SANTIAGO CALATRAVA, The Oculus (aka World Trade Center Transportation Hub), opened 2016, New York, NY. On the background One World Trade Center by David Childs, Skidmore, Owings and Merrill och Daniel Libeskind, 2006-2014.
Source: Instagram
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SANTIAGO CALATRAVA, The Oculus (aka World Trade Center Transportation Hub), opened 2016, New York, NY. On the background One World Trade Center by David Childs, Skidmore, Owings and Merrill och Daniel Libeskind, 2006-2014.
Source: Instagram
ELLSWORTH KELLY, Yellow White, USA, 1961. Oil on canvas. Fondation Beyeler. / Fondation Beyeler
JUNZO SAKAKURA, House for Mr. K, Osaka, Japan, 1963. The Elephant stools by Sori Yanagi for Herman Miller (1954). / Tankonyvtar
ARNE JACOBSEN, The Swan chair, 1958. Originally designed for the Royal SAS Hotel in Copenhagen, manufactured by Fritz Hansen, Denmark. The wall clock Bankers (1971) also by Jacobsen, designed for the Denmark’s National Bank of Denmark, where the photo is also taken at. / Arne Jacobsen Swatches
CARL-HARRY STÅLHANE, Collection of blue glazed stoneware ceramics, c.1950s. Manufactured by Rörstrand Ab, Sweden. / Instagram
RYUJI KOSAKA, Garden Landscape, Japan, 1963. Woodblock. / Potomack Company
Interior in Stockholm by Stockholm Contemporary (2017) for the Exchange Int. gallery: Custom Paavo Tynell library ceiling light by Taito Oy (Finland, late 1940s), large ceramic table lamp by Carl-Harry Stålhane & Aune Laukkanen for Rörstrand Ab (Sweden, mid-1950s), Ristyg pattern on pillows by Dora Jung (Finland, 1950s), Danish rosewood daybed c.1960s, Swedish serving trolley (c.1950s) and an artwork by Brian Hodgson (UK, 1993). / The Exchange Int
ALVAR AALTO, Helsinki University of Technology (Teknillinen Korkeakoulu), Department of Architecture, Espoo, Finland, 1965. Photography by Tuomas Uusheimo. / Tuomas Uusheimo
JUNZO SAKAKURA, City Hall, Hiraoki, Osaka, Japan, 1964.
RAY & CHARLES EAMES, Unique Plywood Sculpture, 1943. / Eames Office
TOVE KINDT-LARSEN, Cabinet, Denmark, 1946. Manufactured by cabinet maker Gustav Bertelsen. Material rosewood with brass inlays. / Artcurial
PAUL KLEE, Zeichen in Gelb (Sign in Yellow, 1937). Oil on canvas. Courtesy of the Beyeler Foundation. / Blogspot
Collection of Nordic Modern: Floor lamp model 9609 by Paavo Tynell for Taito Oy (Finland, late 1940s), stoneware floor vases by Gunnar Nylund for Rörstrand (Sweden, c.1950s), Josef Frank armchair model no.508 by Firma Svenskt Tenn (Sweden, 1932) and a stool attributed to Philip Arctander (Denmark, c.1930s). / Instagram
The Beyeler Foundation in Riehen, Switzerland with Alberto Giacometti bronze sculptures Grande femme III & IV (1960) and Femme de Venise VIII (1956), and a painting by Mark Rothko (USA, c.1960s). / Panoramio
FINN JUHL, Reading chair (1953) and Nyhavn desk (1953) by the House of Finn Juhl (originally Bovirke, Denmark). Table lamp Snoopy by Achille Castiglioni och Pier Giacomo Castiglioni for Flos (Italy, 1967). Photography by Philip Ørneborg for Euroman. / Instagram
ANTONIN RAYMOND, The Raymond House and Studio, Azabu, Tokyo, Japan, 1951. Image courtesy Koichi Kitazawa. / The English Home
FRANZ KLINE, Light Mechanic, USA, 1960. Oil on canvas. / Bloomberg