thought it was doing a good thing rescuing sisyphus from the boulder pushing thing but unfortunately the poor soul is lost without a boulder to push. harrowing
he wasn't even looking at me and he found me
RMH
AnasAbdin

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@stork-balance
thought it was doing a good thing rescuing sisyphus from the boulder pushing thing but unfortunately the poor soul is lost without a boulder to push. harrowing
what a beautiful time of year everyone is growing veegtables for me spacifically, one problem though you need to make fences shorter im sure its a mistake but i cant reach some of them
hello imptortant message from deer youyr doing it agen. i cant eet the vegbals you are growing for me like this
THE SOUND OF MUSIC (1965), dir Robert Wise
i cant believe hades and orpheus are literally the same person in terms of their fatal flaw (hades and his greed, orpheus and his hubris) and the way it blinds them to the point that it drives their lovers away. they aren't just "a man in love with a woman", they're at their cores the same human being!! orpheus just sets himself apart in actually being able to realize this and trying to change himself for the better
the thing about nytw!hermes is that he and orpheus aren't friends. neither is he friends with anyone in the show. he is a storyteller telling a story as opposed to bway!hermes, who loves these people, who cares enough for them to be completely and irrevocably affected by this tragedy, and actually has the motive to sing it again and again in the hopes that the story will turn out this time.
whereas nytw!hermes is more a bystander if anything. he was an audience like we are now, and he knows how it'll go. at best, he was only ever a guide for orpheus and eurydice both to meet their respective dooms.
A missing scene. Thanks for all the fanart and fic throughout the years, you guys
well apparently everyone else hates it. i do not. i love it. i love what they did with it, i love that crowley got to choose, i love that he chose humanity, that he did not choose to run away.
because THAT is who he is. he loves his stars and creations, he loves humanity, he loves the messiness, the good and the bad, the ugly and the beautiful, he loves watching them. he showed jesus all the kingdoms of the world to share that love with someone who he knows already felt it.
in the end, they made that choice together. it's a choice they have made before, over and over, saving humanity over themselves. no god, no angels, no demons, no thousands of years of suffering for all the millions of eternal beings.
personally, i choose to believe that god's last gift to them was integrating them into the fabric of the new universe, so they will find each other in every lifetime. but without anyone watching, without any plan behind it, without senseless suffering, without creating stars just to destroy them.
just the two of them, together, always.
that post that's like. fans have got too used to acting as stakeholders. media analysis is about the narrative intentions not a checklist of what fans want. i think criticism of the finale because it didn't include specific elements we wanted to see is separate (if sometimes intertwined) from whether the narrative worked overall. because as an overall arc it makes sense. from the start they wanted an earth where humans could live their lives free to make their own choices, without interference or pre-determined rules and plans and divisions into heaven and hell. crowley believed the system couldn't be fixed, aziraphale believed god could be reasoned with, and in the end they were both right and they both got what they wanted: a chance for humans and them to make choices that were true to who they were. for crowley and aziraphale that was choosing each other. it always would be
being as i am an idiot, and having been one my whole life, i just wanna say that i find it very easy to do nothing, and go nowhere. i eat chocolate late at night in the dark. i stand in the garden also. and i’m often waiting for something to happen. and i’m stupid.
Why were you chosen ? You seemed to get it wrong. You weren't chosen by gods, by destiny, or even by me. Out of 8.3 billions calls I sent, only you responded.
Anemone song
Happy 9th birthday to Anemone song
why is “get ___ed idiot” one of the funniest sentences in the english language
get verbed idiot, the sequel to “ok nounboy”
get verbed nounboy
World Heritage Post
what we lost that day
pjotv is so weird and enjoyable for me to watch because im enjoying the plot and the characters and suddenly mr rochester is here
i don't go here anymore but the second i saw ao3 was down i sprinted all the way here tumblr really will never die in the heart of the people
just saw the new italian non-replica anastasiaaaaaa so here's some notes, the usual drill, ignore me. when i'll relisten i'll probably write some more thoughts on the new translations
at the end of the prologue the several chandeliers hanging from the ceiling of the winter palace fall on the nobles (very phantom-y), who are trying to hold the door closed while snowy wind slams it open
the abandoned palace was dark and dusty, closer to what it looks like in the cartoon, and i loved it
at the end of in my dreams the curtain hanging behind anya, dmitry and vlad briefly becomes transparent and we see the ghosts of the romanovs
one stanza of once upon a december is sung by young anastasia, as the older one is surrounded by the ghosts
her father is the last one to disappear, after kissing her on the forehead she almost chases him offstage
the effects for the train were lovely, they had the lights and smoke of the locomotive, and then a velarium styled like train car windows the characters could look out of came down. very very effective
while anya sings journey to the past, dmitry and vlad are seen through a velarium behind her, bickering until vlad looks actually hurt and looks down, a little sad. when she reaches the "family" part, dmitry gives him a little hug to cheer him up, and vlad gives him something to drink :')
when she repeats the verse and mentions "love", her and dmitry are both kneeling, on opposite sides of the velarium, and they turn towards each other, though not really seeing one another :')
in a crowd of thousands is sang while anya is getting dressed for the theater behind a screen, leaning out to deliver her parts, and dmitry is waiting for her. so when she realises she remembered seeing him she walks out in the blue dress, and that's when he drops to his knees
they removed most of the swan lake waltz from quartet at the ballet and i'm not super sure i liked that, but it does sound more haunting, ending with the once upon a december melody as the ballerina fouettes in the background
the whole romanov family slowly walked in when anya played the music box for her grandmother, and when she finally called out "anastasia", it was little anya who ran to hug her :')
they cut everything to win :((((
and the press conference :(
anya doesn't step on the suitcase to kiss dmitry at the end, he's still holding it and then drops it loudly when their lips collide. super cute
(separate and numerous gleb notes incoming because they really made him extremely unwell and unhinged. also brian boccuni has a wonderful voice)
gleb meets anya for the first time at the police station! their earlier meeting in the street is cut, as is the bit about her eyes. he turns, sees her for the first time and immediately goes deer in the headlights, and it's definitely meant to be read as him being immediately conflicted: both starstruck AND beginning to confusedly recognise her
when speaking about his father's death, he starts to properly cry (and calls him "papà", so "dad", a little more affectionate than "father"). then, at the mention of the tsar, he smashes a teacup to the ground (which made the little boy next to me jump in fear)
still is staged. well. with him taking his shirt off and whipping himself. very hellfire of him
at the beginning of neva flows reprise anya tries to run past him, so he throws her to the ground, grabs her and delivers the first verses right in her face. he comes veeery close to kissing her
and then, after "i think you are anastasia", he points the gun to his head. anya screams "no" and jumps to stop him. slowly, she makes him lower it, takes it from him and leaves it on the ground
she's the one who says "good luck, comrade" before leaving to get dmitry, leaving him to turn towards the door behind which the journalists are chanting anastasia's name
You know the problem with reading a book? You get hooked and then it ends and you feel sad
This post is cancelled, I have found a new book and everything is all right again
By Talos this cannot be happening