Films in 2017—#066 Born in Flames (Lizzie Borden, 1983)

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@stefannysais
Films in 2017—#066 Born in Flames (Lizzie Borden, 1983)
Eszter Balint in Jim Jarmusch’s Stranger than Paradise
Maren Ade & Sandra Hüller photo by Dirk Bruniecki
Maren Ade you BRILLIANT WOMAN
First part of Sanpo Disco's first show on NTS. An Ordinary Field - Sleep 이병우 - 내가 그린 기린 그림은-航海 Graham Gash - Alhampra 어떤날 - 비오는 날이면 Sonjintae - Journey to Dream Salon Music - Pour Me More Yang Soo
YYYYYYY
CHEF
Five or six middle-aged men at a BBQ. One of them holds a pair of tongs - they are ’CHEF’. Chef is very pleased with himself there cooking the steaks to a tasteless ‘well-done’ (old mate’s not much in the kitchen, but give him a bloody barbie and he’s king of the world).
The other men linger in a circle, hands clutching their stubbies, watching their mate cook the steaks like a real man. They make menial conversation - but are so bored after rough thirty seconds intervals, they each have little more to exchange within the group and try to act as if their attention has been brought to a more important task at hand (simply from the forced bored conversation).
A lot of ‘yeah… yeah…’, a lot of PAUSES. A lot of ‘so how’s Mary’s new job garn?’
So every so often, one of them shouts at their kid kicking a ball or hogging a frisbee, unnecessarily, just to have something to break the conversation. This will often follow with a typical remark like ‘ah, mate - he really should learn how to share.’
‘Yeah… yeah… yehhhhh…’
Lingering ‘yeah’s’.
The conversation slowly descends in to nothingness and the only words the men can say are:
BARBEQUE YEAH THE MRS LITTLE JIMMY
They can never leave the circle.
Suddenly they’re all alone. On a field. Their wives and children are gone.
The crickets have begun. Night has fallen. Shit - Has Chef overcooked those steaks? Nah they’re right. No wukkas. He’s a wizard with the tongs.
They all stand in the same semi-circle - with the same demeanour, never comfortable. Never fully there. No where else to go.
“I’m not going to shower for her. If I want to stink, I’ll stink. That’s my privilege, and I’m not showering for him. Right. I wouldn’t shower for you. Don’t. I’m not going to shave, either. Don’t shave.”
husbands (1970)
In Comparison
Wei Tchou and her mother decorate their Christmas tree, and string parallels between post-election despair in the United States and civic sorrow during China’s Cultural Revolution.
Greta Garbo by Cecil Beaton, 1946.
I learned my lessons.
have we got an army? we'll teach you how to act like to act like a man. have we got an army? man I mean to tell you we can fight.
people worry. what are they worrying about today?
well it seems like there's a good reason to worry. worry. worry.
I'd sit around listening to you story. if I wasn't in such a hurry, hurry, hurry. and I'm so lonely
mercury
Sleeping is my leisure Waking up in a minefield Dream is just a pleasure dome Love is a roulette wheel Life is real Success is my breathing space I brought it on myself I will price it I will cash it I can take it or leave it Loneliness is my hiding place Breastfeeding myself What more can I say I have swallowed the bitter pill I can taste it, I can taste it Life is real, life is real, life is real Music will be my mistress Loving like a whore Lennon is a genius Living in every pore Life is real, life is real, life is real, so real Life is cruel Life is a bitch Life is real - so real
idea for a story - as I walked down elizabeth street on a saturday morning, 8:39am, on my way to vic markets. november 2016
A woman who works in a suit shop conveniently located next to a funeral home.
A man who makes a living making&selling prints of bad art/paintings.
Both are convinced that they are good people. But that the inevitable pressures of the modern day financial climate means it's 'every (wo)man for himself' - do what you gotta do to put dinner on the table / pay the rent!
They meet one day, fall in love. Their mirrored ideologies only means they continue to further convince themselves and one another in to all sorts of diabolical behaviour. A COMBUSTION - madness ensues. Every part of it tactfully reassured by the other lover.
John + family, in Anything for John (1993)
baby, this is everything.
<3 them
17/05/16
because I slept last night, for long. perhaps I don’t sleep tonight?
if you divide the hours by two. you will find, often people sleep the division without feeling blue.
when I speak of the hours, I speak of last night. when I snoozed for fourteen, heavy dreaming, like I might.
less - more often that not, because I don’t sleep through the times. because I prefer to be busy a busy little bee, with ducks in a row.
rows and rows and rows of ducks, I like to have them sitting there. and I fish them out, with the palm of my hand, and I fish them out with my fishing-line of demand.
and I demand them out - beckon them to come. one by one, piece by piece. to me, they will succumb.
nineteenth of august 2016
The familiarity and the (smaller) size of Brisbane Airport makes me feel as if every person I make eye contact with knows me somehow. But I know that's ridiculous.
I’d like to prove myself wrong.
So I walk with my mind held high, staging myself above the people in the corridors - as if to say 'I'm just here to visit my family'
you should smile more often.
The lips on my face, They're struck suddenly By the whip of the cold. Chapped so, They need balm to be rubbed on them.
My other lips, They rip me From the couch I’m drowning on — Because I think I just got my period.
03/09/16