#-tm

[luck-system-shenanigans]

my best friend is the stupidest fucking genius ever. he's so smart but has NO idea what he's doing.

[pulsar-ray]

the genderfluid. i am wondering if it has entered my system.

[pulsar-ray]

yeah i've come up with a drag king persona and an outfit already. i don't know if i'd ever be able to perform it but it feels really good to explore this aspect of myself

[pulsar-ray]

the girlies and i (your humble king) are having a drag night

[pulsar-ray]

the context: c.m. and i are in a qpr

the content: they just called me their "wife in law"

[per-sand]

ross just tried to say "being sick is fun because your body hurts and you don't know why and then it doesn't go away" as like a joke, but then they got mixed up and said "being sick is fun because i'm in pain" and then our throat hurt too much to keep talking so it just ended there

[survivors-tale-blog]

Voice and Tone

Voice

      Throughout Maus there are two prominent voices. Vladek, the Holocaust survivor and the artist, Art Spiegelman. We see how the story unfolds from both their viewpoints. Through the first-person recounts, the reader finds the story more immersive as we start to feel what the narrator was feeling at that moment

Tone

Since Maus is told from both Vladek and Art’s point of view the tone of the graphic novel varies. With Vladek the tone is mature and dark but when it shifts to Art, the tone is more child-like, curious or even somber at times. Both Vladek and Art bring the tone of the novel to a more melancholic feel as they remember the trauma, loss, and memories of the past and the raw weight of the events

-TM

https://www.shmoop.com/maus/narrator-point-of-view.html

image

https://angeldanielmatos.files.wordpress.com/2014/01/maus-example-1.jpg