[spiritsdancinginthenight]

Iridescent silicious glass jar from Nippur

Ur III period, Neo-Sumerian, c. 2112-2004 B.C.

Al-Qādisiyyah Governorate, Iraq

[nobrashfestivity]

Louise Bourgeois Untitled 1943

[yohjimuse]

the glass bowl, 1920, william nicholson

[havingapoemwithyou]

above everything by David Ignatow

[ortut]

An Gyungsu (안경수) - Cave, 2010 [Acrylic on canvas]

[beweme]

Aden Luz Rienspects

[redlipstickresurrected]

Kang CheolGyu aka 강철규 aka CheolGyu Kang aka Kang Cheol Gyu aka Kang Chieol-gyu (South Korean, b. 1990, Gimcheon, South Korea) - 유령 (Ghost), 2021, Paintings: Oil on Canvas

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Jules Pascin

Les Anges (The Angels), 1905

Pencil, pen and ink, and watercolour on paper

[grandmacottage]

Folk Fibers Quilt

[delicatecombat]

Louise Bourgeois

[mybeingthere]

Known as The Westbury Quilt, this stunning hand embroidered and appliqued red and white quilt was made by 6 women from the Hampson family between 1900-03 in Tasmania, Australia.

It is one of the more important colonial quilts in the collection of the National Gallery of Australia, and was featured in their “A Century of Quilts” exhibition in Canberra.

Although technically more of a coverlet, as it is not quilted, this quilt has 52 stitched blocks – embroidered with proverbs and sayings, and intertwined with blocks depicting favourite farm animals, complete with pet names! It’s a joyful quilt, with its bright red fabric, and funny (laugh out loud at times) sayings, and a big happy embroidered floral border.

It is likely that this quilt was intended as a raffle prize at the time, due to the embroidery on the block above, but the quilt was exhibited by Mary Hampson at the Westbury Agricultural Show in 1904 and again at another in 1906.

[havadaabulut]

Maeve Gilmore

[weepingwidar]

Vivien McDermid (Scottish, 1981) - Blood Flow Overflow (The Field Looks Nice and I Miss the Birds) (2024)

[bodidarma]

“Rose’s Look” by Emile Corsi, 1878

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Beaded whimsies by the Haudenosaunee (formerly known as Iroquois), tourist souvenirs crafted by Haudenosaunee women across the Northeastern US and Central Canada during the 19th and early 20th centuries

[mybeingthere]

José Leonilson Bezerra Dias, Empty Man, 1991. Thread on embroidered linen, 20 7/8 x 14 9/16 inches. Família Bezerra Dias/Projeto Leonilson. © Projeto Leonilson.

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