The Queen of the Night from Mozart’s Magic Flute Simon Quaglio 1818

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The Queen of the Night from Mozart’s Magic Flute Simon Quaglio 1818
Lisa Brice (South African, b. 1968, Cape Town, South Africa, based Trinidad and London, England) - Untitled, 2018 Paintings: Gouache on Paper
Himalayas, 1947, Nicholas Roerich
Luigi Russolo (Italian, 1885-1947), Cielo e lago [Sky and Lake], 1946. Oil on panel, 29 x 39 cm.
via amare-habeo
“He would often lie there the whole night through, not sleeping a wink but scratching at the leather for hours on end. Or he might go to all the effort of pushing a chair to the window, climbing up onto the sill and, propped up in the chair, leaning on the window to stare out of it.”
Nabokov’s annoted first page of The Metamorphosis // Zed Martinez, Gregor Samsa (lithograph, 20??)
Marjorie Cameron (1922 – 1995) sketch from Songs of the Witch Woman
Space is the Place, 1974, John Coney
mary oliver, “the moths” (excerpt)
The full text of the poem is here, and incredible: http://famouspoetsandpoems.com/poets/mary_oliver/poems/15876
hey, I’m alive (à Big Sur, California)
me: not today, satan
satan: you’ve been canceling our plans for weeks now. if it’s something i said, please just tell me
Kinda draw like a four year old but I was bored in a waiting room today
http://www.cavinmorris.com
Melvin Edward Nelson
Melvin Edward Nelson (1908-1992) left Michigan at the age of twenty-six, after experiencing an epiphany in which he tele-transported himself into the cosmos, looked down on earth and witnessed the formation of other worlds. Nelson believed God had granted him the special otherworldly gift to see true views of atoms, the earth, and the cosmos. During the 1960’s he produced hundreds of drawings and watercolor series into two distinct categories.
His photo genetics series explored the magnetic life of the atomic microcosm where spiritual atoms were controlled by magnetic light and material atoms were controlled by magnetisms. To prove his thesis, that the microcosm and macrocosm were inseparable, he crushed his own rocks and clays to create pigments. Then he added a secret ingredient to benefit all of mankind: “stardust” collected from UFO landings sites.
His Sentra Photo Thesis revealed the relationship between these atoms and all the planets in the universe. All were painted by direct observation from his vantage point in outer space, which he reached via astral projection. He accomplished this with the aid of an invention he called the anyzger an “instrument of truth.” It was with this instrument that “God can see all things upon earth below.” Melvin Endward Nelson’s other inventions included “cyclotronic generator” for levitating objects and a “planetron” for generating cosmic energy. These inventions allowed him to view outer space as well as receive communications from UFO’s.
There’s no going with the flow. But the conceptualization of a flow and follow it.
Jane Peterson (American, 1876-1965), Cactus flowers. Oil on canvas, 32 x 32 in.
Love Her Madly - The Doors (L.A. Woman, 1971)