Do you need an Artist Bio? Do you need a Album Press Release? Check me out on Fiverr I've been on 🔥 getting 5 star reviews ⭐⭐⭐⭐⭐⭐ (at Orange, California) https://www.instagram.com/p/B738zWwnAaf/?igshid=nufu28buogq6
ojovivo

JVL

Janaina Medeiros
h
TVSTRANGERTHINGS
Game of Thrones Daily

titsay
art blog(derogatory)

izzy's playlists!

Origami Around
Fai_Ryy
noise dept.
PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi
Jules of Nature
🪼
Noah Kahan

@theartofmadeline

No title available
RMH

seen from United States

seen from United States
seen from Iraq
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Brazil
seen from United States
seen from Saudi Arabia

seen from Singapore

seen from Kenya
seen from Brazil
seen from Pakistan

seen from Malaysia

seen from United Kingdom

seen from Chile
@supadamnfiverr-blog
Do you need an Artist Bio? Do you need a Album Press Release? Check me out on Fiverr I've been on 🔥 getting 5 star reviews ⭐⭐⭐⭐⭐⭐ (at Orange, California) https://www.instagram.com/p/B738zWwnAaf/?igshid=nufu28buogq6
“You Now” Street Revised 2
“You Now” Street Revised 2
Artist: *********
Music Video Treatment
By SUPADAMN
Action Sequence 1
A convertible drives through Miami.
********* and their two sexy ladies are in the car.
Performance Sequence 1
*********raps the verse, riding in the back while *********drives.
Action Sequence 2
*********is enjoying the company of his sexy lady and *********is doing the same.
Action Sequence 3
*********pulls over at a boardwalk. The couples are walking and talking. Everytime the ********* and *********try to make a move on their sexy ladies the ladies toy and tease them.
Performance Sequence 2
*********raps his verse frantically searching for the sexy ladies on foot at the beach with *********.
Action Sequence 4
Both ladies walk on the boardwalk near the beach seperate from the guys.
Action Sequence 5
*********and *********are looking everywhere but can’t find the sexy ladies. They are both heartbroken and visually frustrated.
Action Sequence 6
*********and *********exit the hotel elevator. Walk to their hotel room door. They open the door and the ladies are inside wearing lingerie the ladies welcome the guys inside and all have a good time. The End.
“Gasolina”
“Gasolina”
Artist: ***********
Music Video Treatment
By SUPADAMN
Action Sequence 1
*********** arrives at dusk to a junkyard/towing lot in a flashy whip. The gate is closed. The scary doorman exchanges glances with *********** as if to confirm his access is granted. *********** pulls in slowly. Smoking. People are working on cars, similar to a chop shop. It’s dark with sparks, soldering, flamethrowers in this workshop. *********** is here to pick up a non flashy whip, he has just had a stash box installed and wants to review the work. I see this video as a mix of references from gone in sixty seconds to fast and furious. In a workshop of all rough rugged men his deal is with a sexy boss lady.
Performance Sequence 1
*********** raps in the junkyards’ workshop while workers work on cars around him.
Action Sequence 2
*********** drives the stash vehicle on a highway. Passing many local exits signs and reputable spots where he actually lives. Time lapses and trippy effects for these action sequences.
Action Sequence 3
*********** Drives the flashy whip in the daylight with a smile on his face into blue skies and perfect weather.
Performance Sequence 2
*********** Raps his verse driving in the daylight with perfect weather.
Action Sequence 3
Parks the flashy whip in the day at a villa and pops the trunk. Pulls a luxury bag from the trunk and walks towards the entrance. *********** sits in a patio at villa. Enjoying the fruits of his labor, there are women and the drinking of fine liquors. This should be depicted as what you would actually do in real life when you have these types of success celebrations.
Performance Sequence 4
*********** Raps his verse in a section of villa alone.
The End
“Be Real With Me”
“Be Real With Me”
Artist: ************
Music Video Treatment
By SUPADAMN
************ auditions for a mysterious delivery job for shadowy figures.
His hiring is confirmed when he is chosen by a sexy and mysterious woman in a speakeasy nightclub.
Performance Sequence 1
************ is blindfolded rapping his chorus and verse as he enters the nightclub alone in a long narrow hallway.
Action Sequence 1
************ is stopped by a doorman at the club entrance. He reaches in his pocket and takes out a card with one word on it. After speaking the password he is given a blindfold and granted entrance into the speakeasy nightclub.
Action Sequence 2
