Contracorriente (2009, dir. Javier Fuentes-Leon)

blake kathryn

Janaina Medeiros

Origami Around
Peter Solarz
Lint Roller? I Barely Know Her

if i look back, i am lost

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
AnasAbdin
$LAYYYTER
Three Goblin Art
todays bird
almost home
No title available

titsay

izzy's playlists!
Mike Driver

Andulka

tannertan36

seen from United Kingdom
seen from United States

seen from United Kingdom

seen from Malaysia
seen from Poland

seen from South Africa

seen from Ukraine

seen from Netherlands

seen from Lithuania

seen from Italy
seen from Türkiye
seen from Türkiye

seen from Malaysia

seen from Germany
seen from United States

seen from South Africa
seen from United States
seen from Lithuania
seen from Türkiye

seen from Malaysia
@folms
Contracorriente (2009, dir. Javier Fuentes-Leon)
Jonas Mekas (1922 — 2019)
http://www.incite-online.net/jonasmekas.html
Maborosi (1995), dir. Hirokazu Kore-eda
Drifting Clouds (1996, dir. Aki Kaurismäki)
Distance (2001, dir. Hirokazu Kore-eda)
Distance (2001, dir. Hirokazu Kore-eda)
Zama (2017, dir. Lucrecia Martel)
“When the light goes out, God is dead.” Death and Transfiguration (1983, dir. Terence Davies)
The Terence Davies Triology (1976-1983)
“The Academy Awards began as an effort of appeasement. It was the late 1920s, and Louis B. Mayer—the studio head who was one of the founders of Metro-Goldwyn-Mayer—was worried about the spread of unionization throughout the movie industry. Wanting to keep the studio workers in his employ from organizing, he came up with a canny solution: He founded a collective, the Academy of Motion Picture Arts and Sciences, that would, among other things, distribute prizes to Hollywood’s creators—and that would help, Mayer hoped, to keep producers and actors and other laborers of the film industry in his thrall. “I found that the best way to handle [moviemakers] was to hang medals all over them,” Mayer would later note. “If I got them cups and awards,” he reasoned, “they’d kill themselves to produce what I wanted. That’s why the Academy Award was created.””
— anyway
https://www.theatlantic.com/entertainment/archive/2018/03/the-power-structure-oscars/554837/
Visages, Villages (2017)
she’s in front of g*dard house lmaoooooooo
Life on Earth (1998)
The Brood (1979, dir. David Cronenberg)
The Brood (1979, dir. David Cronenberg)
Il Posto (1961, dir. Ermanno Olmi)