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Adela Zaharia shines in overwhelming La traviata
‘I return to life! Oh joy!’ sings Adela Zaharia at the end of La traviata. Unassailable she stands on her tombstone, her arm raised to heaven as if she were the American Statue of Liberty. Dismay among the bystanders, as she clearly breathes her last with these words. The orchestra puts an end to her suffering with some sturdy accents and terrifying drum rolls, after which the audience erupts in…
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Verdi’s Verdict on the Camélias’ Courtesan’s “Crime”
Verdi’s Verdict on the Camélias’ Courtesan’s “Crime”
Adela Zaharia and Rame Lahaj (Photo: Craig T. Mathew/Mathew Imaging @mathewimaging)
La Traviata Opera Review
Originally taking place in the sensuous demi-monde of 1840s Paris, in LA Opera’s current iteration director/production designer Marta Domingo has reset Giuseppe Verdi’s La Traviataduring the Roaring Twenties. This revival of Domingo’s Art Deco vision of Verdi’s vintage version injects new…
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