A sexy mysterious woman spies on ************ from a distance. ************ is walking down a sidewalk in an unfriendly neighborhood. He arrives at a trap house. Greets the the trappers and heads inside. The woman watches and waits. ************ leaves moment later the same way he came in. Walking back the other direction down the street. The woman approaches. ************ is given a card with an address and password on it. The woman returns to her car and takes off.
Action Sequence 3
.
************ Dances in the club with the mysterious woman. In front of many shadowy figures who are still vetting him. None of the shadowy figures can be made out due to them sitting in darkness. Eventually the leader of the shadowy figures gives the doorman the signal he grabs ************ by the shoulder. The woman smiles.
Performance Sequence 2
In a smaller room ************ is tied up. He raps His chorus and verse as if pleading his case in front of the shadowy figures.
Action Sequence 4
The Shadowy figures step into the light to be seen by ************ revealing a ring of shadowy women. The syndicate has been vetting ************ for his talents and decides to hire him. They untie him and celebrate.
The End
“Davos”
Artist: ***********
Music Video Treatment
By SUPADAMN
Tonight *********** is finding his groove. He arrives to the club after first finding his groove playing basketball on the public court, he goes to the club later and sees a familiar face from the basketball court and then the party turns all the way up.
Performance Sequence 1
*********** is at the club at table vip setup area and raps his verse.
Action Sequence 1
He is talking to lots of girls. Everyone is dancing. He is having drinks and meeting females laughing in the club.
Action Sequence 2
*********** is playing ball on the public court in the early evening around sundown. *********** misses his first couple shots, but starts to find his groove a bit. A model chick walks by with her friends and stops to watch for a minute. *********** starts to find his groove putting the shot in and making nice moves. The girls flirt and laugh before running off.
Action Sequence 3
In the club girls come over, more girls come, finally it’s the model chick from the court earlier with her girlfriends. Both are excited to see a familiar face. *********** finds his groove again this time charming the model chick. She gets comfortable and the group begins taking shot after shot after shot. Dancing and more shots. The party is turning up.
Performance Sequence 2
In a parked vehicle outside the club *********** raps his verse while sitting shotgun the model chick is in the driver seat and the other girlfriends are wilding in the back seat.
Action sequence 4
The crowd is parking lot pimpin after the club lets out. The parking lot outside the club has almost become a club outside the club.
The model chicks vehicle comes driving wildly leaving the parking lot. We get a final glance of *********** in the window as the car flies by. The vehicle speeds off into the distance.
The End
“Circles”
“Circles”
Artist**********
Music Video Treatment
By SUPADAMN
Action Sequence 1
A late restless night ********* is in bed alone but can’t sleep. Somewhere else in the city *********’s Love Interest is with a friend getting ready for a night out. The Love Interest and friend walk/uber to an intimate kick back/party.
Performance Sequence 1
********* sings out the window in the back of a car in the city.
Action sequence 2
********* arrives at the party to a warm welcome from friends. *********’s Love Interest sees ********* has shown up at the party and is seen flirtingly laughing and so on with friends.
Throughout the night the two exchange glances at each other but not connecting. ********* decides to make his move but is cut off right before he can and pulled away by friends. Almost spun in circles physically but also tormented he can seem to make it over to talk with the Love Interest.
*********’s Love Interest decides to make a move and is cut off in a similar way and practically spun around physically in circles. The party ensues as people dance and enjoy themselves. Finally ********* his Love Interest connect dancing and physically spinning circles. Almost spinning into each other's lives. The Love Interest and ********* Leave the Party together.
Performance Sequence 2
On a future night, same as before, but this time ********* is not thinking about sleeping he’s in the mirror and excited getting ready to go out.
Action Sequence 3
