1619 Nicolaes Eliasz. Pickenoy - The Osteology Lesson of Dr. Sebastiaen Egbertsz
(Rijksmuseum / Amsterdam Museum)
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1619 Nicolaes Eliasz. Pickenoy - The Osteology Lesson of Dr. Sebastiaen Egbertsz
(Rijksmuseum / Amsterdam Museum)
Sailor's Slops
1600s-1700s
Extremely rare survival of a shirt and breeches, called slops, as worn by sailors from the late 16th through to the 18th centuries. This unique set of loose, practical sailor’s clothing reveals life aboard ship. They are made of very strong linen to endure the hard, rough work. There is tar across the front from hauling ropes. The breeches are heavily mended and patched, which the sailor would have done himself.
The Museum of London (ID: 53.101/1b)
Title: Diana Returning from the Hunt Artist: Peter Paul Rubens (Flemish, 1577-1640) Date: between 1617 and 1620 Genre: mythological painting Period: Baroque Medium: oil on canvas Dimensions: 184 cm (72.4 in) high x 199 cm (78.3 in) wide Location: Museo del Prado, Madrid, Spain
The Ecstasy of the Magdalen (c. 1616-1620) - Giulio Cesare Procaccini
Galileo Galilei, b. February 15, 1564 / 2026
The Inclination
Artemisia Gentileschi
oil on canvas, 1615-1616
Casa Buonarotti
Left: the physical painting in its current condition, with the drapery by Baldassare Franceschini that was commissioned by Leonardo Buonarroti
Right: the digital replica of the uncensored painting as originally painted by Artemisia Gentileschi on commission for Michelangelo Buonarotti the Younger
Diana and Stag Automaton 1610s Silver, partially gilded, 33 x 24 cm Museum of Fine Arts, Boston
FRIESS, Joachim
German goldsmith (b. ca 1579, Lübeck, d. 1620, Augsburg)
Elaborate silver automata were among the most marvelous works of art in German princely collections. The south German city of Augsburg specialized in such courtly drinking amusements during the seventeenth century. The base of this automaton contained a wind-up mechanism that moved it across the table. Once it came to a standstill, the diner closest to it removed the stag's head and drank the wine from the body.
The present automaton was made of cast and chased silver, partially gilded and painted with translucent lacquers. There are other versions in various collections.
Peter Paul Rubens (Flemish, 1577–1640), "Daniel in the Lions' Den" (details)