No one
Some one
Every one
Hates me
I feel stupid again yayyyyy
seen from Türkiye
seen from United States
seen from United States
seen from Russia
seen from United States

seen from United States

seen from Russia

seen from United Kingdom
seen from Singapore
seen from Türkiye
seen from United States
seen from South Africa
seen from Kazakhstan
seen from Russia
seen from United States
seen from China
seen from United States

seen from Malaysia
seen from China
seen from China
No one
Some one
Every one
Hates me
I feel stupid again yayyyyy
Funny how during Mike's love confession to El, they cut to both Will AND Jonathan, making it both even more intimate AND including the established "objective observer" of the situation, while later, when they're begging her to come back after the fight, it only cuts to Will because they're the main two who have put their hearts into saving her here. Hmm. Almost like they could have contained the previous scene to only those it applied to most to make it feel more romantic but didn't. Hmm.
Because once again, the point of that speech was to get her back. Not to tell her he loved her. So why make the less important section the sweeter, more immersive one?
Forever thinking about that Sarah Snook interview where she says “Shiv sees Tom as an extension of herself” and Tom’s chronic lack of an independent sense of self or identity. Shiv also struggles to maintain an independent sense of self and ultimately tries to define herself in opposition to her father and her family, especially politically, and she wants someone who will not challenge that sense of self or ask her to compromise in any way to accommodate them, because to do so would threaten the very shaky sense of self she’s constructed, which ultimately is too superficial to hold up in the face of such a request. Her sense of self is so wrapped up in independence and opposition that on some level the give-and-take of genuine relationships threatens it. (It’s also why we see her sense of self start to disintegrate when Logan offers her the CEO job and she has to start trying to rationalize her desire to be CEO with her sense of herself as someone fundamentally opposed to everything it stands for).
Meanwhile Tom’s absence of personal identity means he tries to define himself in relationship to other people. He wants to be needed because this gives him a sense of purpose. He wants someone he can mold his sense of identity around. He also tries to define himself through his working relationships and career ambition, but his consistent failure to effectively integrate into that group leaves him looking elsewhere for an anchor. His relationships with both Shiv and Greg began because they needed him, albeit in different ways and for different reasons. He defines himself through those relationships, particularly the idealized versions of them in his head - the idyllic romantic fantasy he wants with Shiv, and both the power trip and the friendship he wants with Greg - and real-world evidence which contradicts those fantasies shatters his own fragile sense of self. Whenever this happens he’s left attempting to “contextualize” it into a new sense of self, but the further reality moves from the fantasy the harder it becomes to do so, and the more disintegrated he begins to feel. When he ultimately sacrifices his marriage in 3.09 he needs Greg to come with him because he knows he’s about to lose Shiv, and he needs some kind of anchor, and Logan is too fickle a person to anchor an identity around (as his children have experienced). Greg is predictable and Tom understands the dynamic he has with Greg, so to bring Greg with him is to bring a sense of familiarity and stability as he upends the relationship that he has used as a defining part of his identity for so long.
(It’s also why Tom can’t leave Waystar; why he can’t go to the DOJ, and why he never considers the ‘third option’ of walking away, despite the fact that, as someone who is not a blood Roy, he’s maybe the only person who truly could. If he leaves Waystar entirely, then who is he? He doesn’t know. He has constructed his entire adult life around Waystar and the Roys, and to walk away would possibly be the single most destabilizing thing he could ever do)
concept (smp):
karl and george are both suffering from some sort of memory loss/derealisation, which is what leads to the strange mini george lore segments that happens on the smp
sapnap witnessing george and karl running a muck, and being confused/concerned by their carefree and somewhat disconnection from the server. george and karl noticing and playfully chasing him around and tickling him to “wipe that frown off of his face”
george and karl ler duo teases 👌🏼
sappy getting a brief moment of not having to worry about all his friends and fiancé’s going insane 🙌🏼
OH NO I hadn't even thought about the ramifications of posting about a ship named "NickyJoe" from a Jonas perspective your notifs must be in absolute fucking shambles every day
it’s very rare! usually we are better about being self contained fjfkfkgkgl
I'M ANIMATING AGAIN!!!! Back at school!!! Let's hope my arm doesn't get injured this time!!!
it just boggles my mind as a writer,,,, why would a writer purposely destroy a story they’ve been working on for seven years,,, a relationship they’ve built from the ground up for the better part of a decade,,,,, what writer does that to themselves????