VALIE EXPORT, Einkreisung, 1976. Black and white silver gelatin print on baryta paper laid on chip board
we're not kids anymore.

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★
styofa doing anything

Origami Around
cherry valley forever
Sade Olutola
I'd rather be in outer space 🛸
Jules of Nature
noise dept.
Xuebing Du
Mike Driver
Cosimo Galluzzi

pixel skylines
he wasn't even looking at me and he found me

@theartofmadeline

shark vs the universe

JBB: An Artblog!

JVL

ellievsbear

seen from United States
seen from Canada

seen from Türkiye
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seen from T1

seen from United States
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seen from Colombia

seen from Canada
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seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
@syntesthetic
VALIE EXPORT, Einkreisung, 1976. Black and white silver gelatin print on baryta paper laid on chip board
“INVISIBLE ADVERSARIES” [109M.] VALIE EXPORT | @ AUSTRIA, 1977
VALIE EXPORT - TATOO
Ulysses Jenkins
Ulysses Jenkins, Without Your Interpretation, 1983
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Videostill, Ulrike Rosenbach: Reflektionen über die Geburt der Venus, 1976, 20 min, Farbe, U-matic
Ulrike Rosenbach
Alle lieben Carmen, 1983
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1975 - photographie
24 x 30 cm - collection privée, © ADAGP, Paris
https://awarewomenartists.com/artiste/ulrike-rosenbach/
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Surname Viêt Given Name Nam (1989, Trinh T. Minh-ha)
The Fourth Dimension (Trinh T. Minh-ha, 2001)
Fayçal Baghriche
2013 Grenoble, Le bras du Cardinal, 2016 Fayçal Baghriche
Tracey Moffatt, Something more #8, 1989