[nobrashfestivity]

Cecil Beaton, Bathroom of his house where would ask to stencil guest’s hands and have them sign it 

[fockybocky-blog]

Milt Gross drawings on the walls, from the gigantic masterpiece Scarlet Street (Fritz Lang, 1945), now out on blu-ray.

[artfully-wayward]

William Wordsworth, Book VI: The Church-Yard Among the Mountains, from The Excursion (1814)

[crumbargento]

Flügelschlagen (wing flapping) - Lutz Mommartz - 1975 (26min)

[crumbargento]

Flügelschlagen (wing flapping) - Lutz Mommartz - 1975 (26min)

[crumbargento]

Flügelschlagen (wing flapping) - Lutz Mommartz - 1975 (26min)

[strangev]

Teuvo Tulio - Restless Blood (1946)

[philosophybits]

“The happy consciousness is shaky enough — a thin surface over fear, frustration, and disgust.”

— Herbert Marcuse, One-Dimensional Man

[funeral]

Jean-Paul Sartre, Being and Nothingness

[magictransistor]

Andreas Feininger, Looking down the Barrel of 16" Coast Defense Rifle at the Watervliet Arsenal near Albany, N.Y., 1944.

[mariaelsblog]

elisamariamatei

© Loris Rizzi

[metaphorformetaphor]

“You get used to the echoes. That’s all.”

— Marguerite Duras, from Yann Andréa Steiner ( Archipelago Books, 2006)

[albarrancabrera]

Albarran Cabrera   —–   Instagram

The Mouth of Krishna

2019, #60056. Pigments, gampi paper and gold leaf

[saganart]

Josef Sudek (1896 - 1976) from the series The Coming of Spring to Prague

[soracities]

“An angel’s fall is a direction. Our true beginning precedes the visible beginning.”

— Clarice Lispector, from “The Burned Sinner and the Harmonious Angels”, Collected Stories (trans. Katarina Dodson)

[yo-mismo-me-rio-de-mi]

“The desire to see everything again, see, touch for the first time.”

— Hilda Hilst, from The Collected Short Stories & Writings; “Agda,” c. 1963 (via violentwavesofemotion)

[hauntedbystorytelling]

René Goebli :: From « The Eye of Love » series (1950s)

René Groebli :: Série «L'œil de l'amour», 1952 Collection MEP, Paris © René Groebli

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