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fer1972

Photomanipulations by Alessandra Favetto

visual-poetry

»bye« by anatol knotek

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nyctaeus

Mathieu Tremblin, ‘Parking tickets bouquet’ (2013)

sevenknotwind

Whether you succeed or not is irrelevant — there is no such thing,” Georgia O’Keeffe wrote in her spectacular letter to Sherwood Anderson. “Making your unknown known is the important thing — and keeping the unknown always beyond you…” And yet, as human beings, we orient ourselves in the darkness of the unknown by grasping blindly for familiar points of reference, seeking to construct a compass out of similarities and contrasts relative to our familiar world, and out of those we try to construct a framework for what we call success. This is especially true of such nebulous subjects as art, where there is no true North, no universal gold standard of success, so we seek tangibles — like the market — to orient ourselves in the maze of merit. The result can be a great crisis of confidence in artists and a great arrogance in audiences, leaving us still more unsure, as individuals and as a culture, of what makes great art and what it really means to be an artist.

Maria Popova discussing the book ‘33 Artists in 3 Acts’ by Sarah Thornton (via brain pickings)