how to torture white people
in honor of mlk
we're not kids anymore.

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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
wallacepolsom
Lint Roller? I Barely Know Her
cherry valley forever

oozey mess

if i look back, i am lost

#extradirty
Stranger Things
TVSTRANGERTHINGS
No title available
let's talk about Bridgerton tea, my ask is open

Product Placement

Janaina Medeiros
Misplaced Lens Cap
styofa doing anything

⁂
Aqua Utopia|海の底で記憶を紡ぐ

seen from Switzerland
seen from United States

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from Singapore
seen from United States

seen from United Kingdom

seen from Spain
seen from United Kingdom
seen from Malaysia
seen from United States
seen from India

seen from Japan
seen from Canada

seen from Singapore
@strotherpt
how to torture white people
in honor of mlk
Superman vs. The Elite (2012) dir. Michael Chang
That's all it is. Information. Even a simulated experience or a dream is simultaneous reality and fantasy. Any way you look at it, all the information that a person accumulates in a lifetime is just a drop in the bucket.
GHOST IN THE SHELL (1995) dir. Mamoru Oshii
The Twilight Zone - Season 2 Episode 28 (1961) “Will the Real Martian Please Stand Up?”
Meiko Kaji (梶芽衣子) in Female Convict Scorpion: Beast Stable (女囚さそり けもの部屋), 1973, directed by Shunya Ito (伊藤俊也).
This is a cutout that I do not know the origin of.
“You’re a slut and a whore for the algorithm. I couldn’t do it anymore. You can never feed it enough. You start out making art, and hoping that the door will open. You’re looking for that viral moment so it opens up the door and you can do the thing full time. But you start to compromise just to get the door to open: guessing what it wants, debasing yourself, alienating yourself. Until you’re not even in service to your art anymore. You’re in service to the algorithm. Deep down every artist just wants to be seen. Everyone does. And that’s how it controls you. The algorithm makes you behave in a certain way, create in a certain way, in exchange for being seen. And if something can change what you do, it can change who you are. And I didn’t sign up for that. I didn’t sign up to become a content creator. Art was supposed to be a way for me to be in search of, in service to, in community with. It was my ministry. Art was supposed to be my ministry.”
Elvira in Horrorland #4 - A Nightmare on Elm Street inspired cover art by Silvia Califano
#she chose humanity 🥺