He is greeted with enthusiasm from his friends but is noticeably distracted in search of his Love Interest. He finally spots his Love Interest. The Love Interest is not not exchanging looks but more of deflecting on this night. His Love Interest is swept away in circles by someone else. Spun in circles himself *********, never makes it to his Love Interest on this night and the Love Interest leaves with someone else but shares a moment of disappointment with *********.
Performance Sequence 3
********* is in bed alone and can’t sleep.
Action Sequence 4
********* rushes to the party. ********* is greeted with enthusiasm by friends the same the previous nights. Everything feeling repetitive. Others try to flirtingly make connections with *********. ********* is deflects the other interested parties and is only seeking to connect with the Love Interest. The Love Interest does the same as ********* deflecting others attempt to sweep them away. The two connect again in perfection like the first time.
The End
“See Bout Ya” Artist: ****
Music Video Treatment
By SUPADAMN
The Idea is this guy has gone back to strike a deal for his soul. But before the seductive woman allows him to leave with it she will test him to see see if her black magic mind control can trick him into staying. His black magic mind control instead works on her to her surprise as she become his puppet.
Performance Shot 1
Back seat of Car with tinted windows talking on mobile.
**** raps his song with briefcase handcuffed to his wrist.
Action Sequence 1
Car pulls into outdoor shopping mall parking lot.
**** and security exit the vehicle. **** carries a handcuffed briefcase. He enters a storefront. **** and security make their way to a back office. Surveillance video or without the **** and his security approach a door. After a few knocks and waiting the door seems to open itself. A smoky voodoo decorated room with seductive woman await ****. The woman dances **** into a trance. **** attempts to resist. But is charmed into taking a seat. The Woman continues to dance. Woman Grabs a briefcase for exchange. **** seems to snap out of the spell. She Places the briefcase in front of the ****. He opens the briefcase and views its contents. The audience nevers sees the contents of the briefcase. Upon confirming the receipt of the contents the **** stands and uses his dark magic on the woman. She is shocked with fear as she no longer is in control. He laughs with wicked enjoyment.
Performance shot 2
The **** is now in the throne/seat of the seductive woman. In a smoky dark candle lit voodoo decorated room the **** raps the song.
The song ends with the **** rapping his song and B reel shots of him puppet master controlling the woman to do his bidding.
“No Chill” Artist: **** Music Video Treatment By SUPADAMN
**** and her 3/4 girls hit the city by scooter. Use the different palette colors chosen by **** for scooter colors. Girls hit Paris/the city by day on scooter. **** stops at a Gelato stand where she connects with a love interest. Color pallette on Gelato. The general idea is whenever **** and this love interest connect there is “No Chill” it’s so hot things melt around them. So here the Gelato should melt. No longer at play it the evening and **** and her girls work a private event. It is a modeling event with perhaps runway and pool if possible. **** and her girls are working they are not the models. The models should be fashion forward/neon themed. She is perhaps bartending. Her love interest arrives at the party. Noticed first by one of her girls **** is then alerted of his presence. She rushes to the restroom followed by her friends. They react and begin getting spruced up similar to the fashion forward models.The fashion show should be outdoor at a pool with plenty of neon and inflatables. **** and her friends crash the runway. A battle for the runway and ensues and ends up with everyone even distinguished guests in the pool laughing and having a blast.
Action Sequence 1 “**** rides through the city with her girls laughing and having fun on the scooters. They group sees a hot looking love interest for **** at a Gelato stand. We can see how cold the Gelato. When **** and the love interest begin interacting it gets hot fast. There is no Chill and the Gelato melts
Performance Shot 1 In front of the scooters in daylight **** and her dancers do choreographed material.
Action sequence 2 Fancy people enter a private event talking on the their phones and acting important they take the seats available closest to the runway. Fashion forward models matching this neon fashion show theme begin walking out barely getting the attention of the guests. **** is working as bartender as normal making pink drinks and dressed in uniform. Her friends also in uniforms are working when they spot her love interest enter the event. They alert **** and rush her into the Bathroom. All the Ice at her bar melts.
