Judge me on the work, that’s all I can say.
Alisa U Zemlji Chuda
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost

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Sade Olutola
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❣ Chile in a Photography ❣
$LAYYYTER

tannertan36
Misplaced Lens Cap

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NASA

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Kiana Khansmith
h
Monterey Bay Aquarium
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@syntht-blog
Judge me on the work, that’s all I can say.
syngt.
“no, like, we aren’t going as a band because it’s not about the band. if we both go, it’s saying something about the band. that’s the point. jesus.”
‘ you’re a fucking idiot, asker. ’ he throws aaron’s jacket hard into his chest. ‘ i wanted to fucking go --- i wanted to fucking go with you. ’
helodrama.
‘ no problem. ’ she adjusts his collar, somewhat possessive in nature. they’re showing each other off. that’s how these things usually go, anyways. ‘ he’s just jealous he doesn’t get to come along. ’
‘ sure. ’ he’s lifted his chin to allow angela better access. there’s the ghost of a smile on his face. ‘ you’re my company. who wouldn’t be jealous? ’
syngt.
“well, you brought the favorites.”
he’s seen the social media response. hashtag pray for aaron. it’s strange. aaron’s never prayed in his life.
“maybe it’ll help business when i get out.”
‘ fuck business, ’ monty says. monty means, ‘fuck me for doing this to you.’ he reaches over and thumbs at a petal of one of the flowers he brought.
‘ this is what’s important. ’
Cillian Murphy for VICE (x)
syngt.
“stop, you don’t gotta keep askin’ if i’m going to be okay, mate. i just wanna talk to you, not have to worry about all the doctor bullshit. no offense.” it’s addressed with a charming smile to the nurse writing something on the whiteboard in his room.
monty hasn’t slept, hasn’t showered, hasn’t left aaron’s side since he was taken here. shitty hospital food and a frayed phone charger have been his lifeline for days.
he wants to touch him. he shakes his leg instead.
‘ alright --- alright. ’ start again. ‘ your fans have been very supportive. sent these flowers. all but your favorites. ’
sorry i wasn’t really here today! i wanted to give chris some of my love. i’ll be back after i’ve slept. x
roadangels.
it’s come to a game of taunts, then. dawn thinks she’s alright with that. she steels her jaw, cocks her head, and matches his gaze. “happy to move if you’re quick to apologize.”
‘ i’ll send it in a letter. ’
syngt.
he had wanted to get up and order room service before monty would wake, and yet here his partner is, eyes wide open and mumbling something incomprehensible. they’re bad about sleeping in. aaron looks at his phone on the bedside table in confusion. this is the daily ritual of drug abuse: a forgetful string of weeks scattered with significant moments all masked by some sort of fog in the subconscious brain. reading the screen, “uh… friday.”
‘ christ. ’ he’d have put money on tuesday. he sits up the rest of the way, scrubs at his face with his hands in a feeble attempt at injecting some life into himself. it goes on about 10 seconds before he’s slouching further forward and grunting angrily at the day. ‘ food? ’
😘🍺
DRUNK KISSES!
monty cobb, the secret sap, lives for nights like these. it’s not the lingering fear of alcohol poisoning or drug overdose that gets his blood pumping, but the fact that this is aaron uninhibited. beyond a certain point, it stops being show and starts into sincerity --- his partner laying across his lap and waxing poetic is no exception.
‘ you said that already. ’ a few times, if he’s being honest. he shifts and the room spins, so it takes him a few seconds to dive back into conversation. ‘ i know you love everyone at this party. ’
and then, the most beautiful and unexpected of things happens: aaron, who has just again been made aware of their company, takes the effort to hoist himself up and put them eye-to-eye. he sways with drunkenness. monty sets a hand on his shoulder to steady him.
they’re moving fast in the direction of a kiss.
‘ we’re too --- ’ we’re too far gone to be entertaining, is what he means to say. this is just for us. i hope you remember in the morning. ‘ we shouldn’t. ’
they do.
syngt.
“that literally made no sense.” his tone isn’t teasing. he has no idea what the fuck monty just said. “can’t we cancel?”
monty grabs aaron by the upper arms, gives him a quick jostle, and simplifies.
‘ stop day-drinking, ’ he says. ‘ and we can stop doing this interview. ’
syngt.
“i don’t know. butt things.” oh, what a phrase. aaron pinches the bridge of his nose.
‘ if it’s been in your ass, why in god’s fucking name would i want it in my ass? recently used, no doubt. ’
syngt.
maybe this would be funny to someone else. aaron is not laughing. “wh– why? what do they possibly want interviews for? we’re always getting fuckin’ asked the same fuckin’ questions…”
‘ maybe it’s because you forget about them, ’ he says. ‘ and you get wasted, and they’ve no choice but to repeatedly reschedule with the same fucking questions. ’
the boys now have a wiki page!
IS AARON ASKER… DEAD? yes. next question.
WHAT IS MONTY’S… LAST NAME? no. cobb. it’s cobb. like the salad! leave my parents alone! IS ADVERTISEMENT… TRYING TO BE LIKE ONE DIRECTION? what? it’s been a grueling process but i think we’re almost there.
‘ thanks for being my date. ’ did they ever agree on that label? ‘ aaron was being a right prick about it. ’
@helodrama. / sc.
monty hasn’t given much thought to the idea that his and aaron’s setup could be seen as somewhat --- intimate. they’ve both had a long day, but monty is taking it particularly hard: tense instead of tired, quicker than usual to offer a biting remark.
they’re on their bus. aaron is laying down behind him, lazily working the knots out of his back with his fingers, the heel of his palm, his fingers ----
‘ mm. sorry. ’ he opens his eyes and locks ‘em with those of their interviewer. ‘ could you repeat the question? ’
@syngt.