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(via Autumn - Announcements - e-flux)

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Explore art and ideas at MoMA.

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'Winter' (1933) by Agnes Pelton, oil on canvas

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(via Auditorium - Centre Pompidou)

                       Franz West                     (1947, Autriche - 2012, Autriche)                                            

   Auditorium

1992

               Domaine            

Oeuvre en 3 dimensions

                                   |

Installation

           Technique        

Métal, mousse, tapis et polochons

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(via Ignota)

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(via Ignota)

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(via Ignota)

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(via Ignota)

Augustus E. John, Walpurgis Night, 1907.

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(via Ignota)

Hildegard of Bingen, The Choirs of Angels, illustration from Scivias, 1150. Ink and gold leaf drawing. 

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(via Magdalena-Abakanowicz-Abakan-Rouge-III-1970-71.-Courtesy-Toms-Pauli-Foundation.jpg (JPEG Image, 870 × 768 pixels) – Scaled (91%))

Magdalena ABAKANOWICZ ADaKan rouge III tapisserie de haute-lice en sisal fondation Toms Pauli, Lausanne 300 × 300 x 45 CM

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(via alighiero-boetti-alternando-da-uno-a-cento-e-vice-versa.jpg (JPEG Image, 482 × 470 pixels))

Alighiero Boetti

1940-1994

Alternando da uno a cento e vice versa

wool and cotton kilim carpet

279,5 x 266 cm

Executed in 1993.

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(via Studio Guenzani - Exhibitions)

Partial view installation Studio Guenzani, 2006 – ph: Roberto Marossi

Stefano Arienti

Stefano ARIENTI lappeti tinti in rosso o nero (lapis teints en rouge ou noir) tapis en laine de diverses provenances, teintures coll. de l'artiste, Milan

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(via Il filo e l'infinito, la magia sottesa nell'opera di Maria Lai. In mostra a Firenze - ArtsLife)

Maria Lai, Tela cucita, 1976, collage di stoffe e lana Lanusei (Nuoro), Archivio Maria Lai

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CORNELIA PARKER

p: 170-171 Alter Egos 2003-ongoing Each: two silver-plated objects, one flattened by a 250-ton industrial press, wire Dimensions variable   The Alter Egos are an ongoing series of pairs of silver-plated objects, one intact and the other flattened. Sometimes, their reflection is a double, at other times it may be a near relative. I think of them as 'domestics' not only in terms of the spaces they can occupy (hovering over the mantel or tabletop) but also in the sense of power play, where one of the objects has the upper hand. There are identity crises and class divides, ideas of life and death, inhaling and exhaling, conscious and unconscious, and reflection and shadow. Sometimes, there's a sense of a dark undertow, an underlying threat; at other times, just reflected glory. The phrase 'He who lights a candle must also cast a shadow' comes to mind.