Performance Shot 2
In front of a mirror in a neon lit bathroom **** performs. Choreography is changing from their uniforms into fashion forward model attire.
Action Shot 3
**** and her friends begin walking on the runway and are mixing up the entire show making it more interesting with better, cooler, more fashion forward neon fashion than the other models. A fun style of chaos ensues and everyone ends up in the pool. **** is reconnected with her love interest in the water.
Performance shot 3 **** Raps his verse on a neon inflatable floating near the runway but not drenched with or without a lady and or drinks.
Performance shot 4 **** is alone with the love interest performing in a foggy smoky neon lit hot tub. The love interest is all over ****.
The End.
“Make It Lit” Artist: **** Music Video Treatment By SUPADAMN
The idea is that **** is the leader of a secret society performing a very secretive and special ritual. An “unwelcome guest” has infiltrated the event. The rules have been broken and now the consequences will be delivered. The intriguing characteristic at play is that the ritual itself is actually a test of loyalty amongst secret society members. Yet someone has failed and now this unwelcome guest is in their midst. This unwelcome guest slowly realizes he is in way over his head. But it is too late he must suffer his fate at the hands of ****. This will play like eyes wide shut/purge.
Action Sequence 1
Doorman greets man as door closes behind the “Unwelcome Guest”. “Password??” the door man asks “Make It Lit” the man replies. The door man takes his jacket and the “Unwelcome Guest” puts on his mask and enters the ritual. I imagine this scene not being as illuminati or similar to the eyes wide shut scene but instead it should be your activities your doing with your homies amplified examples could be smoking or pouring drinks whatever it is your guys normally would be doing club as the crowd that has gathered to watch the ritual.I do like the idea of having the girls in robes and masks unrecognizable from one other in the middle of the strip club shotgunning weed smoke in masks to each other as part of the ritual. The music drops. One masked figure goes around passes blunts or drinks to the girls who are in robes and masked. As the blunts are finished the girls de robe into stripper attire instead of nude.
Performance Shot 1 Strip club as normal everyone in masks. The girls masks should resemble eyes wide shut or fifty shades of gray. The girls choose up **** is chosen in his mask. He gets a lap dance and raps his lyrics into the camera. **** mask should be phantom of the opera style so we can see his mouth move when he raps. He can also not wear a mask in performance it’s your choice here.
Action sequence 2 “Unwelcome Guest” is chosen by a girl for a lapdance. A “Cheetah Print Stripper” sees another stripper has chosen the “Unwelcome Guest” before she could. The “Unwelcome Guest” gets a lap dance, his stripper forces the drink on him and the smoke on him. He appears apprehensive. Catching the attention of another secret society “Security Member”. While all this wild party is going on he is clearly fixated on the “Unwelcome Guest”. He walks off. The “Unwelcome Guest” is beginning to loosen up and enjoy the party as he thinks he is undetected. The stripper leaves his dance is over he stands up. He is approached by the “Cheetah Print Stripper”. She pulls him off the main floor into a hall. Next we see the “Security Member” informing **** of the presence of the unwelcome guest.
Back to the unwelcome guest and cheetah print stripper the two appear to be arguing. She runs off. A new masked member approaches from other direction than the woman ran off to. He motions for the “Unwelcome Guest” to come back into the main room and walks him back. When he returns its is a totally different ritual. It is now an inquisition, a trial to be judged be og brom himself. The “Cheetah Print Stripper” gives herself up to save the “Unwelcome Guest”.
Performance Shot 2
I see you just rolling a nice car and rapping the verses. Maybe being shofferred and rapping the verses in the back seat. Or just rapping in the street in front of a nice car
Action Sequence 3 The nice car parks some of ****’s homies are waiting. **** pops the trunk and his ritual outfit is waiting inside. He changes into his ritual attire. **** and his homies In ritual attire in front of nice car walk towards camera.
The End.
“Found Success” Artist: **** Music Video Treatment By SUPADAMN
