素敵-C @suteki-c - Tumblr Blog

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Canons s'ébattant dans le Pavillon Français de la Biennale de Venise, imaginé par Claude Parent, en 1970.

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John Baldessari,Trying to Roll a Hoop in a Perfect Circle (Best Sequence 216 Frames), 1972–3

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Ugo La Pietra, Casa Aperto, 1988

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Bruce McLean 150ft Seaskape, Largiebeg 1969

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Robert Morris, untitled (Stadium), 1967, Leo Castelli Gallery, New York

www.celiahannes.net

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Francois Morellet

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#1: 15 quadrati: plastico di ottone smaltato nero #2: concavo-convesso no. 11: plastico di rete di ottone Mostra di Bruno Munari, 1948

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Theo Mendez (British, 1934-1997), Square Composition, 1965. Pencil and oil on canvas, 14 x 14 in.

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Isamu Noguchi, Bird Song, 1958 (cast 1985), bronze

Photo by Shigeo Anzai

The Noguchi Museum

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Walter De Maria

Equal Area Series, 1977

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nycartscene

opens Fri, Jan 31, 6-8p: KAZUKO MIYAMOTO INVISIBLE-EXPORTS Gallery, 89 Eldridge St., NYC the first solo exhibition in New York, in over a decade, of work by Kazuko Miyamoto, a preeminent feminist figure of minimalism. Born in wartime Tokyo, Miyamoto moved to New York in 1964, studied at the Arts Student League, and soon became assistant to Sol Lewitt… In her early work, (between 1968 and 1972), Miyamoto was primarily a painter of large-scale bichromatic acrylic canvases, works that inflected and, in some ways, undermined formal systems with modest, organic painterly elements. In 1973, the year of her first gallery shows in New York and Italy, Miyamoto embarked on a major nail-and-string wall-based installation at MoMA—the elegant, path-breaking site-specific work which she had been refining for several years as she moved away from painting, and would become her signature work between 1972 and 1979.