#academic references

[yorkulife]

Hello I'm applying to the social work program and need to submit an academic reference! The problem with that is that I finished college 2 years ago and have been working since then and have not kept in touch with any of my professors. I already have 2 references from work but have no idea how to get this academic reference! Do you think you can help me out, could I use another work reference instead? Or who could I contact to clear this out directly?!

Hi anon, 

I would suggest contacting the School of Social Work directly and asking them, their contact info can be found here.

- H

[electric-cinematics]

References

Bolter, J D, and Richard Grusin. Remediation: Understanding New Media. Cambridge, Mass: MIT Press, 2000. Internet resource.

Brown, Julie. "Schoenberg's Early Wagnerisms: Atonality and the Redemption of Ahasuerus." Cambridge Opera Journal. 6.1 (1994): 51-80. Print.

Brown, Royal S. Overtones and Undertones: Reading Film Music. Berkeley: University of California Press, 1994. Internet resource.

Dubowsky, Jack Curtis. "The Evolving 'Temp Score' In Animation." Music, Sound & The Moving Image 5.1 (2011): 1-24. Art & Architecture Complete. Web. 8 Sept. 2013.

Dowd, James J., and Nicole R. Pallotta. "The End Of Romance: The Demystification Of Love In The Postmodern Age." Sociological Perspectives 43.4 (2000): 549. Publisher Provided Full Text Searching File. Web. 14 Sept. 2013.

Heldt, Guido. "'.. There's No Music Playing, And It's Not Snowing'." Music, Sound & The Moving Image 6.1 (2012): 73-91. Art & Architecture Complete. Web. 10 Sept. 2013.

Lewandowski, Natalie. "Understanding Creative Roles In Entertainment: The Music Supervisor As Case Study." Continuum: Journal Of Media & Cultural Studies 24.6 (2010): 865-875. Communication & Mass Media Complete. Web. 13 Sept. 2013.

MacDonald, Laurence E. The Invisible Art Of Film Music: A Comprehensive History. New York: New York, NY: Ardsley House, 1998. RILM Abstracts of Music Literature. Web. 14 Sept. 2013.

Manovich, Lev. The Language of New Media. Cambridge, Mass: MIT Press, 2000. Print.

McLuhan, Marshall, and Lewis H. Lapham. Understanding Media: The Extensions of Man. Cambridge, Mass: MIT Press, 1994. Print.

Newman, R. “Film Composing with Randy Newman”. Online video clip. YouTube. ArtistHouseMusic, 7 Sept. 2010. Web. 9 Sept 2013.

Rona, J. “The Role of Technology in Film Composing”. Online video clip. YouTube. ArtistHouseMusic, 9 Mar. 2010. Web. 9 Sept 2013.

Underwood, Mark. "'I Wanted An Electronic Silence...' Musicality In Sound Design And The Influences Of New Music On The Process Of Sound Design For Film." Soundtrack 1.3 (2008): 193-210. Academic Search Complete. Web. 11 Sept. 2013.

Waxman, Jonathan. "Lessons From Ives: Elements Of Charles Ives's Musical Language In The Film Scores And Symphonic Works Of Bernard Herrmann." Popular Music History 5.1 (2010): 21-33. Academic Search Complete. Web. 12 Sept. 2013.

   Audio Visual References

Hanks, Tom, Meg Ryan, Parker Posey, Jean Stapleton, Dave Chappelle, Steve Zahn, Dabney Coleman, Greg Kinnear, Nora Ephron, and Delia Ephron. You've Got Mail. Burbank, Calif: Warner Bros. Home Video, 1998.

Lubitsch, Ernst, Grover Jones, Samson Raphaelson, W F. Harling, Miriam Hopkins, Kay Francis, Herbert Marshall, Charlie Ruggles, Edward E. Horton, C A. Smith, Robert Greig, Victor Milner, Laszlo Aladar, Scott Eyman, and Peter Bogdanovich. Trouble in Paradise. New York?: Criterion Collection, 1932.

[pejmanyousefzadeh]

What he is tortured by is the thought that he will never be better than [AC] Ewing and will never hold other views than Ewing. He realises himself that this is not a very exciting state of mind to be in … Nevertheless … he cannot be worse than Ewing, who, after all, is … in his own way, not contemptible.

Isaiah Berlin on H.L.A. Hart.