The black hole is the handiwork of Roy Stryker, the director of the FSA’s documentary photography program. He was responsible for hiring photographers such as Dorothea Lange, Walker Evans, Arthur Rothstein and Gordon Parks and dispatching them across the country to document the struggles of the rural poor.
When the photographers returned with their negatives, Stryker or his assistants would edit them ruthlessly. If a photo was not to his liking, he would not simply set it aside — he would puncture the negative with a hole puncher, “killing” it.
Why some Great Depression photos were punched full of holes










