Not today Justin
oozey mess
One Nice Bug Per Day
Product Placement
shark vs the universe
Claire Keane
hello vonnie
almost home
pixel skylines
todays bird
Sade Olutola
PR's Tumblrdome
d e v o n
Love Begins
$LAYYYTER
Aqua Utopia｜海の底で記憶を紡ぐ
Kiana Khansmith
i don't do bad sauce passes
No title available
Xuebing Du
seen from Malaysia
seen from United States
seen from United Kingdom
seen from Australia
seen from United States
seen from United Kingdom
seen from Germany
seen from Netherlands
seen from Netherlands
seen from United Kingdom
seen from Malaysia
seen from United States
seen from Malaysia
seen from Malaysia
seen from Malaysia
seen from United Kingdom
seen from United States
seen from Singapore
seen from China
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@studiointeract
s t u d i o i n t e r a c t 2 0 2 0
b o d y e x p e r i e n c e c o n t a c t
this is a digital space.
you can explore it freely by scrolling down this post.
click on the #hashtags of a post to see all the related content.
if you want to know more about our project check our about section.
Happy Dérive
s p a c e s
s p a c e e x p e r i e n c e c o n t a c t
explore here our spaces.
in times of isolation, the environment we move and act in, is what forms thoughts, experiences and decisions.
there is the objective space: how we move through.
there is the subjective space: how we feel.
Dérive
Dérive guides through urban landscapes, without a goal. A drifting, a transient pas- sage through various environments, to wander and explore different spaces. The individual lets go of all their original motives for movement, and wanders freely. It is a performative act, during which the goal is to drop every intention to be drawn by the attractions of the space and the encounters that can be made, impressions and be led by chance.
In the quarantine situation, the involuntary restrictions we are facing, unable to go outside and practice the Dérive as we wish we could, we still can explore our `normal ́ habitat, the rooms we live in, the house, furniture, corners, and details. We can translate the original urban environment into something else, something smaller, a sheet of paper, for example.
Dropping Objects
‘Shoot the movie in a room with a ping- pong table. Stand at the left side of the table behind the net (from the players view). The actors position is 2 m away from the cam at the right edge of the table, facing to the opponents side. The cameras height is at the face of the player. The duration of the action is max. 20 sec. and the lights should be positioned like that: the brightest one in the background and the others on the ceiling.
The actor should wear a pyjama and a „Mr. Muerte“ cap. In his left pocket he has an egg box (2- sized), where a table tennis ball is inside. On the ping- pong table lies a ping- pong racket.
The action begins with a fast extension of the actors neck, so that the cap drops down. This sequence shows the actor on a closed-up view, facing the „Mr. Muerte“ writing of the cap. After that the camera zooms out, so that the net, the half ping-pong table and the upper body of the player is seen. Then the actor takes the egg box out of his pocket and takes the ball. He places the egg box on the edge of the ping-pong table, so that the box falls on the floor. After that dropping, a table tennis service is following. The service is conducted in a different range of motion, than expected: The actor strikes the ball not to the opponents side, but 90° to the right versus the wall. The ball shows the 3rd object to drop down on the floor.
During the performance the actor should not show any emotions and be quiet. His body should seem stiff and his feet never change the position on the ground. Also the cameraman is not changing his position, trying not to shake the camera.’
Dérive
exploring a bordered space witth a human compass
Free Works
Free Works
when nobody is watching you
Free Works
in your deepest dream
Animalitude
Tiger Spirit
I look at you through layers These layers I would like to have on the palm of my hand Once I visited a zoo and I felt bad for the limited space the animals had and the stares they must have felt but the tiger behind the glass stared back at me with a wilderness he might have never actually lived. This stare of a never dying soul, of openess, of a direct answer, of a standpoint impossible to negate itself is often hidden behind layers.
Free Works
SameSame
How are you? How are you. How are you? Hello. I’m fine. I’m fine too. Fine. I’ve been thinking a lot lately. I’m fine too. I’m fine. I’ve been thinking a lot lately. Yes. Yes. What does it mean? Are you asking? I’m fine. Fine. Fine But that’s too much. How much do I know you? Hello? Are we talking? Are you answering? Are you asking?
Dérive
Lines and Location And who am I?
disconnection.
I’m the body to a space which is next to me. I’m lost in my body, while the space is wandering. I’m standing as Annika is moving. Apart.
Where can I find myself?
I have connected with, related to the inside next to Jessica, myself exploring the outside I, the center fill the space Wish It away Fill it.
Dropping Opjects
‘‘Pisse trinken’’
Free Works
Moderate control
How to change your perception, how to get high without drugs:
Put your eyes in a trance, stir the fluid in your canals, dissolve the distinction between still and moving.
Take the high as it comes but don't taste it all, don't taste the pleasure, get used to it.
Keep it up, but keep it low.
Make an effort.
Animalitude
Being in space
Fitting in.
Dropping Objects
Silent
I am sitting in front of my window. Watching those, who are walking by. It is a small path, surrounded by meadows, which seems to be the most frequented road for strollers and their dogs alongside with their encounters and chats. I am sitting in front of my window. Watching those, who are walking by. It is getting less. Less faces, less Hello’s. From my window I can sense the suspicion. Friendly words are a rarity, distance is mandatory. I am sitting in front of my window. Watching those, who are walking by. Though there is nobody to watch. It is empty, no word is spoken.
A story about distant people
‘‘le mie tue parole’’
Animalitude
Different animals have their way of expression, an expression that isn’t in our vocabulary.
This is a potential way of showing something with sounds humans could never make with the sounds we can make.