#a constructed world

[contemporaryartdaily]

"Season Zero" at Beeler Gallery

[eutopiacontemporaryart]

The House of Dust d'Alison Knowles

Leigh Kaulbach reviews "The House of Dust d'Alison Knowles" at the Darling Foundry, Montréal

The House of Dust d’Alison Knowles Curated by Maud Jacquin, Sébastien Pluot and the members of Art By Translation Darling Foundry, Montréal [link] June-Aug 2017 Human, alien, animal, vegetable, respond to Alison Knowles’ computer-generated poem, House of Dust. Randomness and inter-species cooperation define the Object-Oriented Ontology sparked by Knowles’ Fluxus dream. Two pieces strike her…

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[dancing-umbrellas-heide-blog]

A Constructed World interviewed by Jake Treacy via Skype at Heide Museum of Modern Art, 1 June 2016 for Dancing Umbrellas, An Exhibition of Movement and Light 5 March—5 June 2016 Videography: Jake Treacy

[dancing-umbrellas-heide-blog]

A Constructed World ACW Archive Les Laboratoires 2013–16 video, colour, sound duration 00:51:00 Courtesy of the artists, Roslyn Oxley9 Gallery, Sydney and Solang Production Paris Brussels

[dancing-umbrellas-heide-blog]

A Constructed World ACW Archive Les Laboratoires 2013–16 (detail) score, recipe, script Courtesy of the artists, Roslyn Oxley9 Gallery, Sydney and Solang Production Paris Brussels

[dancing-umbrellas-heide-blog]

A Constructed World ACW Archive Les Laboratoires 2013–16 (detail) score, recipe, script Courtesy of the artists, Roslyn Oxley9 Gallery, Sydney and Solang Production Paris Brussels 

[dancing-umbrellas-heide-blog]

PERFORMANCE: THE ARSE SPEAKS, PRESENTED BY A CONSTRUCTED WORLD

Date: 5 March 2016 Time: 2:00 Location:  Heide III: Central Galleries

The diverse characters that populate A Constructed World’s universe return for a performative lecture, The Arse Speaks. Artists Geoff Lowe and Jacqueline Riva have worked together as A Constructed World since 1993, and form the core of this well-known international art collective. Their performances typically include elements of conversation, speech, philosophical texts, music, singing and failed telepathy. Their surprising and unorthodox performances question ‘who are we speaking to and what can be said?’ feeding into their research into forms of address and reception.

A Constructed World excerpt from The Arse Speaks 2016 performance at Heide Museum of Modern Art Courtesy of the artists, Roslyn Oxley 9, Sydney and Solang Productions Paris Brussels