The idea is different people are on the beach finding dollar bills in the sand. They follow these dollar bill trails to find the source. **** is searching for her own success. As the people find dollar bills along the trail they eventually find **** covered in money. Meanwhile **** is working hard in the studio. Studying books at home and finding her own success by graduating and making bank.
Action Sequence 1
Open to ****’s shades on the sand with money. Title Found Success in text. We can see an entire beach shoreline. Close up of feet walking on the beach sand. A person finds a dollar bill in the sand. The person picks it up. They look up and discover a trail of dollar bills. The person continues on the trail picking up dollars on the beach.
Performance Shot 1 **** is buried in the sand and covered in money. She puts on her shades and begins rapping her verse. I could see this shot from above **** as she is literally buried and won’t be moving much. She should appear relaxed indulging in her success.
Action Sequence 2
Another person finds a dollar bill in the sand is excited. They also discover a trail of dollar bills. The person continues on the trail of dollars the beach.
Performance Shot 2 Is showing **** in her outdoor studio. Rapping her song found success into a mic.
Action Sequence 3 **** is studying hard at home. Working on her computer. This should feel like behind the scenes to ****’s life. Be authentic.
Action Sequence 4 All the beach walkers are being lead to one location. **** is buried in the beach covered in money and surrounded by as many people as possible. They found the source of all the trails ****.
Action Sequence 5 Camcorder shots of **** in her gown in front of her house with family celebrating her success.
The End.
“Floor It” Artist: **** Music Video Treatment By SUPADAMN
On the side of the road in the desert between Las Vegas and Los Angeles a woman dressed in only a trench coat runs barefoot down an open road. She gasps waving her arms at any car that passes by. In a final effort she closes her eyes and steps in front of the next set of headlights she sees. The vehicle swerves off the road nearly crashing. The woman looks at the driver. **** “You almost wrecked my car”. Woman out of breath cannot respond “Well, get in”.
Cue Music Credits roll in noir style
**** drives the two of them talk.
Music ends. **** is ran off the road being cut off by another car. Three men exit. The woman screams repeatedly fade from killers shoes to the woman’s struggling bare feet. The woman is killed. **** is unconscious. Unseen Killers conversate “Put Him in the car too”. Killers car push ****s car off a canyon. **** awakens to a beautiful woman in a hospital bed.
THE END
“Facts” Artist: **** Music Video Treatment By SUPADAMN
The idea is what are opinions? What is bias? & What are “Facts”. A bias is an opinion or an attitude we have for or against something. That can be different than “Facts”.
I see **** drinking whiskey in front of piano. It’s revealed to be a game show’s live performance and 2 or 3 sexy women are part of the **** performance. As the performance takes place we witness the audience being told what to do with a live audience applause sign or read on their mobile devices. The audience reacts. Whatever the sign/devices are saying dance, twerk, whatever it says the audience does.
Performance Shot 1 **** raps his song behind the piano and in front of the live studio audience.
Actions Shot 1 The sign/devices tell the audience to do the first action applause. The audience stands and applauds. The sign/devices say dance/twerk (whatever your going for here). Then the signs/devices also say “No Opinions” or “Opinions?” (your choice). The audience has no reaction as if they can’t see it. They keep dancing or clapping whatever was previously ordered of them. Then either “No Bias” or “Bias?” (again your choice). Then finally the sign/ devices read “Facts,Facts,Facts,Facts,”. The audience keeps voting for “****” repeatedly.
Action Sequence 2 Zoom intro dressing room door barely cracked open “****” on the door. Camera Opens the door maybe camcorder style or mix of natural shot and cam shots. **** with the women from the performance back in the dressing room having the time of their lives. The women compete for his affection.
Performance shot 2 **** & friends outside in front a nice vehicle/trailer/storefront. **** Performs the song.
Action Sequence 2 **** and his friends walk down the street. Everyone that walks past them is in total shock that they are actually seeing ****. **** and entourage indulge in the stardom. The End.