriend/wife” are systematically devalued and seen as inherently inferior because they’re terms that have been associated with ownership and/or control over women. like the amount of people who’ve told me that a certain female character is uninteresting or badly written because she happened to have a kid or be a man’s girlfriend or sister just to find out she was actually fleshed out very well and carried significant narrative importance frustrates me soo bad. there’s a huge problem with how those roles (specifically “wife” and “mother”) are systematically devalued and yet also perpetuated as the only viable options for women to achieve their societal roles in the patriarchy but acknowledging the devaluation of those labels to begin with is an important discussion in itself.
YELLOWJACKETS 2.04 "Old Wounds"
The Witches of Eastwick (1987) dir. George Miller
james baldwin was so right when he said “the children are always ours, every single one of them, all over the globe; and I am beginning to suspect that whoever is incapable of recognizing this may be incapable of morality.”
ALEXA DEMIE for THE HOLLYWOOD REPORTER shot by Emman Montalvan, styled by Brynn Jones