👀PEEP

s/ang link.me/homebody

[sacredwhores]

Lettre d'un cinéaste: Chantal Akerman (1984)

[charnel-grounds]

Randy Ortiz, “She Desires of My Blood”

oil on aluminum, 2023

[charnel-grounds]

Sidney H. Sime (1865–1941), “Kai Laughed (The Cave of Kai)”

illustration from “Time and the Gods” by Lord Dunsany, 1906

source

[babybluenotes]

[massivex]

[jareckiworld]

Maciej Bieniasz — The Road (oil on canvas, 1973)

[skf-fineart]

GEORGE ZIMBEL (b. 1929) “The House - Prince Edward Island, Canada, 1980”, 1980 Gelatin silver print

[irenelichtensteinblog]

Vivian Maier, Self-portrait

[lichtkannte]

°

[browsethestacksofficial]

Hanna-Barbera Studios contract negotiation (1965)

[mysterytheater]

[les-fleur]

Letter from a Yellow Cherry Blossom (2002, dir. Naomi Kawase)

[les-fleur]

Gas Food Lodging(1992, dir. Allison Anders)

[les-fleur]

License to Live (1998, dir. Kiyoshi Kurosawa)

[les-fleur]

The Lady from Shanghai (1947, dir. Orson Welles)

[xphaiea]

Wildeman, anonymous, 1566

[naked-atelier]

Fashion shoot, Hearst Corporation illustration, unknown artist

[urhajos]

‘Evening plans’ by Julia Ockert

[henk-heijmans]

“The magnificent unfortunate” (Le malheureux magnifique), Rue Saint-Denis, Montréal, Canada, 1976 - by Pierre-Yves Angers (1949), Canadian