seen from United States

seen from India
seen from China

seen from Australia
seen from Japan
seen from Poland
seen from United States

seen from Canada

seen from United States
seen from China

seen from Australia
seen from China
seen from United States
seen from China
seen from China
seen from China
seen from Sweden

seen from United States
seen from United States
seen from China
Agyness Deyn in 'Spooky' by Tim Walker for Love Magazine.
I stumbled into this project with total ignorance — it simply appeared on my Tumblr feed one day — and with the help of Copilot I began to unravel what I was looking at. That curiosity turned into a deeper dive. So consider this introduction as a bemusing thought.
Agyness Deyn on the cover of LOVE Magazine. Go to Love (magazine) - Wikipedia to learn more.
What I can say is that LOVE Magazine’s long-standing commissioning of Tim Walker forms the backbone of this exploration, and Agyness Deyn’s presence in Tim's world is part of a creative relationship that stretches across years.
Read more, go to Tim Walker - Wikipedia
What unfolds below is Tim Walker’s eerie, playful vision of Spooky, with Agyness Deyn moving through Tim Walker’s strange, beautiful world for LOVE Magazine. I’m not here to define it; only to share it, and leave the rest to whatever your imagination chooses to find.
‘Spooky’ by Tim Walker - GRAVERAVENS
Posted in Avant-Garde
Agyness Deyn in ‘Spooky’ by Tim Walker for Love Magazine, S/S 2015
Agyness Deyn in ‘Spooky’ by Tim Walker for Love Magazine, S/S 2015
Go to Agyness Deyn - Wikipedia
Agyness Deyn in ‘Spooky’ by Tim Walker for Love Magazine, S/S 2015
Photographer: Tim Walker.
Model(s): Agyness Deyn.
Source: Love Magazine.
Stylist: Katie Grand. Makeup: Julien d'Ys.
Agyness Deyn depicts a dance with death in ‘Spooky’ by Tim Walker for Love Magazine, S/S 2015. The bones of brilliance begins with a lure as Skeletons shake by causing a stir. Walker delves deep, as he uses poetic imagery to waltz us into the unknown. Fashion Director, Katie Grand, captures the high-art of haute couture, with styles that showcase the skeletal form. The soul speaks with haunting designs by Alexander McQueen, Andrea Jiapei Li, Daisy Collingridge, Dolce & Gabbana Alta Moda, Gareth Pugh, Gucci, J.W. Anderson, Meadham Kirchhoff, Saint Laurent by Hedi Slimane, Vivienne Westwood & William Vintage. The features of the face are all but erased, as Julien d’Ys garnishes the (head/body) with theatrical glamour. Spooky secrets sit on the skin as avant-garde embellishments aim to win. Beauty becomes as art unveils in this transformative trip from makeup to mayhem. Modern millinery defies coiffure with haunting hats designed to devour. Drama here from another dimension –Deyn dances back to life in this metamorphic tale of LOVE and lunacy.
(Above) Agyness wears quilted peach jersey dress by Daisy Colligridge, vintage white cotton stockings by Funn and Nostalgia of Mud shoes by Vivienne Westwood both from the Ralik Collection.
(Above) Hot off the set of Sunset Song, the classic Scottish period drama in which she stars, model turned actress turned model Agyness Deyn is back in the studio twirling through Tim Waker's spectral vision of a dance with death.
(Above) Agness wears white mesh macramé top by Andres JiapeI Li, crinoline underdess by Gi8les from the Giles archive; knickers by Araks; vintage white cotton stockings by Funn and Nostalgia of Mud shoes by Vivienne Westwood both from the Rellik collection.
(Above) Agyness wears black satin shorts by Alexander McQueen; black leahter hat by J.W. Anderson
(Above) Agyness wears white cape parkas by McQ; red frilled knickers (worn on head) by Starline Lingerie.
(Above) Agyness wears Kagema drawstring cotton Boy shirt and Gogore drawing cotton stockings both by Meadham Kirchhoff; ribbed knickers by Araks..LK
(Above) Agyness wears Anabella sleeveless T-shirt wit boob holes in period print and screenprinted Girl knickers in period print both by Meadham Kirchhoff.
(Above) Agyness wears origami flower bodysuit by Gareth Pugh; vintage white cotton stockings by Funn and Nostalgia of Mud shoes by Vivienne Westwood both from the Rellik collection.
(Above) Dancers wear costomes by Riccardo Tiscl for the Opera de Paris production of Ravel's Bolero.
(Above) Dancers wear costomes by Riccardo Tiscl for the Opera de Paris production of Ravel's Bolero.
(Above) Agyness wears Zephire parachute silk parka by Joseph; black leather hat by J. W. Anderson.
(Above) Agyness wears vintage brushed sheep fur armbands by Giles from the Giles archive; vintage white toga dress and shorts both from the Rellik collection.
(Above) Agyness wears vingtage tulle and raw linen helmet by Pam Hogg from the Pam Hogg archive; white sequined dress with white jersey sequined body by Givenchy by Riccardo Tisci; fine tulle ventage underskirt from Jane Bourvis; veintage white cotton stockings by Funn and Nostalgia of Mud shoes by Vivienne Westwood both from the Rellik collection.
(Above) Agyness wears vintage hooded coast by Vivienne Westwood and white cotton stockings by Funn both fro the Rellik collection: vintage gown with sculpted bow by Pam Hogg from the Pam Hogg archive.
(Above) Agyness wears fine net top by Phoebe English hand paintd by Helen Bulloc; silver leggings by Ryan Lo; vintage Nostalgia of Mud shoes by Vivienne Westwood fromn the Rellik collection.
(Above) Agynees wears Great Unknown ivory organza panel dress (c 1935) from William Vintage; vintage Nostalgia of Mud shoes by Vivienne Westwood from the Rellik collection.
(Above) Agyness wears Lozenge-shaped lace patchwork decollete dress with ribbed corse laced in the back and satin ribbon and lozenge-shaped lace patchwork hooded cloak both by Dolce & Gabbana Alta Moda.
source intro link https://www.tumblr.com/requiem-on-water/710090461172350976?source=share
The series finale of Star Trek Voyager aired on May 23, 2001. The series ran for 7 seasons and 168 episodes. In the final episode, Admiral Janeway traveled in time from 2404 back to 2378 to give her younger self the means to complete their journey quicker and how to deal with the Borg. ("Endgame" Star Trek Voyager, TV Event)
Ecco perché qui mi sento libera.
porta azul
© Manoel T, 2021