While all poetic writing might properly be seen as characterised by programmatological manipulation of literal materiality, in practice, especially since the Enlightenment and in the West, poeticising has been received as an inspired flow of organic lines recited from voices of genius. It is, rather, an alternative, radically formal tradition of letters projected from Mallarmé, through Dada into the currency of total syntax and post-Concrete visual poetry which nurtures programmatological literal art, linking to practitioners in so-called new media: Jim Rosenberg, myself, Brian Stefans, Paul Chan, and an increasing number of poetic practitioners gaining access to new tools.











