Studio Rue

[firnandfire]

Piano improvisations | 16.11.18 | Johan Allerfeldt

[studiorue9]

(via https://www.youtube.com/watch?v=2j0PFZhUVWY)

[halogenic]

Bordighera (1983) - Helmut Newton

[studiorue9]

[definitelydope]

[intrawar]

Stob Dobh (by Richard Stewart James Gaston)

[fallowstore]

[loveminimalstyle]

[the-whiteness-of-milk]

paranoid android by Marsida.Lekaj on Flickr.

[the-whiteness-of-milk]

Kreisatmung by Tilman Peschel

[minimalist-menswear-blog]

[studiorue9]

‘Playing with gravity’ project for Cockaigne Magazine

[studiorue9]

‘Playing with gravity’ project for Cockaigne Magazine

[thomortiz]

[quotemadness]

I want to write a novel about silence. The things people don’t say.

Virginia Woolf (via quotemadness)

[studiorue9]

Amen to Sergei Polunin performance on 'Take Me to Church' by Hozier Directed by David LaChapelle

[arpeggia]

Pina Bausch - Blaubart, 1977

[geeseabovecloverbelow]

Any American Horror Story fans out there? This image looks familiar —

Here’s more information on the original piece, titled Bluebeard. And below, Wikipedia’s account:

“Bluebeard" (French: La Barbe bleue) is a French literary folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in January 1697 in Histoires ou Contes du temps passé. The tale tells the story of a violent nobleman in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. Gilles de Rais, a 15th-century aristocrat and prolific serial killer, has been suggested as the source for the character of Bluebeard, as has Conomor the Accursed, an early Breton king. “The White Dove”, “Mister Fox” and “Fitcher’s Bird” are tales similar to “Bluebeard”. (x)

For further reading, I suggest Angela Carter’s The Bloody Chamber and Women Who Run With the Wolves. The former provides a stunning retelling while the latter examines. (I especially like the connection to Howl’s Moving Castle; never thought of that before!)

[studiorue9]

Untitled #20 (2008), by Mikhail Baryshnikov Picture credit: Baryshnikov ContiniArtUK